Daddy Long Dick
OOST resident
Contact: a.darc.l.mol@gmail.com

BOOKINGS:
djassault@jeffersonave.com

STORES & SOCIALS:
https://linktr.ee/DJAssault


Detroit's own Booty Bass pioneer DJ Assault has had a large hand in bringing booty music, from the urban streets of Detroit to the suburban club circuit. The incorporation of electro beats with hardcore, sometimes pornographic lyrics, is what makes ghetto-house highly distinguishable from its other techno cousins.

His track "Ass -N- Titties" (Released in on his self run Jefferson Ave label ) featured in a scene in 22 Jump Street an American comedy film directed by Phil Lord and Christopher Miller. The film was released on June 13, 2014, by Columbia Pictures and Metro-Goldwyn-Mayer, received generally positive reviews, and earned over $308 million at the box office.

Another early DJ Assault track, ‘Tear Da Club Up’, was recently sampled by Darius Syrossian who used Dj Assault’s vocal to make it a house track. Darius made the track in the summer of 2013 especially for his BBC 1 essential mix. The track is being played from Ibiza to Japan, by many underground house deejays including Dirty Bird label boss and international deejay / producer Claude Von Stroke, who seems to make it his trademark to insert ghetto-bass elements into his house sets.

MIKE STA and MAE STA
DJ and Production duo, LOVE SIX

We are a married couple from Boorloo (Perth) Western Australia who LOVE working together as a DJ duo and producers of remixes and edits. 
We LOVE to create high energy edits of hip hop and r&b songs, always trying to make sure people are shaking it on the dancefloor. 

Much LOVE 💖

✘ Blunted Vibes from Hamburg City ✘     
http://instagram.com/bluntedbeatz
Stay Inspired

Booking & Management: info@lazyflow.fr

BIO: For French producer and DJ Lazy Flow, dancing is not at all a trivial matter. It is a demanding art, which sows beautiful madness in the genre, connects all styles of dance-floor history, and is a one-way flight to a future that perfectly reflects what is becoming of his generation. As a lover of the Ballroom scene as much as a passionate proponent of Shatta, the icon Gala and Baile Funk, he toys masterfully with the sounds of the African Continent, the US East Coast, South America, England and the West Indies, all-the-while speaking to a gender fluid, diverse youth, doing so in the most universal, compelling language: that of energy.

Lazy Flow’s DJ sets are celebrations, collective catharsis, led by dancers who follow him everywhere and push their bodies to the limit to do justice to his music.

His secret is perfect mastery of rhythms inherited from the pioneers of House, the icons of Ballroom (to which he upholds law of the land like no one else), the jerking of Baile Funk, Afro, UK Bass, Bouyon, and Jersey Club. This technical virtuosity, combined with hard daily work in the studio, gives his performances something tantalizing, rare, both demanding and unifying.

As a true, blue boy of his generation, he is inhabited by curiosity, by this incandescent passion which makes his path perfectly unique. His audience knows it, they follow him, celebrate him in France and around the world, and exponentially grow in figures, fill the gaps, and do away with excess in front of his turntables, with which he alone knows how to converse so well.

A set by Lazy Flow is utterly electrifying, familiar, easy to follow, and wonderfully confusing.

His productions, little grails that DJ’s trade to enlighten the dancefloor, are not to be outdone. His edits of hits, or his own finds, are incredibly modern deconstructions, and his compositions never let go, like his pieces produced with/for Yamê, Marina Satti, Vladimir Cauchemar, Pongo, Meryl, Maureen, Disiz, Féfé, Jarreau Vandal, Kiddy Smile,… All the feelings are merged, and the dance must never stop.

Lazy Flow’s latest EP, Paris Bouillon Club, conceived and crafted when clubs around the world had to shut down due to the pandemic, encapsulates his influences and his journey. As eclectic, bold and open-minded as its creator, it’s infused with Baile Funk, Afro-Trap and Vogue beats. Lazy Flow’s productions are enhanced by stunning vocal performances from Congolese singer Popaul Amisi, English-Japanese performer Shala, and European ballroom scene legend Matyouz. The EP is also a tribute to LA CREOLE, the feverish Parisian party Lazy Flow was a resident for the last five years.

Lately, Lazy Flow has put together The Lazy Flow Show, along with a powerful MC and two limitless dancers. This unique live experiment, inclusive, festive and educational, is the perfect extrapolation of a universe like no other and It’s taking over more and more festivals across Europe.

It’s always when you feel like nothing is happening in music that unique and unexpected phenomena appear, black swans, as if from nowhere. Lazy Flow is one of them. Don't miss out.

By Ariel Wizman

Just a guy. Expressing himself through music. Not bound to any specific genre, but always focussing on the melodic and progressive side of electronic music.

Jhessel is following