Thai composer who loves noise as much as the Beatles.

Next events 2025 : http://syrphe.com/events_cdrk.html

African and Asian electronic and experimental music : http://syrphe.com/african&asian_database.htm

Belgian-Congolese composer, musician, improviser, author, etc. based in Berlin

More about me (including music links) : http://syrphe.com/c-drik.html
Soundcloud may use your tracks to train AI, a good reason to not upload any music here.
https://techcrunch.com/2025/05/09/soundcloud-changes-policies-to-allow-ai-training-on-user-content/

m.s.p.i. is uninhibited noize/art duo from Msk/RU


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Big EDM Sounds: 
◄@bigedmsounds

Big EDM is a Music Label and Sound-Design company that was established in 2015 by Roman Trachta – the founder of another well-known sound-designing company W. A. Production. This label is following in W. A.'s footsteps, and is only creating and releasing the most current and mammoth sounds, samples, loops, construction kits, and much more for thousands of producers who want to add fresh ideas to their production. Big EDM will provide their products to all genres including electro, progressive, deep, tropical, future, dubstep, trap and many more.

Performers and interested listeners can find score pages on my website:  www.jamesmobberleymusic.com.  Email me at:  mobberleyj@umkc.edu.  These pieces of music have been written over the last 30 years, and represent a collection of works that have not been commercially recorded, or which were recorded a number of years ago.  I teach music composition at the Conservatory of Music and Dance at the University of Missouri-Kansas City.

Michael Hall has performed and taught across Europe, Asia and the United States. Described by the New Music Connoisseur as “utterly masterful,” and Chamber Music Today as having “superb technique,” he recently made his Chicago Orchestra Hall solo debut and concluded a recital tour to Vienna, Austria and Udine and Tolmezzo, Italy. Hall has been a featured performer at the Thailand International Composition Festival in Bangkok, the Positano Chamber Music Festival in Italy, the Vianden International Chamber Music Festival in Luxembourg and the Composer’s Concordance Series in New York City. 

Twice he has presented world premieres at International Viola Congresses at Minneapolis and Reykjavik, Iceland, performed at the 2014 Primrose International Festival in Los Angeles, and presented to critical acclaim the North American premiere of Chen Yi’s, Xian Shi, the first viola concerto written by a Chinese composer, with the Chicago Composers Orchestra, and earlier with the Chiang Mai Philharmonic in Thailand. 

Upcoming performances include the inaugural Ear Taxi Festival in Chicago, 2016 New Music Gathering, Bandung String Festival in Indonesia, Northwest Symphony, 2016 UMKC Summer Composition Workshop, 2016 Thailand Int. Composition Festival in Bangkok. 

Additional works written for Hall by renowned composers include Jim Mobberley, Mara Gibson, Narong Prangcharoen, Eric Moe, Mary Kouyoumdjian, Adam Greene, Matthew Burtner, Marta Ptaszynska, Yu Pengfei, Christian Ellenwood, Seth Boustead, Michelle McQuade Dewhirst, Eric Malmquist and David Kirtley. 

Composers currently writing for Michael Hall include Katherine Bergman, Amy Williams, Rob Deemer and Ilya Levinson. 

Michael loves hiking in the Grand Tetons and Wind River Ranges, chocolate ice cream, great literature, collaborating with friends and working with students in outreach settings in underfunded schools on Chicago's South Side. 

Flutist Shanna Pranaitis fearlessly expands the realm of sonic possibility for her instruments through innovative projects, in which she integrates new and historically reimagined works with multi-disciplinary elements to create seamless, immersive concert experiences. She explores ways to engage a wider community in the process of experiencing music. She works in close collaboration with composers, poets, movement artists, and other interdisciplinary artists, around the world to develop new work. Shanna performs and teaches globally as a soloist and chamber musician. In 2017, she co-curated and co-organized the first multi-day festival of Galina Ustvolskaya’s music in the United States. She is the co-founder of FluteXpansions, the first comprehensive e-learning platform contemporary flute performance practice for composers and performers. Her debut solo CD of Claus-Steffen Mahnkopf’s works for flute (NEOS) has been hailed as “remarkable” and a “virtuoso testimony.”

Fredrick Gifford makes music that is never the same twice.

My musical Odyssey continues to grow, with 6 CD's of 2012 Stories on transformation, sound healing and meditation practice and improvisation performance and facilitation. At the center of my journey is music for the higher purpose of peace and healing between people and Mother Earth. I am grateful to have received so much recognition for this music including Rome Prize (2010), Guggenheim (2008), Fulbright (1997), and Wurlitzer Foundation (2007 and 2009) Fellowships; 2 Global Music Awards (Innovation in Sound and Mixing and Editing); Sounds Electric ’07 Competition (Dublin), EMS Prize (Sweden), Citta di Udine (Prize ex aequo, Italy) international prizes, and performances all over the world. I perform internationally and am available for booking small and large groups and venues.  I teach at the University of Missouri at Kansas City where I received the 2008 Kauffman Award for Artistic Excellence. In 1994 I completed the Colorado Grand Slam after climbing all 54 of Colorado's 14,000 ft peaks. I now enjoy surfing the unknown and catching all the things I missed getting to all those summits…

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W. A. Production was founded in 2014 to provide electronic music producers of all kinds with the tools they need to make their best music possible without breaking the bank. Beginning by offering professional-quality audio samples, W. A. Production has since grown into a globally-recognized developer of Audio Plugins, DAW Templates, Music Production Courses, and more.

W. A. Production also prides itself on top-quality human-to-human customer support. Ensuring a positive customer experience is W. A.'s number one priority, and the team works hard to prevent and rectify any issues that customers may experience.

W. A. Production is constantly innovating and testing new boundaries, pushing its product offering and the industry as a whole to new heights. W. A.'s team does this by continuing to ask themselves each day: "What about making your sound better?"

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