It's a one shot dearly precious thing
To be alive.


So glad to be here
Whole and sound
So glad I can be
Still around

I don't need your church or creed
To get me by
I don't need no alcohol or pills
To get me high

I don't need to fight with you
I don't need a gun
I'm doing what I was born to do
I'm having fun

I'm high on life

I don't need negativity
Don't drag me down
I'm the king of my own life
Don't steal my crown

Eyes wide open,high on life
That's when I thrive
It's a one shot dearly precious thing
To be alive

So glad to be here
Whole and sound
So glad I can be
Still around

I'm high on life

High On Life

Time by Blaffy 2024

Spotify: https://open.spotify.com/intl-de/track/5FsPCoQ2Y9Z0OuG5kWDxDs?si=c03ccc558021498a
Youtube: https://www.youtube.com/watch?v=EUxKzif8IKI
Soundcloud: https://soundcloud.com/konrad-spittelberg/yearning

Yearning. The pain when you long for something and yet can't get it. When periods of depression and self-immersion are interrupted by outbursts of hearfelt desire and longing, only to collapse into themselves again. And yet, excruciating as this bittersweet state of mind is, the heart nevertheless seems to also derive pleasure from it.

Compositionwise: 
The track is of the form Intro (@0:00) - Main1 (@0:33) - Main2 (@1:29) - Diversion (@2:19) - Main3(@2:53) - Outro (@3:17)
Overall, the track lives from its sequence of low-energy parts and muffled outbursts. Over time, the track increases in intensity, in two ways: First, its speed increases from the Intro in the Mid 60s to the Low 70s lateron. Moreoever, the melodical intensity of the variations gets increasingly dense (see below) 

The track starts with a low-paced introspect Intro where the left melody line goes up and the right hand down. This contraction in the used space of tones resembles the seclusion of the proponent of our story. The desparation is underlined by sudden crescendos and abrupt falling back into pian(issim)o. This effect is held up throughout the remainder of the track. The left hand in the Intro follows a low-paced half note beat. The right hand first introduces the lead theme that is later varied in the parts (M, M', M'') but then modulates in a unique way that is not repeated throughout the track again.
@ 0:33, the Intro is over and the first of the main parts, Main1, starts. The left hand increases its intensity from here on throughout the track by switching to quarters instead of halfs. The lead theme is modulated with more energy (and will be ever more intense in the later variations of Main). After that, the track goes @0:57 into a series of outbursts and resignations. This series is repeated in Main2 @1:57 in more intensity and a chord inversion higher.
The Diversion is characterised by chord inversions that gently fall down, just like rain that pours down that window that our protagonist stares through. And then reaches the biggest outburst of the whole track.
Finally, after Main3, which includes the most intense version of the lead theme and harmonically altered variation, the piece finishes with a questioning yet pieceful end.

In mastering the piece, after MIDI editing, one of the challenges was to find the right balance between the plaintive metallic overtone-rich outbursts versus a rich and full sound for the resignative parts. I chose the Pianoteq Warm Peterov Mistral (with some minor tweaks) as the piano. On this, I used three basic Cubase-inate effects: (1) some light-touch EQ (a scaled-downversion of Basic Piano), (2) compression (Ratio of 1.8) and (3) Reverb (the Cubase-equivalent of the Goldener Musikvereinssaal in Vienna of course :-)). The mix has been balanced at -1db to allow enough headroom for the streaming services' normalization magic to happen ;-).

Yearning (Piano Miniature)

HIGH - Music by REKHA a.k.a. REKHA - IYERN [Fe] - Electro Space Dance Pop

High - Music by REKHA - IYERN [Fe] | Instrumental Version | Written on Nov 29th, 2024 | Improv Jam Style | Electro Space Dance Pop

Live Life, Stay (High) XOXOXO-REKHA

Instruments: Arturia Hardware Synth & V-Drums

Cover Art Design, Video, Photos, Graphics & Light FX, Original Art Creations | Partial AI & Royalty Free, REKHA - IYERN [Fe]

Music: Composed & Produced, Recorded & Performed, Mixed & Mastered by REKHA - IYERN [Fe] at IYERN [Fe] RECORDS IN CANADA

© & ℗ 2024 IYERN FE RECORDS CANADA/REKHA SONGS PUBLISHING | SOCAN, All Rights Reserved






HIGH - M1 - REKHA - IYERN [Fe] - 11.29th.24

High

YouTube

HIGH - Music by REKHA a.k.a. REKHA - IYERN [Fe] - Electro Space Dance Pop | YT

JIM ANDERS _ Safe

For the fabulous few who leave no footprint.
https://youtu.be/i5Q-viLwH9M

In Mesopotamia
There was this mania
Building stuff out of clay bricks

Sumerian powers
Built temples and towers
Ziggurats, that’s what they did

Humans are scoundrels
Trees should hold council
Just ask the bird or the fish

It’s never enough
With this ziggurat stuff
A ziggurat’s never too big  

The bird and the fish
Were thoroughly pissed
With the cat in the hat and his big ziggurat 

Builders were flagging
Whip  kept on cracking
I want a ziggurat bigger than that

Humans are scoundrels
Trees should hold council
Just ask the bird or the fish

It’s never enough
With this ziggurat stuff
A ziggurats never too big

I want a ziggurat bigger than that
I want a ziggurat bigger than that
I want a ziggurat bigger than that
I want a ziggurat bigger than that

I want a ziggurat bigger than that!

I Want A Ziggurat Bigger Than That!

This one takes a bit of get going , so if you want to fast forward to about 1.30 feel free , I would ! Hope you like it anyway . Next up is a great track with the one and only Gaz Brownie on the 1st of March , good grief , where is the year going ? Then on the 7th is the 1st of a series of songs I've written and got my friend Kim to sing on , amazing voice ! These songs will be mixed with a few releases by myself , and me and Charlotte have a stunning song nearly finished . Talking of Char , if you get chance have a listen to a song or 2 from our album Hopes and Dreams . Thank you for supporting me and my different projects , it means so much ! 
https://www.youtube.com/playlist?list=OLAK5uy_nWWNcrIRv08J_eEbL7MJ_1UTdMo0MjJLM
https://open.spotify.com/album/78ewrWZjS41XvHT9mFWd6O?si=yDMcRADSSrOdWlanz6UPMw

The Doubt

Remnant60  remixed and added some glitch/random noises...
and lifted the track to another dimension

Bill Brooks https://soundcloud.com/remnant60

Nitro 2   w/Remnant60

Read My Lips

Cast of characters:

TexMex Shaman– @texmex-shaman –Stephen– Taylor T5z acoustic guitar, Tom Anderson Custom T electric guitar, Gibson Earl Scruggs banjo, Eastwood MandoCaster, mix, mastering, production, and composition

J.J. Terrell-- @j-j-terrell—JJ-- organ

K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums 

Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – Fender Precision four string bass, played with a plectrum 

Mistermark-- @user-432503709 -- Mark – harmonica, jaw harp, timpani, hambone percussion, and production editing  
   
This song began with Stephen, who recorded it on his acoustic guitar and bass to a programmed drum track a few months ago. We were all thrilled to work on it, even though it sat in BandLab as a project for almost a month before Stephen separated the tracks, thus allowing us to trickle in our parts. JJ was first to jump on it, because he could before the tracks were separated, as his part is completely his idea. He added the organ that really set up the entire sound of both dominant sections of the song. 

  Ken was first up to the project once the tracks were replaceable, making the wild, driving beat his own. Inspired by both JPJ and Michael Ivins, Josh laid down his bass line, trying to match Ken's energy. Last, but not least, Mark jumped in with the rumbling timpani. He also added the flavorful harmonica, and unique jaw harp you hear throughout, as well. Finally, Mark added the hambone percussion at the end of the song, too, which we all consider a treat.

Stephen wasn't done with it, though, and still had some magic to sprinkle. He went in and added the howling electric guitar you hear prominently in the second main section. Also, he added the tempting intro with his acoustic guitar and electric mandolin that looks like a Telecaster guitar. 

  Once it was in the bag, we thought it appropriate for our master mixer Stephen to put it to bed, which he did in his always expert manner. Mark did help with the production, though, as he's very good with editing and spotting mistakes that need to be corrected.

  This is a gift from Stephen to all of us, and you, too. It to
ok a lot of teamwork to make the dream work, as always for Eclectic Collective. We hope you enjoy listening to this as much as we enjoyed creating it.

Country Ham - (Eclectic Collective)

DIREKT EIN BAUEN - GREYTEKK

JIM ANDERS streamen : https://open.spotify.com/album/3ZhBPR6FFdNbfwH0E3JWAp?utm_source=SendGrid&utm_medium=Email+&utm_campaign=website

Während Max Mustermann sein mustergültiges Dasein fristet, tanzt Jim Anders gerne mal aus der Reihe. Der Berliner Künstler Jim Anders steht für tanzbare elektronische Sounds und Texte am Puls der Zeit. Beeinflusst von vielseitigen urbanen Musikstilen, kreiert er einen ganz eigenen mitreißenden Sound. Seine Texte mit Tiefgang geben dabei Raum zur Reflektion. Wo energetische Beats auf modernen Elektropop treffen, wird der Großstadtdschungel zur Leinwand und der Rausch im Club tanzbar.



Als Soundtüftler und Sänger führte ihn sein breites musikalisches Interesse auf Ausflüge in Elektro Duos, Rap- und Avantgarde Projekte, wodurch er sein Talent entwickelt hat, unterschiedliche Stilrichtungen neu zu denken und sie zu etwas Einzigartigem zu mixen. Das Ergebnis ist die 1. veröffentlichte Jim Anders EP Lauf!, die in Eigenregie im heimischen Studio bei BaumSoundBerlin entstanden ist und mit 6 kraftvollen Tracks aufwartet. Moderne Musik kann auch anders - reinhören, aufdrehen, abgehen!

JIM ANDERS _ Safe

JimAnders