Wow! sort of a beginning following The End...

Psychedelic high. This is really an inspired tune brother!

Big echoy temple goodness. Puts a smile on my face, Elephants/? an all

Faded flashlights, some candles around me... Everything is there to appreciate completely this psychedelic great moment! I am not amazed that you travelled! We feel it in all your compositions! That feels the Experience, the Experiment too! Brilliant! All our youth goes back up by listening to small marvels as that one!

love this temple trance you've created Jim... your multi-layering has worked extremely well...dig this!!

Ghost Time

I'm really excited to share my new song "Relief" with you all.
Hope you enjoy it! Please comment, like and share!
Recorded at the great OddOne Audio studio in Berlin.

XX

Janine Villforth - Relief

First track from the White Noise album released Nov 2014. My version of political folk music.

People from around the world sent in videos of themselves filmed on phones, ipads and cams to be included in this video. It's very special to me. 
https://www.youtube.com/watch?v=MRR6Z5RSExY

Feed The Machine 

It's getting hard to breathe in 
I don't know what you're thinking 
While the river runs bloody and the sky is fire 
God's little children get a hell of a ride 

Chorus 
Feed the machine what is it for 
Hide what is real what is it for 

Blood like tears run down her face 
Could be the end of the human race 
Give me money for the things to get me by 
When I'm down give me pills so that I can get high 

Chorus 
Beat of your heart what is it for 
Beating so hard what is it for 
Feed the Machine what is it for 
Hide what is real what is it for 

Do androids dream of electric sheep 
Pray to the machine for their soul to keep 
Cut all the wires 
Shut the terminal down 
Fire off your missiles and burn the fucking thing to the ground 

There's a lie in the truth, but you need to think straight 
They will talk you into silence 
Give you demons to hate 
It's a white noise buzzing in your ears til they bleed 
A need against want 
A want against need 

Chorus 
Feed the machine what is it for 
Hide what is real what is it for 
Beat of your heart what is it for 
Beating so hard what is it for 
Feed the Machine what is it for 
Hide what is real what is it for

Feed The Machine

Bass and drums by Dave
Backing vocals by Kate
Speech by Ike
Image by Chris Wormell

All your jackboot walking
It's about enough to make me sick
And you know it's coming 
Ominous, foreboding
Third Reich, second coming
I think the books will burn
As the sheep do flock
The Doomsday Clock goes politic tick tock
As the hourglass empties
Like some hurricane sandy
Down the throat of some detainee
I think the books will burn
I know, I think, it might
I think the books the will burn
The crowd they warm their hands on
On the aforementioned flame
But the heat it giveth
They'll find it reminiscent
Of some Smallpox blankets
They'll find it's a cold, cold flame
I know, I think, it might
I think the books will burn

Politic Tok (demo)

Adam Coppock - Drums & Percussion
Michael Walker - Guitars & Vocals

Mixed & Mastered at Strudel Girl Studio, Ithaca Greece
by Erika Bach (lolademo & lolalofi)
soundcloud.com/lolademo
soundcloud.com/lola-lofi

Lyrics & Music by Michael Walker
Doing Time

I feel like loving you is a crime
The pains I get from you baby are like a killing field
A week can be long sometimes like a year or two
And I am not that strong when I am down in the hole

And just like Cool Hand Luke run from them dogs 
Trying to get away from it all
I am doing time
For my crimes

I have been climbing ladders up and down just to get across
Making you happy baby is like living in a crossword town
There is something in the oven it's turning crispy brown
Well it’s too late now, it’s me, and it’s where I have been hiding out

The man in the frown isn’t a circus clown
It’s just me and I have been feeling down
Doing time
For my crimes
Doing time
For my crimes


Buy to  Support

Doing Time

After traveling around Thailand for a few weeks,i took in the sights,people,sounds,temples,and music .met up with friends and fellow artists,and had some mad adventures..only wanting to return again and see more of this wonderful area of the world.
To me the world just got smaller..and the call of music..communication..and the global dance lies waiting...heres to the next adventure

A Higher Temple

URBAN SOULS. is a mix of genres,Jazz and ambient, a walk through the maze of streets where each one reveals its soul....

URBAN SOULS. 🎧

Music- Finn Eces  
Doina-All Violins
Finn Eces-Guitars, octave mandolin, tenor banjo and tin whistles
Mixed by Finn & Doina

For all my cancer & chemo comrades in Limerick University Hospital and for Pat.

I started this piece a few years ago, and Doina was kind enough to write some beautiful violin parts for what is quite a simple chord progression really. I didn’t have lyrics and life events overtook writing music. I picked it up recently wanting to mark that life event, and an upcoming crossroad. 

More fantastic work from Doina here https://on.soundcloud.com/nnwFWWwW9ofaPd3z6

Come Sunshine Come Rain

Don't miss the MUSIC VIDEO: https://youtu.be/n_LKJ_0l83Q
with live footage of a Para Lia gig - and follow our Youtube channel! 
Thank you for your support!

Songwriting und Lyrics by René Methner / Recorded by Para Lia / Mix und Master by Lakesidestudio, Berlin

Para Lia:
René Methner - Gitarre, Vocal, Synth
Cindy Methner - Vocal
Michael Schlottke - Bass
Emanuel Mukow - Drums
Remo Ender - Gitarre
Dennis Grund - Mellotroneffekt-Gitarre

Cover art: RM, Foto by Heiko Portale

PSYCHALOVIC SONIC SONGS FOR LOVERS AND SURVIVORS

Follow Para Lia:
► Facebook: www.facebook.com/paraliamusic
► Instagram: www.instagram.com/paralia.music
► Tik Tok: www.tiktok.com/@paralia00
► YT-Kanal: www.youtube.com/c/paralia
► Website: para-lia.de/de/

with the cream of the jest
at the wheel we are blessed

with shrill and loud disputes
straight ahead the downwards route

in neverland

infantile speech for the dumb
for all the sheeps

we are underestimated rats
gold-givers for spoiled cats

in neverland

s.o.s. we lose contact with the cell
in the end we lose contact with ourselves
in neverland

Para Lia - Neverland

I always wanted to make a sonic companion to the last song Bitzone, Frawstakwa, and I made together, “What Difference Does It Make.” I finally got my chance. This one came together real fast. Bitzone sent me a raw beat, I asked Frawstakwa to kick it off, and then I made some arrangement adjustments and laid down my lyrics and vocals based on Frawstakwa’s. Bitzone then finished it up and bada-boom, gotta move, gotta shake!

Massive thanks to Frawstakwa for bringing the fresh ideas and original verse and chorus vocals. And big thanks to Bitzone for always make the tracks more vivid than I could imagine. 

May there always be at least a little time to bounce in your week! 

Track Credits:
Bitzone: Music, Production, Arrangement, Mix, and Master
https://soundcloud.com/bitzone
https://www.bitzones.net/
Frawstakwa: Verse and Chorus Lyrics and vocals
https://soundcloud.com/frawstakwa
the Couch King: Verse Lyrics, Vocals, and Samples
https://musiciselation.bandcamp.com
Intro: Louis Bloomfield

Lyrics: 

Hold up
Lemme tell you
What I’m talking about
To the beat
With a breakdown
That can make you bounce 

Here we are
Coming through
With whatever it takes
Full force
On these fools
All up in your face 
Show and prove
Break it down
To the drum 
And the bass
That good old
One two
Gotta move 
Gotta shake
Bada-boom
Something 
That you can feel
But wait
If you could feel 
Anything at all
Feeling great
Letting it flow
Mind body and soul
On my way
That’s how it goes
So the people them know
See you later

Hold up
Lemme tell you
What I’m talking about
To the beat
With a breakdown
That can make you bounce 

I’m just your everyday reverie of an emcee
You see
I’m but a memory of the way 
You say it be
On this beat 
You project the street 
On the hit of the kick 
The click 
Boom, respect it’s the fire of the heat 
It’s the sweat dripping from the meat 
You expect flowing from that bass 
That slow tempo that’s got you feeling 
You on the creep, you on the chase
Brace fo the bounce putting you in the some headspace 
Race everyone to hear every ounce so tie up yo shoelace 
And let’s go 
Yo, lettin’ the people know

Hold up
Lemme tell you
What I’m talking about
To the beat
With a breakdown
That can make you bounce

The flow is
Summoned 
On command
Dig deep
Within 
Without a plan
Improvise
And
Ka-blam 
That is called conviction
Can you understand
The definition
What is your religion?
Damn
It takes blind faith
To hope that one can trust
In what is true 
What is real
For real
So what it do?
We are here to
Be seen
Be heard
Be who
We truly are 
Hold up then
Please
Tell us
Who are you?
 
Hold up
Lemme tell you
What I’m talking about
To the beat
With a breakdown
That can make you bounce 

I got the feeling the bounce is appealing
Now that the ceiling’s been breaked
We got the unwilling to denounce appearing 
How it is that they never been waked 
Allow the revealing of the fake
Watch out we congealing as we get baked 
Take out that sponge cake, make no mistake 
It got that spring, there’s no remake 
Can feel the earth quake 
The beat is shaking
The bass is rumbling
So deep you feel your belly ache 
What’s at stake 
You gotta know
It’s that flow state 
We on a roll 
So slap on the butter baby
We gravy 
Grab a plate and
Before you go

Bounce
Bounce
To the boogie
The bang
The beat
Box
About
To bring it back
The breakdown
For the block
For my people
I see you
Gimme a pound
Tell me how
Have you been
For now
The breakdown
I’m here for you
Hear me loud 
And clear
We are responsible
For where we’re 
Bound
The breakdown
Heading out
Gotta beat the crowds
To get home
Put my feet up
While I eat on the couch
The breakdown

Hold up
Lemme tell you
What I’m talking about
To the beat
With a breakdown
That can make you bounce

Break Down The Bounce

Bitzone, RS Frawstakwa & the Couch King - Break Down The Bounce

Here you can listen to the original version: https://soundcloud.com/ipg1/welcome-back-for-more

(Verse1)
Centered and focused, we all have a purpose
Always on the cutting edge, No need to unload us, alert us
Deep in the culture, we’re ultra Tight 
We dance, sing and write, getting ultra hyped 
Any size color or creative, no stereotype 
Bytes don’t hurt, but a keystroke can bury you 
Exchange what you learn, that’s a type stereo
Tight stereo, check another scenario 
That knowledge base that leaves a taste 
What’s a cook up? 
 
(Chorus)  
Welcome back for more, Got a taste for the flavor
well come back for more, and a flavor for the taste
Champions of the underground setting the pace
Welcome back for more, Got a taste for the flavor
well come back for more, and a flavor for the taste
Champions of the underground setting the pace

(Verse2) 
Listen very carefully, as I report the score 
ones and zeros, all built for war 
Computer Bass, ——stereo image tracks, cut and paste
Making music like we do, stand alone or with your crew
The collective few can’t refuse the flavor
Of our music with a slightly different taste 
Easy does it all the way, there’s never a rush 
Never haste, come correct and flavor to taste
A chef never worries about making mistakes

(Chorus)

(Verse3)
Making music dropping rhymes 
we’re in session all the time 
all the ingredients —thrown in the pot
Anytime theres a session you’ve got a cook-up 
that’s how we do it—-legends world renowned 
tight stereo in session, ———
champions of the underground—-
champions of the underground
Adlib

Welcome Back For More Vox 93 BPM

PLEASE FOLLOW US On YOUTUBE AND WATCH THE VIDEO:
https://www.youtube.com/watch?v=gT2tzzx-N1c

This is the first song of my new band "Radcor". I collaborate with an old schoolmate, who plays the guitar here. Giacomo Rossi as usual on vocals and Maxim Prokofiev from russia on drums. In the long run we will go for a full album. 

Don't turn your head 

The mighty god of the underworld
Looks with sadness into my soul
White hands hold my only love
Dark words rise from a deep hole

Don't turn your head
Or else she will be dead
This move, my son, can never be undone

One after one through hell and fire
Ignoring just a strange desire
Does she look pale or maybe alive?
Does she follow me through the night?

Don't turn your head
Or else she will be dead
This move, my son, can never be undone

I could not resist, my dear
When I looked I saw the fear
One last sign of love you gave me
Before you fell back into your grave

Don't turn your head
Or else she will be dead
This move, my son, can never be undone

music and lyrics by Dirk Radloff/ all rights reserved

Don't turn your head

Cast of Characters:

Cgmaness – @user-419254289-15129531 – Chris – acoustic guitar, composition, production, and mix

K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken– drums

Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 – Warwick four string fretless bass 

J.J. Terrell-- @j-j-terrell—JJ-- piano and lead synth

Mistermark-- @user-432503709 -- Mark – VST cello, strings, clarinet, flute, and synth pad

Nyla K-- @user-162163879 -- vocals and lyrics

TexMex Shaman– @texmex-shaman –Stephen–  Gibson Earle Scruggs banjo

This song started as many of our best do, with Chris coming up with it on his acoustic guitar. He shared it with the rest of us shortly after, and we were all very excited to tuck into it. 

  Ken was fist at the trough for this one, adding his jazzy, expressive drums. Josh came in as soon as he had a beat to work with, adding his signature fretless bass to the mix. Not long after that, JJ broke out the hauntingly melodic piano and Shine On You Crazy Diamond timbred synth you hear throughout. 

  Once it had a good structure to it, Mark came in and added the dynamic cello swells that open the song, some subtle strings, the melodic clarinet and flute, and a bit of synth pad near the end to spice up the soup a bit. He also had the great idea to ask Nyla to add some vocals, which she did in her typically dynamic and expressive way using her original lyrics. Last, but definitely not least, we convinced Stephen to add some of his perfectly mood-setting banjo. 
  Once it was all in the can, it actually sat for several months before being revived by Chris, who also did the production and mix, expertly, as always.

   This song is an example of Eclectic Collective coming together to bring another one of Chris' brilliant songs to life. You should check out his new albums on Spotify, which you can find by clicking the link next to his name in the credits. 

  Also, this is our first time collaborating with Nyla K. We wanted to find a way to include her talents on this one, and her vocals here are magical. You can hear a lot more of them on her page if you follow the link next to here name in the credits, too. We hope you enjoy listening to this song as much as we enjoyed creating it.

Original lyrics by Nyla K: 

I once overheard 
a hushed up conversation 
'tween the fishes coming home 
and thank god for a holiday
yea
making the bull frogs sing for joy
as they awake
yea
...and this... is what they had to say

Spanish moss and bullfrogs
cattail cotton in the wind
yea...
and won't U take me to the river
yea...
take me on down to the river
and U better not say....

Better Not Say - Eclectic Collective w/ Nyla K

C R E A T I O N

MA on Insta: www.instagram.com/alexmusicart/
on Twitter: mobile.twitter.com/AMAAlexMagicArt
YouTube: www.youtube.com/user/alexmagicartworks/videos
HEARTHIS.AT all AMA Tracks: hearthis.at/alexmusicart/

Created Arranged Produced by
AMA - Alex Music Art - Alex Magic Art Productions
2025 All rights reserved.

C R E A T I O N

Joy Swirl - AfterHours

Blood Moon

Music producer and filmmaker 
Making and producing original music I hope you enjoy these songs that I make  
Music is creative freedom and artistic expression

I am not a musician but music plays a very important role in my creative life! I am an artist/designer and music is my companion and my muse in the long hours I spend working in my studio! 
I am immensely impressed and grateful for all the talented and inspiring musicians whose work graces this Cloud, and I will always re-post sounds that I love (and will listen to again) - knowing that others will enjoy them!
I feel slightly embarrassed and quite humbled when I receive such graceful messages of thanks from artists whose work I have re-posted - after-all, I am the one who is so inspired by the discovery of your brilliant music!!!
So thank YOU!!!
Jools :)
P.S. If you want to see where the music takes me there is a link to my Portfolio site on Behance below!!! 
NEW!! - Thanks for all the great feed-back on my work! I shall be re-launching with a website (shop & archive) ‘KULT-JE’ in the not too distant future! Meanwhile, examples of past and current work are featured on my Instagram (@joolselphick)
Since my heart op in Jan2021, I have had to deal with taking quite a lot of meds which have interrupted my design work - that and moving to Germany in 2020 - and back in 2021 (due to Covid my business plans stalled!) - SO, slowly getting it together…. hang tight!😊

I have an archive of my work to date on Instagram - @joolselphick

A Higher Temple

Jim Manser

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