The Upload2

Coast Guard Gulf of Blood

The System Is Not Corrupt - Corruption Is The System

Taken from "Persona", available now. 
http://www.poshisolation.net

Puce Mary - Courses

https://jkflesh.bandcamp.com/album/no-exits

"Standard bearer for grim and fugly bass music.." - BOOMKAT

"Running through the gamut of the established JK Flesh sound, NO EXITS is damaged industrial tekno, 2 step and slo mo dread techno for broken sound systems. The sound of no fi disenchantment for the perennial outsider."

ALL BY JUSTIN K BROADRICK 2023

NO EXITS

NOT YOUR DUB

Jiyoung Wi is a multi-faceted artist from Seoul, Korea currently residing in The Hague, Netherlands. Jiyoung’s work can be situated within fictional literature, improvised music, field recording, and is interested in juxtaposing or disjointing these fields of practice through her sonic and literary methodologies. Jiyoung’s debut album 𝑨𝒄𝒄𝒆𝒑𝒕 𝑨𝒍𝒍 𝑪𝒐𝒐𝒌𝒊𝒆𝒔, is a concise body of work that punctuates a beginning point to her work within the 12” LP format. The recording serves as one of the two releases concluding the three year sonic endeavor that is the ENXPL (Enmossed X Psychic Liberation) series. Having previously released recordings on compilations for labels like Mirae Arts, Eastern Nurseries, and Psychic Liberation, here Jiyoung hones a cinematic-like structure that exemplifies the biome within her craft. While presently Jiyoung is performing the systematic dismantling of a violin in her live improvisations paired with approachable boutique synthesizers, 𝑨𝒄𝒄𝒆𝒑𝒕 𝑨𝒍𝒍 𝑪𝒐𝒐𝒌𝒊𝒆𝒔 is a pairing of the inimitable Korg MS-20 and field recordings staged or captured by Jiyoung in Seoul and Busan, South Korea.

With three scenes per side, Jiyoung walks us through different geographical and spatial intimacies. Public spaces and intimate conversations are obscured and reconstructed.
Glass elevators, an unknown hotel lobby piano recital, office toilet rants, window side night bus travels, and multiple languages interplay with staged and unstaged conversations to transmogrify themselves into a world of Jiyoung’s view. Money, sex, relationships, and cultural parameters are at once idiosyncratic as well as disorientingly familiar to the listener.

As an extension of the series coined by Jiyoung as “Sound Fiction”, the album feels crisp, pressurized, and at times funny, at other times melancholic. As language, space, and viewing perspective shift, Jiyoung’s succinct album invites the listener to an aural world uniquely of her own viewpoint. While collecting source material relying on the outside world (conversations, elders, the closing track featuring Sungeun Lee), we have a listening experience that deeply illustrates Jiyoung’s perspective. The disjointed experience of someone maneuvering internationally to further develop a practice is encapsulated brilliantly here by Jiyoung with 𝑨𝒄𝒄𝒆𝒑𝒕 𝑨𝒍𝒍 𝑪𝒐𝒐𝒌𝒊𝒆𝒔. Alongside Makoto Oshiro’s 𝑺𝒕𝒂𝒄𝒌𝒆𝒅, it is a perfect bookend to the ENXPL series.

Jiyoung Wi is a writer and musician based in Seoul and The Hague. She writes fiction in-between institutional and non-institutional contexts, and works with sounds in-between clubs and art museums. Her methodology involves building and breaking sonic narratives by arranging and re-contextualizing disparate sound sources ranging from field recordings to fragmented anonymous dialogue. She approaches sound and text as invisible experiences and phenomena, and is interested in the narrative symptoms that emerge when both are juxtaposed on the same axis. In a series entitled ‘Sound Fiction,’ she explores these symptoms operating within and without the art space. She has been co-organizing an experimental/leftfield listening event ‘Sorrow Club Seoul’ since 2019.

ACCEPT ALL COOKIES

PURCHA$E

ENXPL22 - JIYOUNG WI - A3. SWIPE LEFT

Retaliation

Sex Without Feeling

Gaul Plus returns from harvest to present his weathered new single, "Mercury Fountain" featuring a long-revered spiritual guide, Japan's beloved POiSON GiRL FRiEND. We're thrilled to share this special collaboration, which will feature prominently on his upcoming EP on Rank+File, "Hissing Nest". He had this to say about the symbiotic union:

"Over a span of 10 or more years, and as many trips, I (we) have been buying spirit-driven noise records on the 20th floor of apartment buildings (across from crematoriums generally) asking panther-eyed doms which Provoke photographer ordered which drink and how many, or following the architecture of Angel Dust, walking beneath the interlocking armored whale spines, trying to understand how the same artist could have produced both a hit city-pop record and another that sounded like burning chrome swirling in miso soup. These are just a few of the millions of threads that hold my Borghesian path together; the path of the pilgrim rather than the tourist. Although it has no end, it certainly has its vista points, and few, if any, have elicited more joyous contemplation than the point of intersection with Noriko, someone whose records have drawn every shade of emotion out of me; whether a tall grass field I’ve sat in, or a half bursted bubble that nearly took my head off. To hear her voice drifting through the dusty corridors of this drum pattern, eternally tip-toeing just outside this wonked-up whirlpool, is beyond honorifics for me. It is truly the sense of life, and I am so grateful for it." 

@gaulplus @neutral_cloud

Written and Produced by Gaul Plus
Vocals by POiSON GiRL FRiEND
Vocal Mixing by Loric Sih
Mastered by Loric Sih

Artwork by Gina Lee
Photography by Eric Smith

Mercury Fountain

Download

Gaul Plus – Mercury Fountain (feat. POiSON GiRL FRiEND)

DARKNESS RUNN

feat. @sdpillz
prod. rollie
mix/master. @f4ckroutine

9 PM +gusevz෴ (@stopdoingpillz)

Croatian Amor & Varg “Body of Water” 
Posh Isolation 202 
Out Friday April 27th, 2018
Ltd. to 100 copies

Croatian Amor & Varg - Shadows Show Violet

Puce Mary — The Drought
Format: LP / CD / Digital
Cat.No. PAN 87
Release Date: 5 October 2018 
Pre-order album: bit.ly/2KGmn9f / bit.ly/2KGL7Ot

Building from a reputation of arresting live performances and critically acclaimed releases Puce Mary breaks new ground with The Drought, evolving from the tropes of industrial and power electronics to forge a complex story of adapting to new realities. Remnants of noise still exist, sustaining the penetrative viscerality offered on previous records, however The Drought demonstrates an intention to expand on the vocabulary of confrontational music and into a grander narrative defined by technical and emotional growth.
 
Bringing together introspective examination with literary frameworks by writers such as Charles Baudelaire and Jean Genet, Puce Mary’s compositions manifest an ongoing power struggle within the self towards preservation. The traumatised body serves as a dry landscape of which obscured memories and escape mechanisms fold reality into fiction, making sense of desire, loss and control. The Drought presents both danger and opportunity; through rebuilding a creative practice centred on first person narrative and a deliberate collage of field recordings and sound sources Puce Mary injects an acute urgency across the album seeking resilience.

“To Possess Is To Be In Control” makes use of lyrical repetition as an ambiguity of two selves, or a divided self, attempting to consume one another, while “Red Desert,” named after Michelangelo Antonioni’s 1964 film, portrays the individual subsumed by surrounding environmental forces. The seven-minute epic “The Size of Our Desires” acts as the emotional tipping point of the record; amongst the ominous drone and dense feedback flutters almost-beatific melodies, while the lyrics reveal a romantic call to be swept up in the midst of an increasingly uninhabitable world.

Rather than escape, The Drought dramatises a metamorphosis in which vulnerability is confronted through regeneration. Noise and aggression no longer act as an affront to react against but part of a ‘corporeal architecture’ where space, harmony and lyricism surface from the harsh tropes of industrial music. The Drought chronologises a transformation through a psychological famine, new ways of coping akin to plant survival in a desert – to live without drying out.

The release is mastered by Rashad Becker, featuring art by Torbjørn Rødland 

@pucemary
http://p-a-n.org

The Drought

Puce Mary - Red Desert (PAN 87)

Exploring the depths and playfulness of electronic breaks with Level 26.

Enjoy!

je moender

INTROVRT meets. Level 26

Industrial / Breaks sounds with powerful energies

Industrial Techno Mix  Nov. 02. 2020

Archaic Print estrenó el pasado año su catálogo con una primera entrega en la cual el sello ya desveló parte de sus intereses artísticos con una apuesta por las diversas interpretaciones que pueda tener un género tan holgado como es el techno, y siempre, dentro de un contexto en el que premia ante todo la coherencia y la originalidad. 

Esta libertad para ejecutar y desarrollar diferentes escenarios, y que a la  vez puedan convivir y armonizar, se une a la prioridad que la  plataforma otorga al formato físico, al disco vinilo.

Mike Humphries toma el relevo a Stanislav Tolkachev, a The Transhumans y a Dan Böhler, artífices de la primera referencia de Archaic Print. No obstante, a diferencia de este primer lanzamiento, Humphries es el único autor de las cuatro pistas de este EP y por lo tanto, a él le debemos la  pluralidad musical de esta segunda entrega.

Con In Between Reality, Mike Humphries da una gran ejemplo de bagaje y de la gran labor creativa que le ha acompañado durante estas 3 décadas.
Este disco exhibe una retrospección sonora que puede situar al
oyente en distintas ubicaciones y épocas. El espacio-tiempo se sitúa en cuatro puntos distintos.
9 Lives es el primer corte del EP y solo en los primero compases podemos anticipar un sonido memorable que evoca a la clandestinidad de las primeras raves europeas. Silver Shadows es una pista con patrones y propiedades que recuerdan mucho a la primeriza etapa de Mike Humphries como D-Kontrol, alias con el que operó durante los primeros añosde los 90 y que solía tener siempre un trasfondo ácido. Con Freefall intensifica el temperamento del acid, aunque su naturaleza nos ubica en un período más adelantado, más moderno, en el que este tipo de sonido tomaba otros matices diferentes. In Between Reality ya nos transporta a otra secuencia del espacio-tiempo más avanzada, con un estilo que fluctúa entre el techno, el minimalismo y la profundidad armónica. "

ENGLISH:
Archaic Print released its catalog last year with a first installment in which the label already revealed part of its artistic interests with a commitment to the various interpretations that a genre as loose as techno can have, and always, within a context in which it rewards coherence and originality above all else.
This freedom to execute and develop different scenarios, and that at the same time they can coexist and harmonize, joins the priority that the platform gives to the physical format, to the vinyl record.
Mike Humphries takes over from Stanislav Tolkachev, The Transhumans and Dan Böhler, creators of the first Archaic Print reference.

However, unlike this first release, Humphries is the sole author of the four tracks of this EP and therefore, we owe him the musical plurality of this second installment.
With In Between Reality, Mike Humphries gives a great example of baggage and the great creative work that has accompanied him during these 3 decades.
This album exhibits a sound retrospection that can place the
listener in different locations and times. Space-time is situated at four different points.

9 Lives is the first track on the EP and only in the first bars can we anticipate a memorable sound that evokes the secrecy of early European raves. Silver Shadows is a track with patterns and properties that are very reminiscent of Mike Humphries 'early days as D-Kontrol, an alias he traded with during the early' 90s and which used to always have an acid undertone. With Freefall he intensifies the temperament of acid, although its nature places us in a more advanced, more modern period, in which this type of sound took on other different nuances. In Between Reality already transports us to another more advanced space-time sequence, with a style that fluctuates between techno, minimalism and harmonic depth. "

Label: Archaic Print
Artist: Mike Humphries
Title: In Between Reality EP
Cat: AP002
Format: Vinyl
Release Date: November 11, 2020

Order

A1 Mike Humphries - 9 Lives (Archaic Print 002)

New week means new podcast in our series! Podcast number 191 belongs to @kienitz !

kienitz is a DJ and promoter living in Poznań. He is a resident of the Dom Technika club in Poznań, but also performs in clubs all over the country. While playing, he combines many different genres from electro, breaks, trance to techno, etc. 

kienitz follows the "vibe not genre" rule, and his mixes are a combination of freedom, energy and madness. He loves to play all night long b2b with his friends. 

SC: www.soundcloud.com/kienitz 
FB: www.facebook.com/kienitzz 
IG: www.instagram.com/aleksanderkienitz

BTS Podcast 191 - kienitz

Scott Move - Interlude Request (JK FLESH REMIX)

BUY:
https://scottmove.bandcamp.com/album/interlude-request-e-p

Scott Move - Interlude Request (JK FLESH REMIX)

I've been feeling really inspired by electro, breakbeat and EBM recently and created this set. It has the grungy vibe that helped me release stress and frustrations.
Slowing it down and playing between 125-128 BPM for a change, giving you new releases and some goldies. Enjoy! 

Vivi x

Slow Release

JK FLESH is the pseudonym employed by Justin K Broadrick for his work within heavy techno/electronica - a form of mutant techno that is informed by industrial, dub, 90's drum and bass & power electronics. Justin initially used this pseudonym in Techno-Animal with co-conspirator Kevin Martin (The Bug)
Justin is known for his history as GODFLESH, JESU, FINAL, ZONAL (formerly Techno-Animal), etc, and for writing the music/guitar on Side A of the legendary 'Scum' album by Napalm Death)

Scott Move - Interlude Request (JK FLESH REMIX)

JK FLESH

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