Get the tracklist here: https://blrrm.tv/3zQvnoV

The wait is over. UK super-producer Fred again.. makes his Boiler Room debut in London.

Fred again.. | Boiler Room: London

Continuous Blend of Music

Mixed by The Getaway Driver

Dabrye - D-Town Tabernacle Choir + Intro
Jenova 7 - Metamorphosis
Jazz Liberators - Blue Avenue
Nujabes - Counting Stars
Gramatik - Afternoon Soul
Kid Loco - Bootleggers
The Herbaliser - Scratchy Noise
40 Winks - Highwaves
DJ Krush - Shin-Ki-Row
Pretty Lights - Happiness [Troubled Faces]
Jon Kennedy - The Lemon Song
DDay One - Seeds Of Revolution
DJ Shadow - Lost & Found
Dope Demand - Red Fox
Emancipator - Smoke Signals
Glen Porter - Devil Is A Dancer
Thievery Corporation - Incident At Gate 7
Mr. Cooper - Ten
Backini - Champagne Flute
Mr. Scruff - So Long
Arts The Beatdoctor - Laughs, Drinks, Jokes & Tricks
Long Arm - The Roots
Bonobo - Nocutary
Maker - Train 'Til Nowhere
Little People - Start Shootin'
RJD2 - Ghostwriter [Drum Remix]
Air - Modular Mix
Doctor Flake - Le Vaste Espace
The Sound Defects - Focus 

Enjoy!

Downtempo & Trip-Hop Mix [2 Hour Mixtape]

Pedro Almodóvar's Red

I opened the window, and in the clear sky, in the cold air, light seeps in and comes to me

When the water droplets in the air fall to my lungs
Amid the cold background, I walk along the shadow

Did I run away from everything, everything?
Am I looking for someone, singing this song that I won't write?

Look at me hiding behind a single line of meaningless lyrics

Now, look at me naked, unconcerned by the gaze of no one


창문을 열어 봤는데

청청한 하늘 속에서

차가운 공기 안에 빛이

스며들어 내게 오네


공깃 속 물방울들이

허파에 내려 왔을 때

차가운 배경 속에 나는

그림자를 따라 걷네


나는 모든 것을

모든 것을 도망치며 온 걸까

나는 쓰지 않을 이 노랠

부르며 누군가를 찾는 걸까



아무 의미 없는

가사 한 줄 뒤에

숨어있는 나를 바라줘

이젠 사람 없는

시선 상관 않는

벌거 벗은 나를 바라줘

그림자 알몸 Naked Shadow

<2dfx¹⁰> DJ Workshop Final Show _ Xëvi

2dfx¹⁰ Final Show Set - 20250720

나가사키 출장갔을때 녹음했습니다.

나가사키 숲 환경음

RAVE AGE Opening Set 1/2 (Alt Take) - 20250829

Midnight Orient 79 By Keikee (hosted By WAV33)

⁺ • ˚. *  ⁺ • ˚. * ⁺ • ˚. * ⁺ • ˚. * ⁺ • ˚. * . . . 𓅪