Coast Guard Gulf of Blood

The System Is Not Corrupt - Corruption Is The System

Taken from "Persona", available now. 
http://www.poshisolation.net

Puce Mary - Courses

https://jkflesh.bandcamp.com/album/no-exits

"Standard bearer for grim and fugly bass music.." - BOOMKAT

"Running through the gamut of the established JK Flesh sound, NO EXITS is damaged industrial tekno, 2 step and slo mo dread techno for broken sound systems. The sound of no fi disenchantment for the perennial outsider."

ALL BY JUSTIN K BROADRICK 2023

NO EXITS

NOT YOUR DUB

Jiyoung Wi is a multi-faceted artist from Seoul, Korea currently residing in The Hague, Netherlands. Jiyoung’s work can be situated within fictional literature, improvised music, field recording, and is interested in juxtaposing or disjointing these fields of practice through her sonic and literary methodologies. Jiyoung’s debut album 𝑨𝒄𝒄𝒆𝒑𝒕 𝑨𝒍𝒍 𝑪𝒐𝒐𝒌𝒊𝒆𝒔, is a concise body of work that punctuates a beginning point to her work within the 12” LP format. The recording serves as one of the two releases concluding the three year sonic endeavor that is the ENXPL (Enmossed X Psychic Liberation) series. Having previously released recordings on compilations for labels like Mirae Arts, Eastern Nurseries, and Psychic Liberation, here Jiyoung hones a cinematic-like structure that exemplifies the biome within her craft. While presently Jiyoung is performing the systematic dismantling of a violin in her live improvisations paired with approachable boutique synthesizers, 𝑨𝒄𝒄𝒆𝒑𝒕 𝑨𝒍𝒍 𝑪𝒐𝒐𝒌𝒊𝒆𝒔 is a pairing of the inimitable Korg MS-20 and field recordings staged or captured by Jiyoung in Seoul and Busan, South Korea.

With three scenes per side, Jiyoung walks us through different geographical and spatial intimacies. Public spaces and intimate conversations are obscured and reconstructed.
Glass elevators, an unknown hotel lobby piano recital, office toilet rants, window side night bus travels, and multiple languages interplay with staged and unstaged conversations to transmogrify themselves into a world of Jiyoung’s view. Money, sex, relationships, and cultural parameters are at once idiosyncratic as well as disorientingly familiar to the listener.

As an extension of the series coined by Jiyoung as “Sound Fiction”, the album feels crisp, pressurized, and at times funny, at other times melancholic. As language, space, and viewing perspective shift, Jiyoung’s succinct album invites the listener to an aural world uniquely of her own viewpoint. While collecting source material relying on the outside world (conversations, elders, the closing track featuring Sungeun Lee), we have a listening experience that deeply illustrates Jiyoung’s perspective. The disjointed experience of someone maneuvering internationally to further develop a practice is encapsulated brilliantly here by Jiyoung with 𝑨𝒄𝒄𝒆𝒑𝒕 𝑨𝒍𝒍 𝑪𝒐𝒐𝒌𝒊𝒆𝒔. Alongside Makoto Oshiro’s 𝑺𝒕𝒂𝒄𝒌𝒆𝒅, it is a perfect bookend to the ENXPL series.

Jiyoung Wi is a writer and musician based in Seoul and The Hague. She writes fiction in-between institutional and non-institutional contexts, and works with sounds in-between clubs and art museums. Her methodology involves building and breaking sonic narratives by arranging and re-contextualizing disparate sound sources ranging from field recordings to fragmented anonymous dialogue. She approaches sound and text as invisible experiences and phenomena, and is interested in the narrative symptoms that emerge when both are juxtaposed on the same axis. In a series entitled ‘Sound Fiction,’ she explores these symptoms operating within and without the art space. She has been co-organizing an experimental/leftfield listening event ‘Sorrow Club Seoul’ since 2019.

ACCEPT ALL COOKIES

PURCHA$E

ENXPL22 - JIYOUNG WI - A3. SWIPE LEFT

Retaliation

Sex Without Feeling

Gaul Plus returns from harvest to present his weathered new single, "Mercury Fountain" featuring a long-revered spiritual guide, Japan's beloved POiSON GiRL FRiEND. We're thrilled to share this special collaboration, which will feature prominently on his upcoming EP on Rank+File, "Hissing Nest". He had this to say about the symbiotic union:

"Over a span of 10 or more years, and as many trips, I (we) have been buying spirit-driven noise records on the 20th floor of apartment buildings (across from crematoriums generally) asking panther-eyed doms which Provoke photographer ordered which drink and how many, or following the architecture of Angel Dust, walking beneath the interlocking armored whale spines, trying to understand how the same artist could have produced both a hit city-pop record and another that sounded like burning chrome swirling in miso soup. These are just a few of the millions of threads that hold my Borghesian path together; the path of the pilgrim rather than the tourist. Although it has no end, it certainly has its vista points, and few, if any, have elicited more joyous contemplation than the point of intersection with Noriko, someone whose records have drawn every shade of emotion out of me; whether a tall grass field I’ve sat in, or a half bursted bubble that nearly took my head off. To hear her voice drifting through the dusty corridors of this drum pattern, eternally tip-toeing just outside this wonked-up whirlpool, is beyond honorifics for me. It is truly the sense of life, and I am so grateful for it." 

@gaulplus @neutral_cloud

Written and Produced by Gaul Plus
Vocals by POiSON GiRL FRiEND
Vocal Mixing by Loric Sih
Mastered by Loric Sih

Artwork by Gina Lee
Photography by Eric Smith

Mercury Fountain

Download

Gaul Plus – Mercury Fountain (feat. POiSON GiRL FRiEND)

Nitro Veneno slowed

⛧ Artist: PSSMST
⛧ BPM: 190
⛧ Genre: Industrial / Hard Techno

⛧ Instagram: https://www.instagram.com/pssmst.techno/
⛧ Download: https://hypeddit.com/3yw5nz

𝐅𝐑𝐄𝐄 𝐃𝐋

PSSMST - DEATHSPELL

Croatian Amor & Varg “Body of Water” 
Posh Isolation 202 
Out Friday April 27th, 2018
Ltd. to 100 copies

Croatian Amor & Varg - Shadows Show Violet

Puce Mary — The Drought
Format: LP / CD / Digital
Cat.No. PAN 87
Release Date: 5 October 2018 
Pre-order album: bit.ly/2KGmn9f / bit.ly/2KGL7Ot

Building from a reputation of arresting live performances and critically acclaimed releases Puce Mary breaks new ground with The Drought, evolving from the tropes of industrial and power electronics to forge a complex story of adapting to new realities. Remnants of noise still exist, sustaining the penetrative viscerality offered on previous records, however The Drought demonstrates an intention to expand on the vocabulary of confrontational music and into a grander narrative defined by technical and emotional growth.
 
Bringing together introspective examination with literary frameworks by writers such as Charles Baudelaire and Jean Genet, Puce Mary’s compositions manifest an ongoing power struggle within the self towards preservation. The traumatised body serves as a dry landscape of which obscured memories and escape mechanisms fold reality into fiction, making sense of desire, loss and control. The Drought presents both danger and opportunity; through rebuilding a creative practice centred on first person narrative and a deliberate collage of field recordings and sound sources Puce Mary injects an acute urgency across the album seeking resilience.

“To Possess Is To Be In Control” makes use of lyrical repetition as an ambiguity of two selves, or a divided self, attempting to consume one another, while “Red Desert,” named after Michelangelo Antonioni’s 1964 film, portrays the individual subsumed by surrounding environmental forces. The seven-minute epic “The Size of Our Desires” acts as the emotional tipping point of the record; amongst the ominous drone and dense feedback flutters almost-beatific melodies, while the lyrics reveal a romantic call to be swept up in the midst of an increasingly uninhabitable world.

Rather than escape, The Drought dramatises a metamorphosis in which vulnerability is confronted through regeneration. Noise and aggression no longer act as an affront to react against but part of a ‘corporeal architecture’ where space, harmony and lyricism surface from the harsh tropes of industrial music. The Drought chronologises a transformation through a psychological famine, new ways of coping akin to plant survival in a desert – to live without drying out.

The release is mastered by Rashad Becker, featuring art by Torbjørn Rødland 

@pucemary
http://p-a-n.org

The Drought

Puce Mary - Red Desert (PAN 87)

Scott Move - Interlude Request (JK FLESH REMIX)

BUY:
https://scottmove.bandcamp.com/album/interlude-request-e-p

Scott Move - Interlude Request (JK FLESH REMIX)

JK FLESH is the pseudonym employed by Justin K Broadrick for his work within heavy techno/electronica - a form of mutant techno that is informed by industrial, dub, 90's drum and bass & power electronics. Justin initially used this pseudonym in Techno-Animal with co-conspirator Kevin Martin (The Bug)
Justin is known for his history as GODFLESH, JESU, FINAL, ZONAL (formerly Techno-Animal), etc, and for writing the music/guitar on Side A of the legendary 'Scum' album by Napalm Death)