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Announcing: I'm On Fire (White Rooms Remixes) out Aug. 11th, 2015.  Pre-order it here:
https://gtapes.bandcamp.com/album/im-on-fire-white-rooms-remixes

Grab the original 'White Rooms' here:
Bandcamp: http://smarturl.it/gt-bandcamp
Itunes: http://smarturl.it/gtitunes
Amazon: http://smarturl.it/gtamazon
Spotify: http://smarturl.it/gt-spotify
Darla: http://smarturl.it/darla
Experimedia: http://smarturl.it/gt-experimedia

Graveyard Tapes announce 'White Rooms', the follow-up to their acclaimed debut. Edinburgh based duo Euan McMeeken (glacis, The Kays Lavelle) and Matthew Collings (Splintered Instruments, Sketches For Albinos) joined the Tribe in 2013 with 'Our Sound Is Our Wound'. 

Only the simplest and most elegant of ideas offer this sort of combustive force. McMeeken builds the audio structures and Collings nearly tears them back down again. Of their debut, Textura lauded “McMeeken's heartfelt singing and piano playing and Collings’ electronic and guitar colourations,” while Incendiary Magazine declared the album “a rare blend of inquisitive dark pop.” The track “Bloodbridge” inspired and was featured in Matty Ross’s enigmatic short film. 

Where 'Our Sound Is Our Wound' confronted heartbreak, solitude and death, White Rooms looks to progress, even repair, restore. Collings assumed the role of primary songwriter, and here the darkly lit, fully curtained spaces of their inaugural record serve not as a wake, but a wake-up call. As McMeeken writes, 'White Rooms' accepts "the difficult 
but essential challenge of finding the incongruent beauty in loss and moving forward as people.” This way the curtains are thrown open, daylight floods in, the colors of the interior come into full view, and we realize that what is left is a blank canvas, ready for our paints. 

Both Collings and McMeeken have long embraced collaboration in their solo careers, having worked with the likes of Ben Frost, Old Earth, and Dag Rosenqvist (Jasper TX). This time around they’ve given their collaborative natures ample room to breathe. Many tracks were improvised with Ben Chatwin, who records as Talvihorros, while the song “Flicker” finds omni-instrumentalist/ singer-songwriter William Ryan Fritch (Vieo Abiungo, Death Blues Ensemble) lending his cello. 

'White Rooms' releases mere months after Collings delivered his stunning 2nd solo album 'Silence Is A Rhythm Too', further solidifying his position as one of the most innovative and exciting producers around. It’s an addictive combo when paired with the searing and iconic vocals of McMeeken. It is clear from the initial moments: this incarnation of Graveyard Tapes digs ever deeper.

Track List:
1. Flicker
2. Exit Ghosts
3. Sometimes the Sun Doesn't Want To Be Photographed
4. Dulcitone Grasses
5. Could You Really Kill?
6. Death Rattle
7. The Secret Voices of People
8. Ruins
9. I'm on Fire

Buy Vinyl/CD/Digital

Graveyard Tapes - White Rooms & Remixes

Download: http://www.xlr8r.com/mp3/2014/01/censer-field-rotation-remix

Download

Benoît Pioulard - Censer (Field Rotation Remix)

Larsp - Life is beautiful   2011 Unsigned

Buy Album:
Bandcamp: http://smarturl.it/gt-bandcamp
Itunes: http://smarturl.it/gtitunes
Amazon: http://smarturl.it/gtamazon
Spotify: http://smarturl.it/gt-spotify
Darla: http://smarturl.it/darla

Graveyard Tapes announce 'White Rooms', the follow-up to their acclaimed debut. Edinburgh based duo Euan McMeeken (glacis, The Kays Lavelle) and Matthew Collings (Splintered Instruments, Sketches For Albinos) joined the Tribe in 2013 with 'Our Sound Is Our Wound'. 

Only the simplest and most elegant of ideas offer this sort of combustive force. McMeeken builds the audio structures and Collings nearly tears them back down again. Of their debut, Textura lauded “McMeeken's heartfelt singing and piano playing and Collings’ electronic and guitar colourations,” while Incendiary Magazine declared the album “a rare blend of inquisitive dark pop.” The track “Bloodbridge” inspired and was featured in Matty Ross’s enigmatic short film. 

Where 'Our Sound Is Our Wound' confronted heartbreak, solitude and death, White Rooms looks to progress, even repair, restore. Collings assumed the role of primary songwriter, and here the darkly lit, fully curtained spaces of their inaugural record serve not as a wake, but a wake-up call. As McMeeken writes, 'White Rooms' accepts "the difficult 
but essential challenge of finding the incongruent beauty in loss and moving forward as people.” This way the curtains are thrown open, daylight floods in, the colors of the interior come into full view, and we realize that what is left is a blank canvas, ready for our paints. 

Both Collings and McMeeken have long embraced collaboration in their solo careers, having worked with the likes of Ben Frost, Old Earth, and Dag Rosenqvist (Jasper TX). This time around they’ve given their collaborative natures ample room to breathe. Many tracks were improvised with Ben Chatwin, who records as Talvihorros, while the song “Flicker” finds omni-instrumentalist/ singer-songwriter William Ryan Fritch (Vieo Abiungo, Death Blues Ensemble) lending his cello. 

'White Rooms' releases mere months after Collings delivered his stunning 2nd solo album 'Silence Is A Rhythm Too', further solidifying his position as one of the most innovative and exciting producers around. It’s an addictive combo when paired with the searing and iconic vocals of McMeeken. It is clear from the initial moments: this incarnation of Graveyard Tapes digs ever deeper.

Graveyard Tapes are Matthew Collings and Euan McMeeken 
with additional performances by Ben Chatwin, William Ryan Fritch, and Brady Swan 

All songs written by M. Collings and E. McMeeken 
Except tracks 2, 5, 6, 7, and 8 written by M. Collings, E. McMeeken and B.Chatwin. 
String arrangement on track 1 by WR. Fritch 
Drums on track 2 performed by Brady Swan, recorded by Ben Frost and Paul Evans at Greenhouse Studios, Iceland 
All lyrics by E. McMeeken 
Recorded in various locations around Edinburgh, Scotland 
Mixed by M. Collings 
Mastered by Carl Saff 
Art by Shawn Stephany 
Layout by Daniel Murphy

White Rooms

Death Rattle

Buy Album

Graveyard Tapes - Death Rattle (from White Rooms)

From the CDR/digital album "Stanza"
Purchase & support: http://pioulard.bandcamp.com

Recorded 7 February 2015 at La Berceuse, Seattle
with guitar & cassette tape
Mastered by Rafael Anton Irisarri

Here is the first teaser track from something LTS has planned for one of the most overlooked and bad ass albums in our catalog, 2014's Graveyard Tapes - White Rooms.  

Keep your eyes peeled for more remixes coming soon.  Until then, this Mute Forest remix and the original version of "Sometimes the Sun Doesn't Want To Be Photographed" can be listen to and purchased here: https://gtapes.bandcamp.com/album/white-rooms

Artwork by Shawn Stephany

Graveyard Tapes - Sometimes The Sun...(Mute Forest Remix)

Taken from the new EP "Noyaux" - out Nov. 6th  2015 on Morr Music.
Buy the single on iTunes: api.morrmusic.com/itunes/1044652779
Follow Benoît Pioulard for updates:
http://pioulard.com/
https://www.facebook.com/pioulard
www.morrmusic.com

Buy on iTunes

Benoît Pioulard: Noyaux

Remix for "Sometimes the Sun Doesn't Want to be Photographed" from Graveyard Tape's remix record "I'm On Fire" out 8/14 on Lost Tribe Sound: http://gtapes.bandcamp.com/album/im-on-fire-white-rooms-remixes 

best listened to loudly on headphones c:

Sometimes The Sun Doesn't Want To Be Photographed (Bastardgeist Remix)

Order the I'm On Fire (White Rooms Remixes) here:
https://gtapes.bandcamp.com/album/im-on-fire-white-rooms-remixes

Figured it's a better time than never to unleash this solid collection of remixes and covers into the world. 

For those who missed Graveyard Tapes album 'White Rooms' late last year hopefully this will provide some serious incentive to check out one of the strongest releases in the Lost Tribe Sound catalog.  

1. I'm On Fire (Western Skies Motel Remix)
2. Ruins (Fieldhead Remix)
3. Sometimes The Sun Doesn't Want To Be Photographed (Mute Forest Remix)
4. Exit Ghosts (William Ryan Fritch Cover Version)
5. Dulcitone Grasses (Benoit Pioulard Remix)
6. Sometimes The Sun Doesn't Want To Be Photographed (Bastardgeist Remix)
7. Ruins (Caught In The Wake Forever Remix)
8. Flicker (Dag Rosenqvist Remix)

Mastered by William Ryan Fritch
Artwork by Shawn Stephany 

If you have yet to grab a copy of the original 'White Rooms' on vinyl, CD or digital, get on it here: https://gtapes.bandcamp.com/album/white-rooms

Graveyard Tapes - Exit Ghosts (William Ryan Fritch Cover Version)

Sindri & Frog Pocket "ROCK ON!"

Recorded at La Berceuse (Seattle, WA) November 21, 2015 with guitar and magnetic tape.
Photograph taken in Twin Falls, Idaho on April 29, 2015

More things at http://pioulard.bandcamp.com
Original version: https://www.youtube.com/watch?v=goDd02TTxBA

Stone In Focus [Aphex Twin cover]

Benoît Pioulard - I walked into the blackness & built a fire.

James Lindsey-Give it Up-Produced by Joshua Nicholson

Moonjellies-No Better Side of the Road

Free Download

Of Monsters And Men - Yellow Light (Cillo Remix)

Tickets to see alt-J live: http://altjband.com/tickets 
Purchase An Awesome Wave: http://smarturl.it/AnAwesomeWave 
alt-J on Facebook: http://facebook.com/altJ.band 
alt-J on Twitter: http://twitter.com/alt_j 
alt-J on YouTube: http://youtube.com/altjband 
alt-J on Tumblr: http://altjband.tumblr.com

Purchase on beatport

alt-J - Fitzpleasure (Betatraxx Remix)

Weyheyhey !! - I'm Your Daddy

Phoria - Red

There is a house out along the dusty farm road that does not conform. Through the massive gray door and to the left is a parlor where the ladies sit in their floral print summer dresses, sipping tepid cups of tea through downturned lips. In the hall, the children tear by, swinging their skinny arms around the post to turn up the stairs. They go round and round, down the back stair and through the kitchen in an endless race, their gasping faces frozen in the sheer delightful terror of the chase. The yard behind the house is a lumpy field of clay bearing only the hardiest weeds. A middle-aged man is stuck in the ground there, buried up to his waist. Each morning, his boy brings him a bowl of water, a razor, and an orange. He shaves, pours out the water, eats the orange, and places the scraps of peel in the bowl. Sometimes a robin perches on his shoulder or tries to build a nest in his hair. Beyond the yard is a pond into which extends an ancient wooden dock. The master of the house, smoking calmly in his striped swimsuit, paces the dock in the evening. Once an hour, he lowers himself into the water and kicks furiously, all the while clinging to the splintered pier. He hauls himself out after a while and resumes his pacing. A beautiful girl lives in the attic of the house, or so they say. She brushes her long blond hair from morning to night, stopping just once to scribble a note, fold it into a plane, and toss it out the window. Usually it simply falls to the ground, but sometimes, it will catch a gust of wind and glide out over the yard, coasting between the thorny branches of the locust trees at the ponds edge before landing with a soft plit in the brackish water. If the master could swim, he might push away from the dock and carry himself with broad strokes out to that floating plane. He would bring it back to the dock, shake himself dry, and read the note: Come back to me.

"With the ripped and distant loops of singing children (are they singing?), I imagine some futuristic archaeologist finding only that 1-second clip and them playing it over and over, trying to rebuild the past. But I suppose that's what I'm doing, playing this song over and over, trying to fabricate a story to this gentle 3-minute sample, of a moment, of a day, or a month, however long this feeling lasted." - Said The Gramaphone

Sometimes The Sun Doesn't Want To Be Photographed (Bastardgeist Remix)

J. Midden