*** if not gold well still then something was made for HILOBROW's Ten Days series - for more on this project head to : https://www.hilobrow.com/tag/ten-days/ ***

///

I can't tell stories; maybe that's why i like them so much.

I can't think in narratives very well - like, i think i can follow them, but i am easily distracted - preoccupied with shards and details and incidents rather then * stories * as such. The moment not the arc. I suppose any sequence is a narrative, but, equally, we all know a narrative is not necessarily a story, right?

I do collect sounds and textures - timbre is the word i probably should use but never quite have the bottle to without qualifying it with doubts and word salad - and i faff with them, splice them, process them. try to arrange them in pleasing sequences; sequences that please me, at least.

How much use such things might be during these strange, agitated, vexing, worrying, curiously dilated times, i really don't know. I find it helpful to make them, i think - they're a kind of distraction, a more-or-less spurious focus for my attention. Would they cover my social obligations or rent when retreating to the Florentine countryside? My guess is no, not really.

///

All the sounds and their respective sources that make up if not gold well still then something were collected this year, in the last month or so for the most part. Some have been treated heavily with filters and effects, transformed into something like an abstraction; some are presented as is. They're quite long, partly because i can at times convince myself to let things run and partly because for many of us there's nowhere we're supposed to be but * here * right now.

Whilst upstairs have been symptomatic - untested - for over a week, we're all well, so far; i hope you & yours are too.

///

For Peggy and, i assume, at least nine others.

jks 30/03/20

d o w n l o a d

if not gold well still then something

20x20 Project

these short messages

every other Thursday is something i slowly assembled for much of last summer - snatched minutes on lunches whilst working at home, hours on quiet evenings when the neighbours complained, damp mornings, late nights...

It is, as they say, what it is - if you've heard any jks up until this point, i can't imagine there's much to surprise you here. There's more hisses, flickers and drones; more birdsong, more traffic, more clicks, rattles and pulses... maybes everything's packed a little denser, maybe everything is a little more cohesive? You probably don't need it, but hopefully it pleases, maybes even soothes a little?
credits
releases February 18, 2021

all sounds recorded / reclaimed / repurposed / reworked by Jimmy Kipple Sound between April and November 2020 (give or take)

SHOUTS and THANKS: Alex, Callan, Marc, Mike, Peggy.

Peace.

jks 02/12/20

~ d o w n l o a d ~

every other Thursday

ｐａｔｚｒ ｒａｄｉｏ ｉｓ １００ ｓｅｃｏｎｄｓ ｅｖｅｒｙ １０ ｄａｙｓ

ｐａｔｚｒ ｒａｄｉｏ ¶
ｐａｔｚｒ ｒａｄｉｏ is a micro-podcast. ¶
ｐａｔｚｒ ｒａｄｉｏ is one hundred seconds every ten days. ¶
ｐａｔｚｒ ｒａｄｉｏ is, to my mind at least, a pleasing set of syllables. ¶
ｐａｔｚｒ ｒａｄｉｏ is a wilfully perverse relationship with clock time & calendars. ¶
ｐａｔｚｒ ｒａｄｉｏ is a consequence of various commercial platforms and services. ¶
ｐａｔｚｒ ｒａｄｉｏ is an advert for itself, for sound in general maybe. ¶
ｐａｔｚｒ ｒａｄｉｏ is preoccupied with counterintuitive rhythms, glimpses, & shifts. ¶
ｐａｔｚｒ ｒａｄｉｏ is sometimes fussily contrived, sometimes comparatively arbitrary. ¶
ｐａｔｚｒ ｒａｄｉｏ is aimless, on-going and inherently incomplete. ¶
ｐａｔｚｒ ｒａｄｉｏ ¶

１００ ｓｅｃｏｎｄｓ ｅｖｅｒｙ １０ ｄａｙｓ

Six minutes or so of motorway noise, recorded near work on Friday morning / shortwave radio recordings made in the early hours of Saturday morning / a number of recordings of rain in my backyard, in town, at work, made since Christmas...

///

i've tried to be Cageian, in that i've not really treated any of the sound sources, beyond fading them & placing them, a little bit of EQ * but * i've been particularly uncageian in that my choices were never really dispassionate - i rather vainly tried to arrange them * pleasingly *; chance was involved but wasn't always adhered to... perhaps it's self evident - but i kind of love all these sounds. even the traffic, as oppressive as it can feel sometimes , has a beutiful gauzy whoosh to it...

they're all three flows, these types of sounds, it seems to me. Yeah, they've a * start * & an * end* but their defining characteristics are more about a certain fairly relentless streaming, no? even if they flicker and lurch at the edges...

& it's this relentlessness that is my excuse for this piece going so long - i wanted the them to weave, intermingle. Pretty cheaply, i guess, i made a feature of the more percussive bursts of radio static (most, by no means all caused by my shifting between bands) but i was more interested in the way they keep going, flowing, all three somehow intense and meandering...

///

More on this 479th weekly Disquiet Junto project – Truck Radio Rain (The Assignment: Locate three sound sources and make something with them) – at:

https://disquiet.com/0479/ 1

More on the Disquiet Junto at:

https://disquiet.com/junto/ 1

Subscribe to project announcements here:

https://tinyletter.com/disquiet-junto/ 1

Project discussion takes place on llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0479-truck-radio-rain/

There’s also a Disquiet Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

marginal gloss [disquiet0479]

Something cobbled together in late 2020, early 2021; stuck inside, avoiding mutant strains & trying not to doomscroll.

A sort of gloomy patchwork of sounds assembled from recordings made in furtive journeys to work, cold quiet days around the flat and files found on SD cards gathering dust in the front room...

Moody but hopefully not unpleasant, brooding without being dour; some kind of banal psychedelia? There's at least one drone, a number of fumbles, rain & traffic etc., tannoy annoucements, birdsong, machines in the hallway & a cough on the radio.

///

All sounds found / recorded / assembled / processed by jimmy kipple sound, mainly in the real world but sometimes on the computer.

SHOUTS and THANKS, always: Alex, Callan, Marc, Mike, Peggy, TSS, S&SR.

d w n l d .

science fiction is where you find it

I played 2hearts V3 Heavy.wav back over a Bluetooth® speaker in a three storey stairwell at work on Friday evening; work, you're going to probably be unsuprised to hear, is pretty quiet. It's a stairwell i'm quite enamoured of - when the heating's on it has a real Lynchian hiss to it - but at the moment it's almost comically unevenftul. You can hear my boots creak at one point, i'm sure, probably concerned that somebody from security was going to come by bewildered by the racket in the almost empty building.

I'm a lousy technician so the recording peaks about half-way through.

Thanks to Chris & Marc for this prompt; it was a lovely five minutes to inhabit i think.

///

More on this 484th weekly Disquiet Junto project — A Movable Heart (The Assignment: Transplant the sounds of Chris Kallmyer’s wind chimes to a new location) — at: https://disquiet.com/0484/

More on Chris Kallmyer at: chriskallmyer.com.

Major thanks to Alex Hawthorn for support: alexhawthorn.com

More on the Disquiet Junto at: https://disquiet.com/junto/

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0484-a-movable-heart/

Image associated with this project is by Pieter Kaufman and used with the artist’s permission.

2hearts V3 Heavy.wav [playback in a stairwell] [disquiet0484]

Due to storage limitations over on @patzr-radio this is the twenty-seventh non-downloadable archive block of old ｐａｔｚｒ ｒａｄｉｏ episodes. As ever, unconcatenated episodes remain available over on patzrradio.podbean.com /// episode one hundred and thirty-two / a festival of the futilities | episode one hundred and thirty-three / my bank account was £1.41 overdrawn earlier today | episode one hundred and thirty-four / Advanced Fibrous Structures for Composite Materials, Technical Textiles and other Technical Application | episode one hundred and thirty five / certain kinds of gloom, certain kinds of gladness | episode one hundred and thirty-six / 12 menhirs / and a scroll / apostles but no doubt apocryphal / it was decided to clear the field / and they moved one / oh to hell with that it was too much hard work / and they never moved any more / aye aye / ! ! ! this installment of ｐａｔｚｒ ｒａｄｉｏ was produced by regular special guest ｐａｔｚｒ & long time kipple friend otolythe [homepage | twitter | soundcloud] ! ! ! ] | episode one hundred and thirty seven / a day late, not that anybody'll notice or care; a private calendar is a slippery thing, i guess |

ｐａｔｚｒ ｒａｄｉｏ

ｐａｔｚｒ ｃａｃｈｅ ０００２７

Due to storage limitations over on @patzr-radio this is the twenty-eigth cache of non-downloadable archive blocks of old ｐａｔｚｒ ｒａｄｉｏ episodes. ///  episode one hundred and thirty-eight / ask me about the texture of my defeat | episode one hundred and thirty-nine / Super Wolf Blood Moon times |  episode one hundred and forty / a certain delight in fresh boxes | episode one hundred and forty-one / from time to time i still vaguely threaten a podcast that's just recordings of rain | episode one hundred and forty-two / my mother's geology spreadsheet stopped working | episode one hundred and forty-three / cutting back the Virginia creeper in unseasonable sunshine

ｐａｔｚｒ ｃａｃｈｅ ０００２８

i deeply enjoyed playing with Daniel Díaz' sample pack; i figured to zoom in, splice brutally but neatly in order to transform them but keep them recognisible  - there's occasion distortion and a little compression but fundamentally this is made up of a number of layers of the sounds looped and granulated and looped an granulated.

More on this 507th weekly Disquiet Junto project — In DD’s Key of C (The Assignment: Make music with 10 acoustic instrument samples all in a shared key) — at: https://disquiet.com/0507/

Tracks made with samples created generously by Daniel Díaz.

More on the Disquiet Junto at: https://disquiet.com/junto/

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0507-in-dds-key-of-c/

There’s also a Disquiet Junto Slack. Send your email address to marc@disquiet.com for Slack inclusion.

Cs [disquiet0507]

I'm always glad of this prompt, this project; glad to be obliged to put a kind of full stop on some things, take some kind of stock, sift, ever-so-slightly nostalgically through my digital rubble...

///

E:\Sounds\Jmmy Kppl\2021
30.0 GB (32,278,394,211 bytes)

that's not really even close to everything i fiddled with, & definitely not anything like everything i recorded; my filing system gets more chaotic as i delude myself into new projects etc.

///

so yeah, as ever, i scrolled through this stuff, this list, checked a few memory cards & sticks lying about. Choices are usually based on whether i can even vaugely remember what the file is, coupled with any immediate delight or attraction to the file name.

///

JAN :: "carillion loop" ‎03 ‎January ‎2021, ‏‎11:16:22
FEB :: "snow_01" 12 ‎February ‎2021, ‏‎08:56:39
MAR :: "rehillsfridges" 18 ‎March ‎2021, ‏‎21:46:57
APR :: "110421b" 11 ‎April ‎2021, ‏‎21:45:25
MAY :: "bats 090521" 09 ‎May ‎2021, ‏‎22:02:23
JUN :: "fghrnpces" 07 ‎June ‎2021, ‏‎08:35:18
JUL :: "ZOOM0025" ‎30 ‎July ‎2021, ‏‎11:15:48
AUG :: "ZOOM0033" ‎06 ‎August ‎2021, ‏‎13:07:36
SEP :: "xx_53 --11" 10 ‎September ‎2021, ‏‎05:45:38
OCT :: "who even+" 22 ‎October ‎2021, ‏‎14:04:32
NOV :: "end of xmas eve" ‎08 ‎November ‎2021, ‏‎14:16:57
DEC :: "ZOOM0068" 30 ‎December ‎2021, ‏‎17:13:24

///

Take care in the two two everybody; ice cubes in a glass in four days, yeah?

Peace.

jks

More on this 522nd weekly Disquiet Junto project – Just Backdated (The Assignment: Create a sonic diary of the past year with a dozen (or more) super-brief segments) – at: https://disquiet.com/0522/

More on the Disquiet Junto at: https://disquiet.com/junto/

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co 1: https://llllllll.co/t/disquiet-junto-project-0522-just-backdated/

There’s also a Disquiet Junto Slack. Send your email address to marc@disquiet.com for Slack inclusion

YOU COME RIGHT OVER HERE AND EXPLAIN WHY THEY ARE HAVING ANOTHER YEAR [disquiet522]

another gloomy January weekend brightened by faffing with the sounds of ice cubes; ten, this year, 'cause, i mean, how could i not? 

i re-listened to previous years submissions, partially to get my head in the game somewhat, partly to try and find aspects i hadn't concentrated on in the sound source. I've been guilty of using ancillary sounds a lot in the past i think - the clunk of the ice hitting the glass or the glass hitting the counter; the tear of the cube being taken from the tray - and figured i ought to be a little more circumspect this year, so made a point of only selecting the clinks and rattles of the cubes suspended in the drink [water] for this year.

I cut 30, small, percussive sections of clinking & set them away in a pattern in FruityLoops, a sort of gritty pulse punctuated with some lightly distorted samples and some pitched up or down a little. I mixed in a little assertive chatter made in Leafcutter John's Forestry and then made a couple of versions - one pitched down dramatically and one reversed and one as it was which i then chopped into something like a structure. I then made two copies of that file, played one forward, the other back & applied differing filters to both to try and bring out the... jittery cubist xylophone shambles of the whole thing.

Thanks again - always! - for the prompt, Marc! ^_^

XCSR [disquiet0523]

episode two hundred and seventy-six / all sorts of stupid damage

ｐａｔｚｒ ｒａｄｉｏ ｔｗｏ ｈｕｎｄｒｅｄ ａｎｄ ｓｅｖｅｎｔｙ－ｓｉｘ - suggest_recap

episode two hundred and seventy-seven / a night's sleep lost to a cynically designed game

ｐａｔｚｒ ｒａｄｉｏ ｔｗｏ ｈｕｎｄｒｅｄ ａｎｄ ｓｅｖｅｎｔｙ－ｓｅｖｅｎ - untitled [Monument Metro, 011121]

episode two hundred and seventy-eight / boozily googling the guy who invented CMYK

ｐａｔｚｒ ｒａｄｉｏ ｔｗｏ ｈｕｎｄｒｅｄ ａｎｄ ｓｅｖｅｎｔｙ－ｅｉｇｈｔ - in the inner caddy

episode two hundred and seventy-nine / cold in this damp flat

ｐａｔｚｒ ｒａｄｉｏ ｔｗｏ ｈｕｎｄｒｅｄ ａｎｄ ｓｅｖｅｎｔｙ－ｎｉｎｅ - Meet our statement sandals

episode two-hundred and eighty / considering hibernation

ｐａｔｚｒ ｒａｄｉｏ ｔｗｏ ｈｕｎｄｒｅｄ ａｎｄ ｅｉｇｈｔｙ - Wacker Plate Hire

plastids

i was a little stuck with this one - for time, for ideas i guess - but felt a real urge to get back into the junto swing; & if it hasn't got the possibility of failing, of not working, it's not an experiment, right?

Anyhow, I made a simple, though hopefully diverting enough beat in Fruityloops, layered it with some rainfall recorded this afternoon then distorted and filtered everything until it made appealing fizzes and slurps; obviously i pitched most everything down and reversed it all too - what can i say? I Have A Problem. Anyhow, here we are; it crawls and seethes in a not uninteresting manner to my ears, still, it's safe to say that you'd be best off with Toasters beautiful original:  https://soundcloud.com/toaster-1/beacon-for-marissa

Linking: When posting the track, please be sure to include this information:

More on this 204th weekly Disquiet Junto project (“Add a foundational rhythm to an ambient foreground”) at:

http://disquiet.com/2015/11/26/disquiet0204-underbeat/

More on the Disquiet Junto at:

http://disquiet.com/junto/

Join the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/

Subscribe to project announcements here:

http://tinyletter.com/disquiet

Disquiet Junto general discussion takes place at:

http://disquiet.com/forums/

The image associated with this project is a light reworking of the image that accompanied the track, Toaster’s “Beacon, For Marissa,” that is the source audio for this week’s project:

https://soundcloud.com/toaster-1/beacon-for-marissa



Beacon, For Marissa (jimmy Kipple's fizz n hiss edit) [disquiet0204 - Underbeat]

twelve five second chunks of files stored in \james\Desktop\Sounds\Jmmy Kppl\WVS\2015 chopped and compiled on the 01/01/16 whilst alarmingly unhungover and trying not to think about the temperature of the Arctic. 

LIGHT DISCLAIMER: The first section was rendered from a fruity loops flp file that i've had stored in the wrong folder for almost exactly a year; my filing system is emminently stoppable. 
/ / /
But, hey! & We're Still Here. Keep on Keeping on, yeh? Yeah.

L I S T  o f  C O N T E N T S :

callanice.flp Date created 01/01/15, 22:32 [rendered 01/01/16 10:59]
bridge tone.wav Date created 11/02/15, 20:03
sttttttrrr.wav Date created 30/03/15, 11:47
03-SR020MS.wav Date created 01/04/15, 21:27
birdsong 2 drqag.wav Date created 24/05/15, 13:39
waterywha.wav Date created 07/06/15, 09:34
glass tap.wav Date created 18/07/15, 16:00
SR024XY.wav Date created ‎18/08/15, 11:18
synth goo crop +++.wav Date created 22/09/15, 06:55
corvids and traffic.wav created 01/10/15, 19:42
scffl.wav Date created 14/11/15, ‏‎20:43
busstop++.wav created 11/12/15, ‏‎21:32

Linking: When posting the track, please be sure to include this information:

More on this 209th weekly Disquiet Junto project (“The Assignment: Create a sonic diary of the past year with a dozen five-second segments”) at:

http://disquiet.com/2015/12/31/disquiet0209-journal2015/

More on the Disquiet Junto at:

http://disquiet.com/junto/

Join the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/

Subscribe to project announcements here:

http://tinyletter.com/disquiet

Disquiet Junto general discussion takes place at:

http://disquiet.com/forums/

twelve five second chunks [disquiet0209-journal2015]

so i'm super wary of these choreographic juntos *but* this thing i've been tinkering with this week seemed sort of appropriate - a looming, out-of-phase low sine wave, an awkward scrape/thump/scratch arhythm made of cutlery & polysterene . . . the processing is reletively light, but definite - a little granular delay adn reverb, a little phasing; f i l t r a t i o n of various levels. so.

More on this 222nd weekly Disquiet Junto project (Compose a piece for contemporary dance — with a “soft top” and a “shifting bottom”) at:

http://disquiet.com/0222/

More on the Disquiet Junto at:

http://disquiet.com/junto/

Join the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/

Subscribe to project announcements here:

http://tinyletter.com/disquiet-junto/

Disquiet Junto general discussion takes place at:

http://disquiet.com/forums/

it cannot be stratify for the basic need. [disquiet0222-boundedfoundation.]

ｐａｔｚｒ ｒａｄｉｏ is a wilfully perverse relationship with clock time & calendars. / a tiny event, recorded in Penge as i recall / copied and phased / fidget and tap /

b a m d c a n p

ｅｘｔｒａ ｐａｔｚｒ ｔｅｎ - easy clickable thing

not that i can imagine she'd actually want it, but what else can i do? / this weekend CHANGE OF PLAN / I F YOU have be'en in close contact with other people who have colds

ｅｘｔｒａ ｐａｔｚｒ １６／１７

ｅｘｔｒａ ｐａｔｚｒ ＆＆＆＆＆ - Scatter Nanville (for Eve)

information & apologies

d w n l d ~

Event Detection Platform

cement mixer 'round the corner // cheap boom & chitter // h i s s

NOTICE OF PRIZE INTIMATION FOR PRIVILEGED USER

It's not like i wouldn't say most everything that i make wasn't already incomplete. Still. Here's a loop from one of the precursor tracks to my submission to last week's Junto, rendered lo-res and filtered egregiously with a view to its incorporation in something else next week. 

[didn't there used to be a place for BPM in the metadata on Soundcloud?]
More on this 315th weekly Disquiet Junto project (First Chair: Record the first third of a trio) at:

https://disquiet.com/0315/

More on the Disquiet Junto at:

https://disquiet.com/junto/

Subscribe to project announcements here:

http://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0315-first-chair/

There’s also on a Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

Image associated with this project is adapted from a photo by Martin Kenny and is used via Flickr thanks to a Creative Commons license:

https://flic.kr/p/neoFUH

https://creativecommons.org/licenses/by-nc-sa/2.0/

untitled [always already incomplete] [disquiet0315]

i opted to work with one of my favourites from last week, @Carlos-R's Appendix [https://soundcloud.com/carlos-r/disquiet0315]. I snaffled a loop of Carlos' track to pan right as a part of mine, reversed it & then buried it amidst degraded train station and granulated & dragged alarms. I think there's some sympathy between the two sides but Carlos is bring the purpose & weight; i'm just sort of gently squalling about.

///////////////////////////////////////////////////////////////////////////////////

More on this 316th weekly Disquiet Junto project (El Segundo: Record the second third of a trio, adding to a pre-existing track.) at:

https://disquiet.com/0316/

More on the Disquiet Junto at:

https://disquiet.com/junto/

Subscribe to project announcements here:

http://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0316-el-segundo/

There’s also on a Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

Image associated with this project is adapted from a photo by Martin Kenny and is used via Flickr thanks to a Creative Commons license:

https://flic.kr/p/neoFUH

https://creativecommons.org/licenses/by-nc-sa/2.0/

Carlos R / kipple sound - appendices [disquiet0316]

another one of those vague things i've been making lately

return to merchant

small sounds dragged out / an attempt to clear my head at four in the morning

DEFORMATION TYCOON

local hydrology, a gate, a drum machine; rereading Ocean of Sound

fluidic blows

*** if not gold well still then something was made for HILOBROW's Ten Days series - for more on this project head to : https://www.hilobrow.com/tag/ten-days/ ***

I can't tell stories; maybe that's why i like them so much.

I can't think in narratives very well - like, i think i can follow them, but i am easily distracted - preoccupied with shards and details and incidents rather then * stories * as such. The moment not the arc. I suppose any sequence is a narrative, but, equally, we all know a narrative is not necessarily a story, right?

I do collect sounds and textures - timbre is the word i probably should use but never quite have the bottle to without qualifying it with doubts and word salad - and i faff with them, splice them, process them. try to arrange them in pleasing sequences; sequences that please me, at least.

How much use such things might be during these strange, agitated, vexing, worrying, curiously dilated times, i really don't know. I find it helpful to make them, i think - they're a kind of distraction, a more-or-less spurious focus for my attention. Would they cover my social obligations or rent when retreating to the Florentine countryside? My guess is no, not really.

///

All the sounds and their respective sources that make up if not gold well still then something were collected this year, in the last month or so for the most part. Some have been treated heavily with filters and effects, transformed into something like an abstraction; some are presented as is. They're quite long, partly because i can at times convince myself to let things run and partly because for many of us there's nowhere we're supposed to be but * here * right now.

Whilst upstairs have been symptomatic - untested - for over a week, we're all well, so far; i hope you & yours are too.

///

For Peggy and, i assume, at least nine others.

jks 30/03/20

untitled (Grebe Beach, 13/03/20)

Your PC Will Restart Several Times.

betwixt and between

LEVEL LOADS ONLY

untitled (Northumberland Park, 26/03/20)

More on this 433rd weekly Disquiet Junto project, Disquiet Junto Project 0433: Kit Bits — The Assignment: Create a kit’s worth of percussion samples — at:

https://disquiet.com/0433/ 3

More on the Disquiet Junto at:

https://disquiet.com/junto/ 1

Subscribe to project announcements here:

http://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0433-kit-bits/

There’s also a Disquiet Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

dumm [disquiet0433]

khrr [disquiet0433]

sit [disquiet0433]

tchr [disquiet0433]

thsh [disquiet0433]

tkr [disquiet0433]

too [disquiet0433]

tung [disquiet0433]

tyoy [disquiet0433]

uh [disquiet0433]

These Short Messages

Nachrichtimmediately

M O N E Y S P A C E

PATRIZIUS5 STANFORD5

sub-basement machine

2020 Project

Motorized Water Pets

Varnish cache server

every other Thursday [2]

Simply sprinkle the required quantity of powder

every other Thursday [1]

i took this weeks project as an impetus to just cut and paste something together, didn't let the "musical" side put me off, just revelled in the excuse to splice and juxtapose the contents of my recorder - some sounds recorded intentionally for this project, most just what was there; fragments snatched over the past three months or so.

///

... some pink noise, an aubergine being chargrilled, nextdoor's bins, a ventilation system, a brief hydrophone recording, a waterfall, a self-service check-out, various birds, some metal stairs, traffic, rain, ice, snow, various paperbags, a train station tannoy, a malfunctioning videocall, a dehumidifier, gulls, small pieces of plastic, wind, demolition work...

///

it's my age and inclination, i think, but i am deeply enamoured with collage and assemblage aesthetics; the way the world necessarily leaks in to even the most perverse and hermetic project; the way you can sort of synthesise the sheer abundance of the world; a nest of implications and connections; the way things become strange when they're oblided to be in overlap or proximity.

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i used no effects on the final piece beyond a little panning at times, a little EQ-ing; some of the files and chopped into the thing had been processed, but for the most part - as the relentless bumps of mic-handling shoud indicate, the component sounds are essentially unprocessed.

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More on this 478th weekly Disquiet Junto project — Collage of Collages (The Assignment: Make a collage that will become part of a larger collage.) — at:

https://disquiet.com/0478/

The project is a collaboration with the radio show Kopfkino, initiated by Margarethe Maierhofer-Lischka. More on Kopfkino at:

https://cba.fro.at/series/kopfkino

More on the Disquiet Junto at:

https://disquiet.com/junto/

Subscribe to project announcements here:

https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0478-collage-of-collages/

time and room enough here [disquiet0478]

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jmmy kpple

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