Ein Fusion-Song aus mehreren Genres (Chillout, Ambient etc.); man könnte das Genre Progressive Chillout nennen./A fusion song from several genres (chillout, ambient, etc.); one could call the genre progressive chillout.

Solo il Sole

04_Sad man

Warm, old-school groove with subtle jazz samples and a laid-back rhythm.

Cloud Atlas

From the album Off World 2
Constellation CST127
06 Oct 2017
http://cstrecords.com/cst127

ALBUM TRACKLIST:
1. Wet Max
2. Island Fanfare
3. Scrubdown
4. Memory Drip
5. The Mask
6. Play Room
7. Night Valve
8. Decamp
9. Satellite Beach
10. The Grail 

PLAYERS:
Sandro Perri: bass, drum machine, electronics, guitar, piano (all tracks)
Drew Brown: electronics (tracks 2 & 8)
Eric Chenaux: guitar, percussion (track 10)
Matthew Cooper: electronics (track 8)
Craig Dunsmuir: bass, guitar, percussion (tracks 1, 6 & 7)
Brandon Hocura: electronics (track 7)
Susumu Mukai: drum machine, electronics, guitar (tracks 1, 2 & 8)
Lorenz Peter: drum machine, electronics (tracks 3, 5 & 9)

Off World • "Decamp"

10)The Scroll Of Excalibur(inst.)

9)Prince Valiant And The Scarlet(inst.)

8)Saturday's Children (inst.)

Lyrics & Vocal / Eulalie @eeulaliee
Sound & Mastering  / Ikuko Morozumi @iku1956mz

"The Dumb Doll"

I know you want to rip my limbs off and throw me away.
I know you want to cover my mouth with your cold hands.
I know you want to give me a lot of lovely clothes and sweet pies
I know you want me to change the color of my hair for that pretty things.

you’re the chosen ones
you’re the chosen ones
you’re the chosen ones
you’re the chosen ones
so that's why I chose me


I know what you think , In your eyes, I'm a dumb doll.
But I can move myself on my own.
You're the dumb enough to think I'm a doll.
Cause I can move myself on my own.

I know you just make light of me
I know You think I'm a dumb puppet or something like that.
I know you just make light of me
I know you want to control me

I know you want to rip my limbs off and throw me away.
I know you want to cover my mouth with your cold hands.
I know you want to give me a lot of lovely clothes and sweet pies
I know you want me to change the color of my hair for that pretty dumb  things.


I know you want to rip my limbs off and throw me away.

you’re the chosen ones
you’re the chosen ones
you’re the chosen ones
you’re the chosen ones
so that's why I chose me


I know you just make light of me
I know you want to control me
I know you just make light of me
I know You think I'm a dumb puppet

The Dumb Doll

Ikuko Morozumi & Eulalie / The Dumb Doll

Street Date: 10/16/20

This would be the first proper Quintron and Miss Pussycat full-length since 2011’s Sucre Du Sauvage, and the duo’s third for Memphis Tennessee’s weirdo-rock label Goner Records. Produced by Greg Cartwright (The Oblivians / Reigning Sound) and recorded on 2 inch tape at Gainesville Florida’s PULP ARTS studio, Goblin Alert picks up where Sucre Du Sauvage left off- snotty, semi-political, trash-anthems like, “Teenagers Don’t Know Shit,” “Stroller Pollution” and “Buc-ee’s Got A Problem.” Also, for the first time ever, Q and P have ditched the drum machine in favor of New Orleans jazz-basher, Sam Yoger (Babes, AJ Davilla) on drum kit, and slinky Florida man,  Danny Clifton (Room 13, Jane Jane Pollock) on hollow body guitar. The resulting vibe is some kinda tweaked-out Miami disco dipped into a Mississippi mudslide, especially the tracks featuring Biloxi talk-box master, Benny Divine (aka BENNI). And for the mystery lovers, there is 3/4 power-ballad entitled, “Where’s Karen,” featuring backing vocals by Heather Lee (Room 13, Jane Jane Pollock), about a troubled girl who vanished on Mardi Gras day.

Quintron and Miss Pussycat have been making genre-defying noise and hard rocking dance music in New Orleans for over fifteen years. The majority of their 16 full-length albums have the psychedelic soul of traditional New Orleans party music, filtered through a vintage Hammond B-3, technicolor puppets, and a battalion of distorted, homemade instruments.
In addition to his work with Miss Pussycat, Quintron has been releasing albums featuring a self-made weather synthesizer called "WEATHER WARLOCK", which uses sun, rain, temperature, and barometric pressure to make music. He has also played Hammond organ on a number of records by other artists, most notably THE OBLIVIONS "9 Songs" and STEVE RILEY AND THE MAMOU PLAYBOYS "Grand Isle" which was nominated for a Grammy in 2012 and featured the Quintron penned song "Chatterbox". Quintron has also appeared in several films and television shows, including 2019 Showtime hit, On Becoming A God In Central Florida.
Quintron and Miss Pussycat’s sweaty musical blasts are paralleled in spirit and performance by Miss Pussycat’s dreamy puppet worlds – elaborate, and beautifully crafted for success in intimate venues of late-night drinking and dancing. She has also had several major solo museum exhibitions and, although the puppets are NEVER for sale, ceramics, paintings and other visual work related to her puppetry, are represented by the Webb Gallery in Waxahachie Texas. A large show of oil paintings and ceramics is scheduled for Fall 2020
The Quintron / Miss Pussycat experience is one of barely controlled electronic chaos, "Swamp-Tech" dance beats, small explosions, incredible clothes, and entertaining puppet stories.  You can see them perform regularly at the Spellcaster Lodge in New Orleans, Louisiana or on one of their many tours around the world.  This act somehow has equal relevance in sleazy nightclubs, pizza restaurants, and university lecture halls.

Goblin Alert

Quintron & Miss Pussycat - Buc-ee's Got a Problem

Track is taken from the upcoming album 'All' (out November 6, 2020)

+++++

It has been nine years since Urlaub in Polen announced they were disbanding with the release of their fifth album Boldstriker. However, drummer Jan Philipp Janzen and multi-instrumentalist and singer Georg Brenner have always made up one of those rare and highly unlikely bands who, despite market laws to the contrary, have put the context of their own work above fads and opportunity without ever denying that they inhabit a particular historical moment. On All, their unexpected sixth album, it becomes immediately clear that the term »reunion«, at least in the sense we’ve gotten used to, does not do justice to this particular ocurance. All is light years away from offering a lukewarm rehashing of ancient recipes for success - the album is highly ambitious and sounds fresh in its concentrated performance—not unlike a debut. This is because the considerable advantages of a long-term musical relationship are at display throughout the record. Not only with regards to the tightness of performance, which was and is every bit as unbelievable as everyone says, particularly those who have been privy to their ecstatic live performances, but also regarding a level of musical familiarity withone another; a rare feat that has always carried the band’s musical explorations, and which balances the dynamics and structures of All as a whole. This interplay is accentuated by the record’s production, for which Janzen (among others a founding member part of Von Spar, current drummer of Die Sterne and producer of Die Sterne, The Field, PTTRNS, Albrecht Schrader etc.) and Brenner are also responsible.

Urlaub in Polen have also always been a band that defies categorization. All is probably their most formally coherent album so far, but it is nevertheless anything but a work of genre: What the songs on All have in common is an architecture evoking Krautrock, developing sprawling synthesizer and guitar workouts on the foundations of finely woven rhythm arrangements. The echoes of West Coast Pop (the harmonies and the bass!), of Rhineland Tech House and of early Dire Straits (the vocals and the guitar production!) make All a characteristically versatile and international affair. The album shares with their previous efforts the interest and attention for sonic textures and contrasts, but showcases more constraint and focus. In place of noise, details and the enormous joy of playing between Brenner and Janzen come to the fore, equally in the stoic Desert Kraut hits »Impulse Response« and »THDT,« the polyrhythmic »Overall«, or the discoid »Proxy Music.« All as a musical statement thus bears witness to the fact that Urlaub in Polen’s artistic vision is not centred by musical niche or content, but by formal considerations and the ever new presence of playing together: All, in this sense, stands for nothing more and nothing less than the latest expansion of their oeuvre.

+++++

https://www.tapeterecords.de/artists/urlaub-in-polen/

10)The Scroll Of Excalibur(inst.)

John Frusciante / Trickfinger