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Spire (Preview)

Last night, I think I pulled off a minor miracle.  Got a call for a last-minute recording at 10pm... and despite having not warmed up all day, I sang the highest note I've ever recorded: a high E-flat.  

Don't ask me to reproduce it.  O_O

My Minor Miracle: A High E-Flat

END OF THE LINE

From the new EP "Hope for the Haunted"
mimipage.bandcamp.com/album/hope-for…the-haunted-ep

Porcelain (Moby Cover)

Music made using SHREDDAGE 3 FRETLESS, a gorgeous five-string virtual fretless bass sampled in exquisite detail. Perfectly capturing the iconic "mwah" sound that sings just as much in lead playing as bass, this instrument offers DI AND amped tones along with an extensive set of tone snapshots, revamped Shreddage 3.5 engine, and new performance modes making it easier than ever to perform.

https://impactsoundworks.com/product/shreddage-3-fretless/

SHREDDAGE 3 FRETLESS: "Cosmic Orb" by JIMSAKU

Maggie Rose does a country cover of A Great Big World's Say Something

Maggie Rose "Say Something" on The Bobby Bones Show

https://www.facebook.com/RamyEssamOfficial | Watch Music Video http://www.youtube.com/watch?v=vMdXoyoZcMs | Download MP3 https://www.mediafire.com/?029de4sbg9anqmm ماحناش من دول ولا دول ولا دول
مش ماتش عشان اللي يجيب جُول
ياخد ثورتنا وهيروّح
خُد مني العهد ومن الناس دول..

ماحناش من عصر لا دول ولا دول
احنا الضـُّـهر الحامي على الغول
احنا الضـَّـهر اللي بيسند دول ..
ساعة مايقولوا كلام معدول

ماحناش من دول ماحناش هُمَّـا
طبعا ويعيش شرف الأُمَّـــه
اللي ماترجعش وتعشق دول ..
ساعة مايبان العيب على دول

ماحناش من دول ولا دول ولا دول
دول كانوا فلول دول صبحوا فلول
والدور الجاي في الثورة يازول ..
ع النُّــخبة البايتة أُمّ خلول
ماحناش من دول ولا دول .. ولادول


We don't belong to them or them or them
It's not a match where whoever scores a goal
Wins our Revolution and takes it home!

Take my pledge and the people's too
We don't belong to them or them or them 

We don't belong to their era or their's either
We're the burning light that exposes the beast 
We're the backbone supporting them
if they ever stand by the truth

We still don't belong to them, we are not them
and after all,long lives the nation's pride
a nation that won't retreat to the old
When the present's flaws start to show


We dont belong to them or them or them
Those were remnants of the regime, and those became remnants too
And next in turn to be overthrown
The revolution's rotten complicit elite
We dont belong to them or them or them


Ramy Essam - Mahnash Mn Dol رامى عصام - محناش من دول

كلمات: فؤاد حداد
ألحان: محمد مستجير
توزيع موسيقى: كريم حسام

Video: www.youtube.com/watch?v=HSQXiz4Xi7A

وانا قاعدة على راس شبّاكى
فاتت عربية ملّاكى
بيغنى انا بستنّاكى
قفلت الضلفة عيّط آه

بقى يبكى بكا باكو بسكوتى
فتحت الضلفة بقى مش باكى
بالحيّانى وبالسكّوتى
فتحت الضلفة وقع فى شباكى

عيّط آه بالحيّانى
آه وقاللى ما أحلاكى
وسألنى مين قسّاكى
قفلت الضلفة ف وشه قفاه
عيّط آه بالحيّانى
آه وقاللى ما أحلاكى
وسألنى مين قسّاكى
قفلت الضلفة سرح فى بكاه

بقى يبكى بكا باكو بسكوتى
فتحت الضلفة بقى مش باكى
بالحيّانى وبالسكّوتى
فتحت الضلفة وقع فى شباكى


فيروز كراوية- راس شبّاكى   Fayrouz Karawya- Ras Shebaky

NOW ON KICKSTARTER: https://www.kickstarter.com/projects/zircon/arcology-the-next-zircon-album

Jillian Aversa's Album

Arcology - Album Preview Medley for Kickstarter

EDM - Jillian Aversa Vocal Demo Reel

Celtic - Jillian Aversa Vocal Demo Reel

Classical/Opera - Jillian Aversa Vocal Demo Reel

Contemporary/Pop - Jillian Aversa Vocal Demo Reel

Ethnic/World Music - Jillian Aversa Vocal Demo Reel

Cinematic/Ethereal - Jillian Aversa Vocal Demo Reel

Music created using Impact Soundworks MODERN HARPEJJI®, the inspiring, authorized virtual instrument of the Harpejji® K24 by Marcodi Musical Products! This 24-string electric instrument, invented in 2012, is played by tapping, bending, and sliding, and has been used by artists like Stevie Wonder, Walk Off the Earth, Jacob Collier and many others.

🎵🎹 GET IT NOW: https://impactsoundworks.com/product/modern-harpejji/

Our virtual version captures the nuance and tone of this incredibly unique instrument, adding the ability to toggle between all-bass and all-treble strings, acoustic unison, 35+ FX, microtuning, harmonization and much more - available for the free KONTAKT PLAYER 6 (VST, AU, AAX) and any DAW!

Koji Kondo - Dire Dire Docks (Harpejji Arrangement)

Jillian Aversa is a soundtrack vocalist, concert soloist, New Age/World music composer, and YouTube artist. Her shimmering voice has been featured in Hollywood film and blockbuster video game franchises Halo, Destiny, God of War, Civilization, Soulcalibur, Killer Instinct, Katamari Damacy, Assassin's Creed/Brawlhalla, Crimson Dragon, Honor of Kings, the Gran Turismo film and more. In addition to her soundtrack performances, she is known as a soloist with various symphonic game concerts across the globe – including the international concert tour Video Games Live. Her YouTube channel features music videos that have received millions of views, as well as coverage in Polygon, Wired, Game Informer, and Nerdist.

Jillian has performed as a soloist with the Boston Symphony, the National Symphony, the Melbourne Symphony, the Baltimore Symphony, the San Diego Symphony, the Shanghai Orchestra, the City of Prague Philharmonic, and the National Symphony in Dubai, among many others. As the touring vocal soloist for Video Games Live, an immersive symphonic concert series, she has performed in 14 countries across 5 continents.

Notable concert events in which Jillian has been a featured vocalist include the San Diego Comic Con, E3 Expo, Tokyo Game Show, at several official Blizzard Entertainment concerts held in arenas across China, with the Los Angeles Jewish Symphony's Music of Inon Zur, with the Video Game Orchestra in Boston, in A Night in Fantasia with the Macau Symphony, and in Video Games Unplugged with the Melbourne Symphony, hosted by actor Wil Wheaton, and Scott Kurtz and Kris Straub of Penny Arcade TV.

Jillian performed the ending theme to the Gran Turismo film, composed by Lorne Balfe and Andrew Kawczynski in conjunction with 14th Street Music - a music production company founded by Hans Zimmer, Lorne Balfe and Steven Kofsky. As a soloist on major video game soundtracks, she is often regarded as “the voice of Halo,” singing on four games in the popular franchise as well as on the TV mini series Halo: Fall of Reach - including the ending theme song, "Take This Life," which she co-composed with Tom Salta. On Halo: Combat Evolved Anniversary and Halo 2 Anniversary, her voice is used extensively throughout both cutscenes and gameplay alike, as well as in the iconic main theme, "Installation 04." Her haunting vocals can be heard in the "Prelude" to Halo: Spartan Assault, among many others, - and on Halo: Spartan Strike she continues to contribute to the series' signature sound with a vast range of tracks highlighting her singing. 

Jillian is the vocalist of the popular "Watchtower" theme in Destiny 2: Forsaken, composed by Wilbert Roget II. In both Civilization IV: Beyond the Sword and Civilization V: Gods and Kings, she sings the intro theme songs by composer Michael Curran. The soundtrack to God of War: Ghost of Sparta features Jillian's operatic singing and eerie whispers as the voice of Erinys, composed by Mike Reagan. In Ubisoft's Assassin's Creed-Brawlhalla crossover, she is the soloist of the classic "Ezio's Theme" composed by Jesper Kyd and arranged by Chris Rickwood, among numerous other tracks. Her ethereal singing captivates in the massively popular Chinese MMO Honor of Kings with Tom Salta.

Jillian's versatile range spans distinctive solos to intricate harmonies, improvisation, and lush one-woman choirs. Her recorded languages include English, Latin, Italian, French, German, Japanese, Gaelic, Russian, and Polish. She also enjoys singing in fictional languages - examples include her lyrics for the Soulcalibur V ending theme, "The Breeze At Dawn," a piece she co-composed with Cris Velasco - as well as the fantasy lyrics to "Esoterica" from the Indivisible soundtrack with Secret of Mana composer Hiroki Kikuta.  She sings in Japanese for "Lonely Rolling Star" in the Katamari Damacy game "Tap My Katamari," arranged and produced by Andrew Aversa, and in Latin for the main theme to Civilization V: Gods and Kings.

Though she is a classically trained soprano with a degree in vocal performance from Peabody Conservatory of Music, Jillian is also well versed in non-Western singing styles. In Mick Gordon's score to Killer Instinct (2013), her Mongolian vocal stylings can be heard in "Jago's Theme." Her Slavic inspired singing pierces in the main theme of Crimson Dragon with composers Saori Kobayashi and Jeremy Garren. She is also the featured vocalist of the sample library “Allura” by virtual instrument developer Impact Soundworks, used by thousands of composers around the world. There, her distinctive range is on display as both a soprano and in several World music vocal traditions. 

Jillian also composes and performs original New Age music. Her solo albums Atlantis Awakening, Origins, and Through Sand and Snow have been streamed hundreds of thousands of times worldwide, landing international radio airplay and awards such as the $5,000 OurStage Music Grand Prize and JPF Best New Age Album. 

Outside her soundtrack and solo work, Jillian also enjoys collaborating on original music with other artists – including her husband Andrew "zircon" Aversa, with whom she has co-written and performed on numerous popular EDM tracks. Her vocals can be heard on the two time Grammy-winning album Calling All Dawns by Christopher Tin, and the two musicians wrote an original song together for One Big Album, a charity release featuring an all-star roster of video game composers. Her voice can be heard on 5-time Grammy nominee David Arkenstone's album Music Inspired by Middle Earth vol . ll, and she has also collaborated with Grammy-nominated cellist and composer Tina Guo on numerous occasions.

With her silken voice and passionate vision, Jillian Aversa has become both a critical and popular favorite – commanding the stage, the studio, and redefining what we think of New Age music along the way.

My Minor Miracle: A High E-Flat

Jillian Aversa

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Tim Bongiovanni

ROAR Productions Music Studio

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