Saad Haddad (b. 1992) is a composer of orchestral, chamber, vocal, and electroacoustic music that achieves a “remarkable fusion of idioms” (New York Times), most notably in his work exploring the disparate qualities inherent in Western art music and Middle Eastern musical tradition. His music delves into that relationship by transferring the performance techniques of traditional Arabic instruments to Western symphonic instruments, while extending their capabilities through the advancement of technology. 

Ha-Yang Kim creates new music as a composer and cellist, regularly collaborating with ensembles and artists in festivals and performance venues throughout the world.  Drawing from a breadth of western classical music, American experimentalism, rock, electronic, noise, avant-improv, to non-western sources, Kim's music is inspired by acoustic phenomena, ritual ceremonial processes, and characterized by an organic visceral lyricism of sound influenced by the East Asian sense of space and emptiness.  Ms. Kim developed a unique signature language of extended string techniques and has also composed music for film, theatre and multi-media.  Performances throughout the US, Europe, Asia, Russia, Turkey, Morocco, Bali, Cuba, Canada.  Released 2 discs of her compositions, "Ama" and "Threadsuns", on Tzadik.

Composer, songwriter, guitarist, singer 

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Contemporary concert works by Jewish American composer Alexander J. Petshaft.

Website: https://petshaft.wordpress.com
Twitter: https://twitter.com/apetshaft
Compositions for media: on.soundcloud.com/bLfsb

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