In the end, The Young Man made it through to the center of the giant Heart of the World, corrupted by darkness. 

He was all alone here, because The Wounded Healer died during their last battle. He saw the core right in front of him. The pure light. So warm. So white... like the sunlight, he was never felt before.

He didn't want this world to die. He wanted to save it. But it was the fate that brought him here, to the end of the story.

The Young Man felt something like a friendly warmth in his own heart. That was The Wounded Healer's soul, accompanying him to the very end.

They both wanted to save this world from dying. They promised to protect it at any cost. But now, the boy must destroy it himself, to recreate once again. In the end, boy understood that life never gives us what we want as we see it, but as it is given to us. And although, he himself become the End he was trying to avoid, he will have a chance to create the very new world, being a God. Being the new hope of the world he will make by himself.

The Young Man took the core of pure light in his hands, put it in his chest, and wished to cleanse this world.

Everything disappeared in a second...
There was a light everywhere. The white light.
And so, The Young Man decided to create the new world.

The world he can call his new home.

Wind of Farewell

Missing You - Miniature No.2

Link to Book (English):
getinkspired.com/pt/story/520449/…english-version/

Link to Book (Portuguese):
getinkspired.com/pt/story/414704/aequus/

ADVICE: MUSIC — ESPECIALLY ORCHESTRAL MUSIC — SHOULD BE LISTENED TO THROUGH SPEAKERS WITH A GOOD BALANCE OF BASS AND TREBLE. IF YOU LISTEN TO THESE PIECES ON A CELLPHONE, YOU’LL LOSE AT LEAST 40% OF THEIR QUALITY.

Luci awakens at her father’s farm, marked by memories time tried to bury. When she learns the horses vanished on the muddy road, she sets out to track down the thieves—only to follow her own footsteps back to the wounds of her origin. Luci’s Echo is a journey through past and identity, where each clue reveals more than what was lost.

Aequus Book Soundtrack Volume III

Luci’s Echo

Escapism

Spring Fantasy by Shirley Ly  | Piano Quintet

Ambient Flow on an Yamaha C5 (closed) - Made in England

Jens träumt

Song without words

Please, remember: listening without wired headphones results in the loss of quality of the sound. The use of cabled headphones or earphones preserves the richness of the sound of all orchestral sections. This is very crucial for classical music.

Song for Oboe and Orchestra n2

Muses of the Valley is my ambient chamber music project featuring women from around the Yarra Valley. We perform in beautiful settings to take you into a dreamy world of bygone eras, Celtic fantasy and magical places. The Muses use a range of instruments to create a sparkling fusion of traditional, modern, and early music.

This recording features:
Amy Earl (harp)
Chrissy de Jong (flute, tin whistle, cajon)

Example tracks above:
1. King of the Fairies (trad. Irish Hornpipe)
2. Circle of Joy (Lisa Lynne & Aryeh Frankfurter)
3. Song of the Water Kelpie (trad. Manx tune)
4. Iris (Guido Piccard, Ensemble Galilei)
5. Planxty Irwin (O'Carolan)
6. The Musical Priest (trad. Irish reel)
7. Var det Du (trad. Swedish)
8. Douglas and Fiona Shearer (Jenna Reid)
9. Swan LK243 (Catriona McKay)
10. Chanter's Tune (trad. Irish)
11. Stockford Carol (Loreena McKennit)
12. Captain O'Kane (O'Carolan)
13. Castle Kelly (trad. Irish reel)

“The mystical Muses of the Valley will whisk you away into a world at once fantastical and familiar, with a selection of traditional and modern folk music, Celtic tunes and medieval gems.” - Cranbourne Chorale

Recorded and mixed by Amy Earl

Flute & Harp duo examples

The Titan Atlas is well-known as the holder of the heavens. This was his sentence for his part in the war between the Titans and the Olympian gods for control of the heavens. He is also found in Roman myth concerning Heracles.
In one of the Twelve Labours, Heracles was required to get some of the golden apples that grew in Hera's garden tended by Atlas’ daughters. Heracles volunteered to hold up the heavens while Atlas got the apples from his daughters. When Atlas came back with the apples he tried to trick Heracles and free himself from the burden of his punishment. Heracles was no fool and pretended to agree, asking Atlas to hold the sky whilst he fixed his cloak. Heracles ran away with the apples. 
In some myths Heracles built the two great Pillars of Hercules to hold the sky away from the earth, liberating Atlas much as he liberated Prometheus.
Using this story as its inspiration, the piece is introduced with an orchestral tutti accent much like that used in Carmina Burana ‘O Fortuna'. This develops into a flowing melody over a reiterated ostinato. The music settles to a calm pastoral theme based on the initial tutti motif before returning to a recapitulation on the main theme.

Atlas

Studied Clarinet and Theory at the Gibraltar Music Centre. Played clarinet in the local municipal band, Youth Orchestra and Symphony Orchestra.  Toured with a rock band as lead guitarist. Sang in the Tenor section of the Calpe Singers. Founder member of the Band of the Royal Gibraltar Regiment rising to Warrant Officer 2nd Class, appointed BSM. Musical Director of local productions of West End musicals. Conducts the “Calpe Band” and the “Gibraltar Band and Drums Association”.
Studied Music Education in UK. Taught in local schools becoming Headteacher at a Primary school.
Have written some processional, concert and military marches, including one for His Majesty the Sultan of Oman. I have received special mention at the  International Maurice Ravel soundtracks contest. One of my pieces is available on Ablaze Records. Another was premiered in Dallas. Some of my work is featured at AudioSparx. My compositions cater for different ensembles and genres.
Open to commissions.

Atlas

JM Gomila - Contemporary Classical Composer