This track is from the album Work Anxiety Syndrome.
You can download it and/or buy the CD from 
http://jimpearson.bandcamp.com/album/work-anxiety-syndrome
Or iTunes.

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It’s too late to change your mind 
You’d better get used to the fact 
There’s no point in thinking there’s plenty of time 
And you know that there’s no turning back 

It’s too late to change your mind 
But you can’t live your life with regret 
There’s always somebody more handsome and funny 
Getting rich without breaking a sweat 

It’s too late to change your mind 
Because life is a one way street 
You feel like your walking in circles 
You’re worn out and you’re dead on your feet 

But it’s too late to change your mind 

If the way that you’re living ain’t making much sense 
I’m not going to insult your intelligence 
From your half empty glass drink a toast to your past 
And enjoy what you have while you can 


a holiday rep / a footballer / a fireman / a traffic warden / i had no thoughts about what i wanted to be when i was young / a pharmacist / someone who painted the flowers on cups / a vet / a fire-fighter / an archaeologist / an interior designer / a makeup artist / a pilot / a gymnast / a designer / to be an artist / i don’t know... yet 

friends and family and having a good time / other people’s misery / my kids... laughing / cheesecake / rabbits / watching man united / money / shoes / you tell me / drinking and socialising / what makes me happy? life / just to be happy within yourself 

good question... er what’s the meaning of life? having fun / friendships are very important / just being alive and being happy / inner peace / vodka / that’s too difficult for me i can’t answer that question

It's Too Late to Change Your Mind

The Lagniappe Recorder
Manhattan Beach, California
The gear: 
Universal Audio Apollo Quad computer recording interface
Plug-ins by Fairchild, Neve, Pultec, Studer, Manley, EMT, Lexicon,Oxford, API,Trident, Summit. SSL, Massenburg, Hellios, Trident, Ocean Way,Ampex, Oxford, Manley, Elysia, Api, Moog, Lexicon, Cooper Time cube.
MacBook Pro (15-inch, 2018) Retina ssd, Thunderbolt display
Korg Triton pro 76 keyboard 
Audience ClairAudient 1+1 V2+. Personal Reference Monitors.
AUDIENCE ADEPT RESPONSE AR12 TS 12-OUTLET POWER CONDITIONER with dedicated AC line to main box on pole.
All cables by Audience.
Logic Pro 10 Recording software.
Rode K2 tube microphone with 1954 NOS cryo- genic Telefunken tube
Sennheiser HD 650 headphones with Cardas cable.
RPG and ASC Sound treatment panels and tube traps installed in and behind control area
The Lagniappe Recorder
Lagniappe is a small gift given to a customer by a merchant at the time of a purchase (such as a 13th doughnut when buying a dozen), or more broadly, "something given or obtained gratuitously or by way of good measure."
Or as I say "a little something special".

I've recently been focusing all my attention on twitch and youtube
Come hop in the stream sometime! https://www.twitch.tv/psychoface1991

Winner of 2024 Liverpool Songwriting Competition with "The Boy With the Red Hat", taken from "Death to Mortality".

People have said that Jim plays guitar like a drummer. He is. In the mid eighties, he toured the Far East, Europe and Tyneside with near-legendary Geordie club band Foxy, before putting down his sticks, opting for a life of obscurity as graphic designer, husband and dad.

In his late thirties with a mid-life-crises looming, he started writing and recording his songs, self-releasing “Some Songs by Jim Pearson” in his fortieth year.

Suddenly, nothing happened, so he continued, and gradually accumulated a niche following of several well-intentioned virtual people, each possessing an uncanny appreciation of music and lyrics, as well as managing to get a handful of plays on BBC 6 music.

Jim is also singer, guitarist, songwriter with niche NW-UK band Scaredycats, who's debut album "Dumb Animals" was pronounced album of the year by Liverpool Sound and Vision in 2017.

Last year, he was a key collaborator and producer with international lockdown supergroup "Nothing On TV".

According to Jim... "You might not agree, but I think I’m getting better at this. I’ve come to terms with the fact that I will never get the global recognition I so clearly deserve, and honestly, I am all the happier for it."

BBC 6 Music's Tom Robinson says... “This is the astonishingly prolific Merseyside songwriter Jim Pearson… you never can be sure what kind of project Jim will come up with next, but you can always be sure it’s gonna be pretty darn good...” (The Tom Robinson Show, January 25th 2020)

Songwriter from Northern England
https://jimpearson.bandcamp.com/
https://open.spotify.com/artist/5R96vnb0ABdaZRMLG4XUNf

Scaredycats
https://scaredycatsuk.bandcamp.com/
https://open.spotify.com/artist/02W2iVwO5b3EIjzspgmS1N

Nothing On TV
https://nothingontv.bandcamp.com/
https://open.spotify.com/artist/07ADDEerdBir7xBgvdYyeo?si=k65U2tPkQuqbd1WFuPQOyA

Robjn. 

Cambridge-based singer Robjn not only worked in the fields of Graphic Design and Video Art before becoming a writer on British Art, alongside his music-making. Something of a serial collaborator working in the bands Laserlong and Cliff Child he also has sung for film composer Justin Marshall Elias (Circle, 2015) and sung for musicians all over the globe (Michael Loop, Alexander Stroeer, Secret Piano, InADream). He also works singing for himself or singing and remixing for others.

Acapellas are online for free download if you want to remix or sample me, send me a link, it's always nice hearing what people do :)

@robjnlap @robjn @soundslags @cliffchild @audioslut @robjn_acapella @laserlong

'Wry Genius' -Mojo Magazine

Congratulations, you have stumbled across The Sturmey Archers time capsule that has lain buried beneath the Soundcloud sunken garden since the beginning of the 21st century. No doubt you are reading this from a future where music has become just that stuff in the background of funny video clips of dogs and babies. But historians amongst you will probably of heard of a time when music actually meant something to people. 

In the second decade of the 21st century a law was passed that decreed that all lyrics to songs should be about 'this night being the one' and stuff about 'putting your hands in the air'. These were strange times when songs about unique thoughts that sprung into individual's minds were considered retro, but musicians that copied German bands from thirty years previously were thought to still be original.

It was in the context of these times that small groups of renegade songwriters decided to carry on with the virtues of rock and pop's golden age and actually write songs about things, thoughts, feelings and other stuff. These were sometimes profound and and sometimes silly, but the words meant something, the music was playful and adventurous, and the tunes could be whistled by milkmen if they ever got the chance to hear them. They were on a mission to be at the very least, mildly entertaining.

Eminent musicologists of the time scoured the planet to find examples of this music that wasn't rubbish so they could bury it for future generations to enjoy. You now, the lucky archaeologist and future pop picker, have in your grasp the key to a world of wry world play, mad thoughts and old fashioned chord progressions. N.B. If Apes have taken over the planet, sorry for all the trouble we've caused.

Husband and dad, between the day job Steff writes, records and occasionally releases material from home on his very own imaginary record label. His latest EP 'Tunings' continues to receive positive reviews both at home and abroad, as did his debut album 'Blue Pathways' . Furthermore, Steff has had success with commercial placement for his music as well as receiving BBC radio airplay.

There is so much talent and variety here, and most of the people are pretty cool too. I love being part of this community. Listening to your music and being heard in return is enough.

Still reading? OK I'm gonna muse a bit. It's hard to fully convey how much this forum has meant to me. There are people I've never met that feel very much like old friends -- and in a very real way they are.
If I follow someone I make every effort to listen to and support their efforts. It's certainly not a transactional relationship but I do tend to limit my follows to people who engage in mutual listening and engagement. If you listen and leave a comment I always try to listen to *your* music when responding! If you follow at random without any feedback I hope you get something out of that too... ; )