Psychedelia | Music by Martin Reed | Music & Lyrics by REKHA IYERN FE

Psychedelia - Music by Martin Reed

Listen to the amazing music of Rekha Here https://soundcloud.com/rekha-iyern-fe 

Psychedelia - Music & Lyrics by REKHA IYERN FE


Here is the Official Video :) https://youtu.be/lqtrRmZeSYA

Intro:
Oh-Oo
Wo-Oo-Oh
Ah...

Beautiful kaleidoscope
Suddenly appears before me
In front of my eyes
In my head
Beautiful Kaleidoscope

Of colour
Bold, bright and blue
Oh, so good

I'm floating
I, I am
In the sky
So high above I go
In my psychedelia
Oh, Yeah-Yeah
Hey, Eh-Eh

Purple, Red and Blue
Colours so pure, so pure
I'm goin' outta my head
Pleasantly I escape

To what's comin'
What's comin' ahead
In the clouds
In the misty light

Wo-Oo-Wo
Wo-Oo-Wo-Ho
Oh-Oh-Oh
Oh-Oh-Oh-Oh
Yeah-Yeah
Beautiful psychedelia
Hmn, the colours
Of the rays
Ah-Huh, Oh-Ooh, Oh-Ho

Cover Art Design: Photo & Graphics by REKHA IYERN FE

Music by Martin Reed in the UK
Music/Vocals Mixed & Mastered by REKHA IYERN FE RECORDS IN CANADA

Psychedelia M1 Basic AIFF REKHA IYERN FE -1.1db

Released by:
REKHA IYERN FE RECORDS CANADA & MARTIN REED
P-line:
℗ REKHA IYERN FE RECORDS CANADA/REKHA SONG PUBLISHING & MARTIN REED
Show less

Psychedelia | Music by Martin Reed | Music & Lyrics by REKHA IYERN [Fe] | Psychedelic ROCK

wind-bell

Contemporary Classical work for String Quartet, Winds, and Percussion.

Suite for Chamber Ensemble 2021 No 1

Suite for Chamber Ensemble 2021 No 1 part 2

More by Jim Lynch

Suite For Chamber Ensemble 2021 No 1 Part 2

Contemporary Classical work String Quartet, Winds, and Brass.

Suite for Chamber Ensemble 2021 No 1 part 1

Suite For Chamber Ensemble 2021 No 1 Part 1

Life Like A Dream

Gathering Magical Flowers

Roberto B (@user-55822457) and I now present track 12, "Egeia", in our album in progress "Midnight Coffee". We hope you'll enjoy it.

Created in collaboration on 1 July and 1 September 2021 (initial and final mix and recording, respectively, in MAGIX by Roberto B), and 29, 30 and 31 August (intermediate additions, mix and recording in GarageBand and Logic Pro X by Alex M), and posted here on SoundCloud on 3 September 2021 (by Alex M). The used sound effects come from Alex M's own sample - Gentle Early Morning Sea Waves (recorded on 26 August 2021, on the beach in Kariani, Aegean Sea coast, north Greece).

The artwork cover is designed and implemented by Alex M on 29 June 2021 (in Tayasui Sketch in Mac OS), and cropped and annotated by Alex M (in Mac OS Preview) on 30 June 2021.

Thank you so much, Roberto - for the beautiful musical ideas and our collaborations!

Duration: 7:40 minutes

Egeia - Roberto B & Alex M

Ragnar Lothbrok was a Viking in legend and distinguished himself by conducting many raids against the British Isles and the Holy Roman Empire during the 9th century

The land was here before humans

This is the 1st piece in a trilogy that was my "foré" into the history of the Vikings and medieval times of England, musical interpretation my own of course😜

The 2nd piece is https://soundcloud.com/brian-hudson-145918679/hroilfr-hrollaugr?si=7ad5f90218bc447db9cd725061818962

The 3rd piece is https://soundcloud.com/brian-hudson-145918679/of-kings-priests-nobles-and-war-lords?si=097092c4897c4861a94e5beef3621fcd

Play List Here
https://soundcloud.com/brian-hudson-145918679/sets/vikings-and-medieval-trilogy?si=efea0a28ed0c4b9da6c8e1d57a162f5e

Oh I Wish

Ragnar Lothbrok

This is an experimental rock song I made, I don't sing in it, but I am learning how to use my program. I hope you like this, I usually play the piano strictly,  but I want to try new things. I hope y'all enjoy, love y'all

Odin's Wrath

Album (2018) : "Révérence, études tenuto & marcato"
* En écoute sur : vincentthomasrey.com/

(© All rights reserved - Blockchain Bitcoin technology)

- Arabesques Célestes (Étude I)
- Le Jardin Des Muses (Étude II)
- Invierto & Invitero (Étude III)
- Ibis Rouge (Étude IV)
- L'Épreuve Du Temps (Étude V)
- Soleil D'Hiver (Étude VI)
- Les Rameaux De L'Espoir (Étude VII)

Études pour piano & danse classique (Tenuto & Marcato).

Pochette : Vincent Thomas Rey

Révérence

The Older I Get

Composed, arranged, performed, and produced by:
Carlos Vivanco & Jason Mowry
Final mix by Jason Mowry
@asleepwithheadphones
@lazydadamusic

Sepia Tone

Sepia Tone by Jason Mowry & Carlos Vivanco

I am a composer and producer of instrumental music in several genres, including ambient soundscapes, electronica, orchestral and chamber music.  

Musical influences include John Coltrane, Igor Stravinsky, Gustav Holst, Claude Debussy, Maurice Ravel, Tangerine Dream, Robert Prince, Frank Zappa, Brian Eno, Heinrich Ignaz, Franz von Biber.

My Method of Composing and Producing
------------------------------------------
I'm sharing my method of composing and producing music recordings in case other composer-producers like me might find ideas worth exploring in their own work. I use this method for Classical, Avant-Pop or Neo-Folk Instrumental genres, not for Ambient and Soundscape pieces. Non-composers might find this explanation interesting, but having a bit of music theory background will definitely help. I consider myself a humble learner when it comes to music theory. 

I owe a debt of gratitude to British musician and educator Gareth Green, whose Music Matters online courses and free YouTube lessons have taught me so much over the past few years. Thanks to his instruction, I’ve moved from struggling to compose music by trial and error to something more enjoyable and productive. The knowledge I've gained has taken my work in new and expanding directions. As the saying goes, “Theory is not a cage — it’s a map. It doesn’t make the journey for you, but it keeps you from getting lost.” 

When I start a new piece, I begin by choosing a key, and picking a scale drawn from one of these sources:
 
1) Western Tonal / Functional Harmony - major or minor chords I II III IV V VI VII
2) Modal Harmony - Dorian, Phrygian, Lydian, etc.
3) Slonimsky's "Thesaurus of Scales and Melodic Patterns" 
4) Messiaen’s "Seven Modes of Limited Transposition" 

For many pieces, I also decide on a progression, one as a simple as I IV V, or something more elaborate.  

Next I create a "scales and progressions" piano track in my DAW (digital audio workstation software) and enter the chords I to VII in my chosen key. These harmonized scales serve as a basis for writing multipart harmonies and finding pivot chords for key modulations. 

At the start, I know what instruments I want to use, making adjustments along the way. I tend to write chord parts first, then melodies created through a mix of improvisation and direct input in the DAW. Sometimes I start with a melody.

I develop melodies and variations of a phrase by some combination of: a) passing it from one instrument to another, transposing it by an interval that sounds pleasing, b) reversing it, c) inverting it around the tonic (first) note of the scale. These are well-known methods. 

After completing a section, I choose another scale and maybe a new key and repeat the process until I have a draft of the entire piece. Then I export a recording and listen to it “offline”, take notes of errors and new ideas, and incorporate them back into the piece. Often this “compose / listen / compose” cycle is repeated many times. These iterative cycles include adding new ideas, polishing transitions between sections, changing the arrangement, and incorporating expressive details like accents, and articulations (staccato, sustain, portato etc.). I’m often working several different pieces at once. 

Last is mixing and mastering: balancing the loudness between instruments and adjusting elements like reverb, compression, and equalization. I tend to mix as I compose, even though many producers frown on that approach. I find mixing as I go helps me envision the completed piece and make adjustments to the choice of instruments; it self-inspires me when the piece is starting to sound good.  At the end I do a final mix, but as the saying goes, “A mix is never finished — it’s surrendered.”

In the end, this method gives me a basis for exploration and creativity and helps me stay focused. The goal is always to make a piece of music that feels expressive, cohesive, and emotionally resonant.