Appendix churning bass , warehouse sound of 1990-1992 , lydons wit and sneer , bomb squad production ,1950s sci fi horror , ultra magnetic mc's, bruce lee,billy childish, qotsa ,the eighties matchbox b-line disaster ,60 hz ,1990 pills ,rick rubin,mr oberheim 2 voice and mr ms20 sub bass breaker, veuve clicquot yellow label lubrication, mr crabs, roger moore , 4 in the morning bullshit.

Manager:
John Fairs
info@jcfmgmt.com

Please don't re-upload my musics on other websites, Youtube etc.
音源の二次転載、YouTube等への投稿はお控えくださし

mgmt/contact: fiona@small-town.co
Bookings: guy.oldaker@unitedtalent.com

@alexanderpercocet
@slgoodbye
@0band0
@thellonia2000
@daniel-mathey
@vineticmusic
@unknowndope
@beatsbyaddin
@808egodeath
@nimbus2k
@indigobvstvrd
@pctheinfamous

------BIG MILK------
NEW MUSIC PROJECT BY MINNESOTA (2025)

MGMT:santi@vitalmanagement.com

"As a child, I grew up sitting in front of a computer by myself. That is where I learnt about music; playing video games and watching endless reruns of cartoons and American TV shows. Television gave me shelter when I was alone, nursed me with Hollywood’s mythologies. It guided me through nameless countries; with it I brought down colossuses and climbed mountains. I preached its beliefs. But when I grew up, all my heroes died. 

Today, I still come to mourn in deserted movie theatres. There, lights flash before my eyes. But I don’t feel anything in face of the latest blockbusters and their visual explosions, these chaotic clusters where Mechas and Kaijus pile up in between fights under the rain, tsunamis and apocalyptic scenes… Yet I feel numb, except for the roaring sub-basses that fill the void of cinemas. My music is for those who, like me, have grown up amongst the ruins of blockbusters. For them my bass trembles and my synths screech. 

But I know that beyond this digital coldness lie other horizons, other possibilities."

Danger


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