Francesco Bossi is a composer and sound designer whose work includes acoustic and electroacoustic music, video and multimedia installation. He holds degrees from Conservatorio di Genova, University of Bologna and Conservatorio di Milano where he graduated with highest honours in Electronic Music. His research is currently focused on the production of algorithmic/computer based custom synthesizers. His effort is to share contemporary music beyond academic audiences.

I am an eclectic Singaporean composer who infuses many different styles. Period.

This is the account which I use to store and upload recordings/mockups of my work.

Chao-Ming Tung is a Taiwanese-born composer and gu-zheng player (Chinese zither) based in Cologne, Germany. His music encompasses stage, instrumental, vocal, and electro-acoustic works, and multimedia-performances with visual arts and dance.  Since 2000 he has gradually incorporated Chinese instruments into his music, and improvises with gu-zheng and live electronics in concerts. 

Tung’s work has been presented in concerts of numerous festivals throughout Europe, Asia, and the USA.  He has collaborated with choreographers, dancers, painters, musicians, ensembles, sound-, media- and video artists, e.g. Annegret Heiln, René Pieters, Bernhard Gal, Klang Forum Wien, Ensemble Ictus, Ensemble Modern, ensemble 2e2m, Ensemble On-Line Vienna , ensemble DEDALO, and China Found Music Workshop Taipei.
He was awarded the Bernd Alois Zimmermann Scholarship for Composers from the City of Cologne in 1999, the Scholarship of National Culture and Arts Foundation Taiwan in 2001 and Stipendium of Villa Aurora Los Angles 2004. From 2006 – 2007 , he was  composer in residence of China Found Music Workshop Taipei. Since 2007, he teaches composition at the Ciao Tung University in Taiwan.

Robert McClure’s music attempts to discover beauty in unconventional places using non-traditional means.  Visual art, poetry, the natural world, neurological and mathematical concepts are all elements that influence McClure’s works. His work has been featured at festivals including the New York City Electronic Music Festival, the Sonorities Festival of Contemporary Music, the Beijing Modern Music Festival, the Toronto International Electroacoustic Symposium, ISCM, SCI, SEAMUS, and ICMC (International Computer Music Conference). 

His works may be found through ADJ·ective New Music LLC, Bachovich Music Publications, Imagine Music Publications, Innovative Percussion, Media Press, Inc., Resolute Music Publications, and Tapspace Publications as well as on the ABLAZE, Albany, and New Focus Record labels.

In addition to his composition activities, Robert is a member of the ADJ·ective New Music Composer Collective and the host/producer of the ADJ·ective New Music podcast, Lexical Tones; a weekly conversation with a guest composer, performer, and/or artist creating new works of contemporary art/music that focuses on aesthetics, technique, process, meaning, perception, and the musical origins of the featured guest. The podcast can be found on iTunes, Stitcher, and Soundcloud.

Robert received his doctorate from the Shepherd School of Music at Rice University where his primary mentors were Shih-Hui Chen, Arthur Gottschalk, and Kurt Stallmann.Robert has previously held positions at the Shanghai Conservatory of Music and Soochow University in Suzhou, China. He currently serves as an Assistant Professor of Composition/Theory at Ohio University.

Gustavo Chab Argentina-Spain (b. Buenos Aires, 1964)
Composer of mostly electroacoustic works that have been performed in the Americas and Europe.
He composed his first electroacoustic piece in 1993, specializing in composition techniques in electroacoustic.
His compositions, including works for instrumental, electronic music and performances. Frequently explores the spatialization of sound in composition, mixing electroacoustic sounds and acoustical instruments.

https://gustavochab.blogspot.com/p/bio.html

Composer, sound and visual artist. Born and bred as musician within techno and industrial Chilean scene, he moves between different types of electronic music. He studied electroacoustic composition with Rodrigo Sigal and Federico Schumacher and works on acousmatic and live electronics since 2004. His music has been performed in several and prestigious festivals like Synthèse (Bourges, France), JIEM (Madrid), Bienal Internacional de Música Eletroacústica (São Paulo) and Sonoimágenes (Buenos Aires). He is an active member of the Electroacoustic Music Community of Chile (www.cech.cl) and of the Latinamerican Sound Art Network (www.redasla.org)

Usually he composes for theatre and dance. He has been producer of several concerts, meetings, conferences and publications, highlighting the International Festival of Electroacoustic Music of Chile “Ai-maako” and CD collections of Chilean electroacoustic music.

With studies in Fine Arts pedagogy (UMCE, Chile) and a Bachelor degree in Visual Arts (Universidad Mayor, Chile), he currently is a PhD researcher in Electroacoustic Composition under the supervision of Adam Stansbie and Adrian Moore in the Department of Music at the University of Sheffield, United Kingdom. The central topics of his research are human voice, poetry, language, acousmatic and algorithms.

http://alejandroalbornoz.wordpress.com

Dariusz Mazurowski is a Polish electroacoustic music composer, producer and performer born and currently residing in Gdansk. While the majority of his compositional activity has focused on electronic / acousmatic works, he has also composed instrumental music in conjunction with electronics (including music for various sound objects, both acoustic and electronic), audio installations, radiophonic collages and improvised electroacoustic music. During the 1990s he resided mainly in Prague and composed several electroacoustic works before returning to Gdansk in 2000.
	His works combine traditional analog instruments with the sonic potential of digital technology and computers, i.e., electronic / synthesized sounds with processed microphone recordings (concrete sounds) and samples. His compositional approach is dynamic in that it involves live electronics and live sound diffusion across multi-speaker systems. During solo concerts, he often combines fixed media with extracted “parts” that he then performs (sometimes improvises) on live electronic devices. Dariusz Mazurowski employs a complicated system of digital, analog, and sometimes even homemade sound generators in both fixed and improvised presentations of his music. He consistently challenges conventional approaches to making electroacoustic music by privileging the singularity of sounds over more traditional formal concerns. Mazurowski’s inventiveness and technological expertise has already earned him a respected place among Europe’s electroacoustic community. He has also designed and built numerous custom analog experimental instruments (including synthesizers) and has collected various, often strange, sound objects such as stones, pieces of wood, old mechanisms, etc., to use as acoustic source material for further transformations.
	Mazurowski is also active as a visual artist (graphics, drawings, photography and video) and as a journalist (publishing texts mainly devoted to contemporary music: history, perspectives, theory, technical aspects and studio technology in such journals as Estrada i Studio and Muzyka21). His professional activities include producing various electroacoustic music concerts and participation in and contribution to several scientific conferences and workshops.
	Mazurowski’s music has been broadcast by various radio stations all over the world, and he has performed at festivals and other events in Europe, North America, and Asia. His installations, visual works and graphics have been exhibited worldwide in numerous galleries. Recent performances / exhibitions include : Audio Art (Krakow 2012 / 2013 / 2014), MUSICACOUSTICA (Beijing 2012), Resonance (Krakow 2013), ohrenhoch der Geräuschladen (a sound gallery in Berlin, 2012 / 2014), Echofluxx14 (Prague 2014), LEMESG (Saint Petersburg 2014), Music for No Tape / ERARTA (Saint Petersburg 2014), ICMC / SMC (Athens 2014) and others. He is an active member of The Polish Society of Electroacoustic Music (PSeME), currently a member of the Executive Board of this organization. 
	Mazurowski's electroacoustic compositions have been published on numerous CD albums (Pseudaria / Divertimento, Back in Time, Fallacies DVD – to name a few, recent ones), including the newest one, Non Acoustic Symphony, released in the USA by Neuma Records (in April 2015).

Ji Heng Lee • 李智恒 is following