Albums and singles available to purchase on my Bandcamp link below.

Maus was raised on jazz and disco in beautiful Montreal, Quebec. She's been a key player in the Montreal scene since the late 90’s, shaking up minds and dance floors with her unique and creative approach to electronic music. Exploring many levels of House and Techno, she was entitled Montreal’s Drum and Bass Queen by the local press in 1999. Her signature style is deep with a rolling groove and a funky touch that gets everyone up and moving on the dance floor. 

Maus did her first European tour in 2000, promoting  Intersections (Haute-Couture Records, Canada) her debut mixed CD. Critically-acclaimed by international music press such as XLR8R, Coda and Urb magazine, (who ranked Maus on the “Next 100” list), her cutting edge selection of Drum & Bass got her booked at festivals like Sonar (Barcelona), Francofolies (Larochelle) renowned clubs such as Paris’s Batofar, Nouveau Casino and l’OPA, Lisbon’s own Lux,  and citie such as Prague, Budapest, Vienna..::and out she was. 

On this first tour, Maus signed a 2 year contract with La Sala del Cel (Girona, Spain) where she started digging deeper in the techno sounds. Her relentless passion to explore and reinvent herself only helped broaden her horizons and saw her walk away from the rather limited drum & bass scene. In 2002, as one of Montreal’s Cream festival headliners, she was commissioned to mix Cream '03 (YUL Records, Montreal), a compilation that also showcased her new approach to electronic dance music. From that year forward, her sound evolved to clubbier Techno and House, exposing her disco and soul-influences.
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In 2002, Maus started producing her own music, signing her first remix in 2004 for legendary cold-wave band Trisomie 21 (The Man is a Mix, Chromo Music, France). In 2008, Maus connected with Thoughtless Music’s owner, Noah Pred for some feedback on her latest tracks. A few months later, Pred would release her debut EP Let Go, followed by the inclusion of La Surprise on Thoughtless Times V3. 

After a long break from regular studio work, Maus went back to her roots, exploring dub sounds through deep house tracks, releasing Story Tailors feat. Doba on Argentinian label, Eat More Beef, in the summer of 2012. She also included some of her productions on her mixed CD, Chez Nous v4, released by Montreal’s elite Mile End Records in february 2013.

On December 2015, she boxed her most precious things and left Montreal to see what latin America had to share. Based in Playa del Carmen Mexico for a year,  Maus launched her Montreal born monthly, Danse Contact, at renown club La Santanera. Toured central America for a bit and cut her journey short to return to family matters. Which was, after all, the best decision of her life...

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Maus has been a resident DJ at arguably the best club in North America, Montreal’s Stereo Nightclub and hosted several nights, including her monthly, Danse Contact, at local Club Salon Daome. Over the years, she held residencies at infamous after hours clubs such as Sona, Aria and others. She's also had the pleasure of playing many of Montreal’s top music festivals, including Igloofest, Montréal en Lumières, the Montreal International Jazz Festival, Les Francofolies, among others. Maus has also been a fixture at Piknic Electronik since their very first edition, returning to headline at their 10th and 15th anniversary.

Maus travelled the globe to share her music in countries like China (Expo 2010), Australia, France, Spain, Germany, England, Hungaria, the Czech Republic, Portugal, Mexico, Ecuador, the Dominican Republic, USA. Today, she continues to spread the love through her consistent and dynamic approach to electronic dance music. Join MAUS at one of her Danse Contact solid House night  in Montreal.

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George Winston grew up mainly in Montana, and also spent his later formative years in Mississippi and Florida. During this time, his favorite music was instrumental rock and instrumental R&B, including Floyd Cramer, the Ventures, Booker T & The MG’s, Jimmy Smith, and many more. Inspired by R&B, jazz, Blues and rock (especially the Doors), George began playing organ in 1967. In 1971 he switched to the acoustic piano after hearing recordings from the 1920s and the 1930s by the legendary stride pianists Thomas “Fats” Waller and the late Teddy Wilson. In addition to working on stride piano, he also at this time came up with his own style of melodic instrumental music on solo piano, called folk piano. 

Since 1972 George has released thirteen solo piano albums: AUTUMN (1980), WINTER INTO SPRING (1982), DECEMBER (1982), SUMMER (1991), FOREST (1994), LINUS & LUCY-THE MUSIC OF VINCE GUARALDI (1996), PLAINS (1999), which was inspired by his Eastern Montana upbringing, NIGHT DIVIDES THE DAY - THE MUSIC OF THE DOORS (2002), MONTANA-A LOVE STORY (2004) and GULF COAST BLUES & IMPRESSIONS-A HURRICANE RELIEF BENEFIT (2006). His most recent recording are LOVE WILL COME - THE MUSIC OF VINCE GUARALDI VOL 2 (2010), and GULF COAST BLUES & IMPRESSIONS 2-A LOUISIANA WETLANDS BENEFIT (2012).
In 2001 George released REMEMBRANCE - A MEMORIAL BENEFIT, a seven song EP of piano, guitar and harmonica solos, to benefit those affected by 9/11.  He has also worked with the late George Levenson of Informed Democracy (www.informeddemocracy.com) on three projects: a solo guitar soundtrack for SADAKO AND THE THOUSAND PAPER CRANES, and soundtracks of piano, guitar and, harmonica solos for PUMPKIN CIRCLE, and BREAD COMES TO LIFE. In addition, he has recorded the solo piano soundtrack for the children’s story THE VELVETEEN RABBIT for Rabbit Ears Productions. 	

George is presently concentrating mainly on live performances, and most of the time he is touring playing solo piano concerts (the Summer Show or the Winter Show), solo guitar concerts, solo harmonica concerts, and solo piano dances (with R&B and slow dance songs). 

He is currently most inspired by the great New Orleans R&B pianists Henry Butler, James Booker, Professor Longhair, Dr. John, and Jon Cleary, and he is also working on interpreting pieces on solo piano by his favorite composers, including Vince Guaraldi, Professor Longhair, and the Doors, as well as Sam Cooke, Dr. John, Allen Toussaint, Randy Newman, Curtis Mayfield, Laura Nyro, Al Kooper, Jimmy Wisner, Arthur Lee, Frank Zappa, Ralph Towner, Rahsaan Roland Kirk, John Coltrane, Milt Jackson, John Hartford, Oliver Schroer, Taj Mahal, Henry Butler, James Booker, Jon Cleary, Philip Aaberg and others, to play at concerts, and at his solo piano dances.

George is also working on solo guitar and is recording the masters of the Hawaiian Slack Key guitar for an extensive series of albums for Dancing Cat Records (www.dancingcat.com). Slack Key is the name for the beautiful solo fingerstyle guitar tradition, unique to Hawaii, which began in the early 1800s and predated the steel guitar by over half a century. 

He is also recording his main inspirations for his harmonica playing: Sam Hinton, Rick Epping, and Curt Bouterse.

Piano: George Winston plays Steinway Pianos
Guitar: Martin D -35 (1966), with low 7th string added
Harmonica: Hohner Big Rivers & Cross Harps, key of low D


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Aloha Got Soul is a Honolulu-based record label breaking the conventions of what music from Hawai‘i should sound like.

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