I Can't Let You Go Demo A 42622 12pm
I can't let you go demo C
I can't let you go demo D
I can't let you go demo E 41722 6pm
I can't let you go demo E 41722 6pm

I Can't Let You Go Prod. Guala Beatz

I'm a bass guitarist and I'm thrilled to welcome you to my channel, where the soothing magic of the bass guitar comes to life.
Join me in exploring a world of unique and relaxing music, all crafted using only the bass guitar's deep and resonant tones.

Here at 4 Strings Vibration, I'm on a mission to redefine relaxation through my musical creations. From tranquil melodies to mesmerizing grooves, each composition is a testament to the endless possibilities of this incredible instrument.

If you're seeking a sonic escape, a moment of serenity, or just something extraordinary, hit that subscribe button and let's journey into the realm of bass-infused tranquility together. Stay tuned for a new kind of musical experience – this is BassGroove Oasis, and I can't wait to share it with you.

Scotland

Mercury

Watch The One Official Music Video on YouTube: 

https://youtu.be/W608ECZEfSM?si=wHLGzZKJ7qmj953j

🦋🪐💎 Thank you for listening 💎🪐🦋

The One

Kiss and Tell

Lying to myself

Artist Name
Polvojack
Additional Artists
Composer - Guillaume Doyon
Lyricist - Guillaume Doyon
Record Label
Polvojack
UPC
199199218171
Release Date
Mar. 17, 2025
Primary Genre
World
Secondary Genre
World
Primary Subgenre
Drumming
Secondary Subgenre
World Traditions
Mood/Style
Type: Experimental
Album Language
English
Artist Sounds Like
reznovjack
unbekannt
Artist Location
CANADA - Québec


Nostalgia

3 for 1 on any beat from my catalogue here: methaphorcebeats.com

"Nut Gonna Lie" - Mozzy x J.Stalin Type Beat

never ends (prod. avram)

“Money on Synthetic Orchards 2.0”:
The lyric maps a world where wealth isn’t grown in nature but engineered in hidden, high-tech “orchards” — systems of finance, policy, and control designed to bear fruit for the few. It exposes how bankers and power brokers cultivate profit through synthetic means: algorithms, loopholes, and global deals that look clean on the surface but are rooted in exploitation. Across its verses, it contrasts the organic imagery of orchards with the cold circuitry of manufactured growth, calling out hypocrisy, systemic inequality, and the moral cost of profit built without soil, sunlight, or integrity.

Lying to myself

Jigaremz