Six minutes or so of motorway noise, recorded near work on Friday morning / shortwave radio recordings made in the early hours of Saturday morning / a number of recordings of rain in my backyard, in town, at work, made since Christmas...

///

i've tried to be Cageian, in that i've not really treated any of the sound sources, beyond fading them & placing them, a little bit of EQ * but * i've been particularly uncageian in that my choices were never really dispassionate - i rather vainly tried to arrange them * pleasingly *; chance was involved but wasn't always adhered to... perhaps it's self evident - but i kind of love all these sounds. even the traffic, as oppressive as it can feel sometimes , has a beutiful gauzy whoosh to it...

they're all three flows, these types of sounds, it seems to me. Yeah, they've a * start * & an * end* but their defining characteristics are more about a certain fairly relentless streaming, no? even if they flicker and lurch at the edges...

& it's this relentlessness that is my excuse for this piece going so long - i wanted the them to weave, intermingle. Pretty cheaply, i guess, i made a feature of the more percussive bursts of radio static (most, by no means all caused by my shifting between bands) but i was more interested in the way they keep going, flowing, all three somehow intense and meandering...

///

More on this 479th weekly Disquiet Junto project – Truck Radio Rain (The Assignment: Locate three sound sources and make something with them) – at:

https://disquiet.com/0479/ 1

More on the Disquiet Junto at:

https://disquiet.com/junto/ 1

Subscribe to project announcements here:

https://tinyletter.com/disquiet-junto/ 1

Project discussion takes place on llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0479-truck-radio-rain/

There’s also a Disquiet Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

marginal gloss [disquiet0479]

Something cobbled together in late 2020, early 2021; stuck inside, avoiding mutant strains & trying not to doomscroll.

A sort of gloomy patchwork of sounds assembled from recordings made in furtive journeys to work, cold quiet days around the flat and files found on SD cards gathering dust in the front room...

Moody but hopefully not unpleasant, brooding without being dour; some kind of banal psychedelia? There's at least one drone, a number of fumbles, rain & traffic etc., tannoy annoucements, birdsong, machines in the hallway & a cough on the radio.

///

All sounds found / recorded / assembled / processed by jimmy kipple sound, mainly in the real world but sometimes on the computer.

SHOUTS and THANKS, always: Alex, Callan, Marc, Mike, Peggy, TSS, S&SR.

d w n l d .

science fiction is where you find it

I played 2hearts V3 Heavy.wav back over a Bluetooth® speaker in a three storey stairwell at work on Friday evening; work, you're going to probably be unsuprised to hear, is pretty quiet. It's a stairwell i'm quite enamoured of - when the heating's on it has a real Lynchian hiss to it - but at the moment it's almost comically unevenftul. You can hear my boots creak at one point, i'm sure, probably concerned that somebody from security was going to come by bewildered by the racket in the almost empty building.

I'm a lousy technician so the recording peaks about half-way through.

Thanks to Chris & Marc for this prompt; it was a lovely five minutes to inhabit i think.

///

More on this 484th weekly Disquiet Junto project — A Movable Heart (The Assignment: Transplant the sounds of Chris Kallmyer’s wind chimes to a new location) — at: https://disquiet.com/0484/

More on Chris Kallmyer at: chriskallmyer.com.

Major thanks to Alex Hawthorn for support: alexhawthorn.com

More on the Disquiet Junto at: https://disquiet.com/junto/

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0484-a-movable-heart/

Image associated with this project is by Pieter Kaufman and used with the artist’s permission.

2hearts V3 Heavy.wav [playback in a stairwell] [disquiet0484]

Due to storage limitations over on @patzr-radio this is the twenty-seventh non-downloadable archive block of old ｐａｔｚｒ ｒａｄｉｏ episodes. As ever, unconcatenated episodes remain available over on patzrradio.podbean.com /// episode one hundred and thirty-two / a festival of the futilities | episode one hundred and thirty-three / my bank account was £1.41 overdrawn earlier today | episode one hundred and thirty-four / Advanced Fibrous Structures for Composite Materials, Technical Textiles and other Technical Application | episode one hundred and thirty five / certain kinds of gloom, certain kinds of gladness | episode one hundred and thirty-six / 12 menhirs / and a scroll / apostles but no doubt apocryphal / it was decided to clear the field / and they moved one / oh to hell with that it was too much hard work / and they never moved any more / aye aye / ! ! ! this installment of ｐａｔｚｒ ｒａｄｉｏ was produced by regular special guest ｐａｔｚｒ & long time kipple friend otolythe [homepage | twitter | soundcloud] ! ! ! ] | episode one hundred and thirty seven / a day late, not that anybody'll notice or care; a private calendar is a slippery thing, i guess |

ｐａｔｚｒ ｒａｄｉｏ

ｐａｔｚｒ ｃａｃｈｅ ０００２７

Due to storage limitations over on @patzr-radio this is the twenty-eigth cache of non-downloadable archive blocks of old ｐａｔｚｒ ｒａｄｉｏ episodes. ///  episode one hundred and thirty-eight / ask me about the texture of my defeat | episode one hundred and thirty-nine / Super Wolf Blood Moon times |  episode one hundred and forty / a certain delight in fresh boxes | episode one hundred and forty-one / from time to time i still vaguely threaten a podcast that's just recordings of rain | episode one hundred and forty-two / my mother's geology spreadsheet stopped working | episode one hundred and forty-three / cutting back the Virginia creeper in unseasonable sunshine

ｐａｔｚｒ ｃａｃｈｅ ０００２８

i deeply enjoyed playing with Daniel Díaz' sample pack; i figured to zoom in, splice brutally but neatly in order to transform them but keep them recognisible  - there's occasion distortion and a little compression but fundamentally this is made up of a number of layers of the sounds looped and granulated and looped an granulated.

More on this 507th weekly Disquiet Junto project — In DD’s Key of C (The Assignment: Make music with 10 acoustic instrument samples all in a shared key) — at: https://disquiet.com/0507/

Tracks made with samples created generously by Daniel Díaz.

More on the Disquiet Junto at: https://disquiet.com/junto/

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0507-in-dds-key-of-c/

There’s also a Disquiet Junto Slack. Send your email address to marc@disquiet.com for Slack inclusion.

Cs [disquiet0507]

I'm always glad of this prompt, this project; glad to be obliged to put a kind of full stop on some things, take some kind of stock, sift, ever-so-slightly nostalgically through my digital rubble...

///

E:\Sounds\Jmmy Kppl\2021
30.0 GB (32,278,394,211 bytes)

that's not really even close to everything i fiddled with, & definitely not anything like everything i recorded; my filing system gets more chaotic as i delude myself into new projects etc.

///

so yeah, as ever, i scrolled through this stuff, this list, checked a few memory cards & sticks lying about. Choices are usually based on whether i can even vaugely remember what the file is, coupled with any immediate delight or attraction to the file name.

///

JAN :: "carillion loop" ‎03 ‎January ‎2021, ‏‎11:16:22
FEB :: "snow_01" 12 ‎February ‎2021, ‏‎08:56:39
MAR :: "rehillsfridges" 18 ‎March ‎2021, ‏‎21:46:57
APR :: "110421b" 11 ‎April ‎2021, ‏‎21:45:25
MAY :: "bats 090521" 09 ‎May ‎2021, ‏‎22:02:23
JUN :: "fghrnpces" 07 ‎June ‎2021, ‏‎08:35:18
JUL :: "ZOOM0025" ‎30 ‎July ‎2021, ‏‎11:15:48
AUG :: "ZOOM0033" ‎06 ‎August ‎2021, ‏‎13:07:36
SEP :: "xx_53 --11" 10 ‎September ‎2021, ‏‎05:45:38
OCT :: "who even+" 22 ‎October ‎2021, ‏‎14:04:32
NOV :: "end of xmas eve" ‎08 ‎November ‎2021, ‏‎14:16:57
DEC :: "ZOOM0068" 30 ‎December ‎2021, ‏‎17:13:24

///

Take care in the two two everybody; ice cubes in a glass in four days, yeah?

Peace.

jks

More on this 522nd weekly Disquiet Junto project – Just Backdated (The Assignment: Create a sonic diary of the past year with a dozen (or more) super-brief segments) – at: https://disquiet.com/0522/

More on the Disquiet Junto at: https://disquiet.com/junto/

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co 1: https://llllllll.co/t/disquiet-junto-project-0522-just-backdated/

There’s also a Disquiet Junto Slack. Send your email address to marc@disquiet.com for Slack inclusion

YOU COME RIGHT OVER HERE AND EXPLAIN WHY THEY ARE HAVING ANOTHER YEAR [disquiet522]

another gloomy January weekend brightened by faffing with the sounds of ice cubes; ten, this year, 'cause, i mean, how could i not? 

i re-listened to previous years submissions, partially to get my head in the game somewhat, partly to try and find aspects i hadn't concentrated on in the sound source. I've been guilty of using ancillary sounds a lot in the past i think - the clunk of the ice hitting the glass or the glass hitting the counter; the tear of the cube being taken from the tray - and figured i ought to be a little more circumspect this year, so made a point of only selecting the clinks and rattles of the cubes suspended in the drink [water] for this year.

I cut 30, small, percussive sections of clinking & set them away in a pattern in FruityLoops, a sort of gritty pulse punctuated with some lightly distorted samples and some pitched up or down a little. I mixed in a little assertive chatter made in Leafcutter John's Forestry and then made a couple of versions - one pitched down dramatically and one reversed and one as it was which i then chopped into something like a structure. I then made two copies of that file, played one forward, the other back & applied differing filters to both to try and bring out the... jittery cubist xylophone shambles of the whole thing.

Thanks again - always! - for the prompt, Marc! ^_^

XCSR [disquiet0523]

[arbitrary] field recordings fed into a granulated delay (grains set to emit every 60ms] along with sine waves at 39 & 698hz; i made a bold and rough go of simulating the panning and [apparent] filtration of the original before slathering generously with reverb. It's tinner and cheaper than the original but then it would be.

More on this 152nd Disquiet Junto project — “Record your own cover version of the ‘song’ sung/emitted by the comet Comet 67P/Churyumov-Gerasimenko” — at:

http://disquiet.com/2014/11/27/disquiet0152-comet67pcover/

Copyright Notice: Original Data Credit: ESA/Rosetta/RPC/RPC-MAG. Sonification: TU Braunschweig/IGEP/Manuel Senfft, CC-BY-NC-SA 4.0 creativecommons.org/licenses/by-nc-sa/4.0/

More on the Disquiet Junto at:

http://disquiet.com/junto

Join the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/

Disquiet Junto general discussion takes place at:

http://disquiet.com/forums/

Credit for image associated with this project:

ESA/Rosetta/NAVCAM – CC BY-SA IGO 3.

Manic Stone Gig [disquiet0152-comet67pcover]

The quietest room in my flat is my bedroom; a small room at the end of the hall, filled - say two-thirds up - with, like, the second cheapest bed Ikea sold ten years ago, whatever that's called.

I set the recorder going before shutting the door and then sat on the edge of the bed whilst Alex lay reading. It was nigh-on silent, to the point that i thought about how bad my tinnitus could be said to be, and whether even that's what i could *hear*. I thought about the warm comfort of the room i was in and how it can be assumed to contrast with wherever Bassel Khartabil is obliged to remain. I thought about what to do with this silence which is as good as any afforded by my relatively cheap recorder. I thought about how it wasn't that great a silence; remembered the pleasing, amusing list of silent records in Craig Dworkin's No Medium; i even did my best to be blank, to think nothing, to do something like contemplate what it's like to be held prisoner...

To make the actual track i looped and tweaked various sections - the tens seconds immediately following the door's closing is repeated adn you can hear a dull click which is probably the door or possibly a button on my jeans hitting the edge of the bed repeated through much of the track; i slowed a section of the ten seconds down and these two percussive events begin to suggest something like a clock or clocks. Other sections of more pure silence were stretched and dragged and panned and sort of... suggest their presence in either left or right channel at various points in the track.

It's a clumsy, cheap and over-worked 'silence' and i can't imagine it truly soothing but it is also is an accurate picture of my inarticulacy in the face of the wider world and a literally mute but otherwise earnest plea for freedom for everybody held unjustly and against their will and wish for something peacable and calm in the hearts of everybody everywhere.

Linking: When posting the track, please be sure to include this information:

More on this 167th Disquiet Junto project — “Marking the 3rd anniversary of Bassel Khartabil’s incarceration, turn the silence of a room into something soothing” — at:

http://disquiet.com/2015/03/12/disquiet0167-freebassel/

More on Bassel Khartabil at:

http://freebassel.org/

More on the Disquiet Junto at:

http://disquiet.com/junto

Join the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/

Disquiet Junto general discussion takes place at:

http://disquiet.com/forums/

a number of the same quiet room [disquiet0167-freebassel]

Three layers at varying levels, all constructed from the poorly-record agitated beep of a cash machine; all pitched down dramatically 'cause it's a head-doer otherwise.

Layers in order of audibility - tiny slice of beep dragged out for solid bass and intriguing muffled pseudo-percussion; highly granulated sound sent through a phaser 'cause why not & the full sample, pitched down delayeded and phased. 

I believe this track fulfills the criteria for this week's assignment.

Linking: When posting the track, please be sure to include this information:

More on this 168th Disquiet Junto project — “Create an original, multi-part piece with a single audio source” — at:

http://disquiet.com/2015/03/19/disquiet0168-threeofakind/

More on the Disquiet Junto at:

http://disquiet.com/junto

Join the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/

Disquiet Junto general discussion takes place at:

http://disquiet.com/forums/

Image associated with this track by Len Radin, used thanks to a Creative Commons license:

https://flic.kr/p/47xpTZ

casch mashine [disquiet0168 - Threeofakind]

i took tiny .223 sections of https://soundcloud.com/jmmy-kpple/0000-0001-approx-260115-disquiet0160-oneminutepastmidnight and repeated them [random number] times up to a minute; i did this three times, panned the three sequences a little. These random stuttersequences - *glitches* - were then added to a copy of the original track so as the one[s] could interfere with the other[s]; i can't imagine somebody in the junto hasn't already done pretty much this - now to listen & find out . . . . . . .

Linking: When posting the track, please be sure to include this information:

More on this 170th Disquiet Junto project — “Create a one-minute track that takes the project title, ‘A Glitch in the Night,’ as its guiding aesthetic” — at:

http://disquiet.com/2015/04/02/disquiet0170-midnightglitch/

More on the Disquiet Junto at:

http://disquiet.com/junto/

More on the One Minute Past Midnight series at:

http://oneminutepastmidnight.com/

Join the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/

Disquiet Junto general discussion takes place at:

http://disquiet.com/forums/

[a number of events that last point two two three seconds] [disquiet0170-midnightglitch]

Miniature Zebra's Alantic ocean sound [https://soundcloud.com/miniaturezebra/alantic-ocean-sound] reversed with additional hiss and sine and quiet Tyne, amongst other things.

Shout out to every body of water.

Alantic ocean sound [jks' semi-solicited Zoom73 Re Amalgamix]

a cathartic theft and misappropriation of small chunks of inane Soundcloud spam, eq-ed for something like musical function; there's a bassline! with a little phasing! there's garbled syllables! compressed into low resolution mp3s! Other textures were created from tiny pieces of recent field recording looped into dronehood. Rough and ready, to say the least.

Linking: When posting the track, please be sure to include this information:

More on this 220th weekly Disquiet Junto project (“Make overtly rhythmic music from short loops of overtly arrhythmic source audio, following instructions from Dennis DeSantis”) at:

http://disquiet.com/0220/

More on the Disquiet Junto at:

http://disquiet.com/junto/

Join the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/

Subscribe to project announcements here:

http://tinyletter.com/disquiet-junto/

Disquiet Junto general discussion takes place at:

http://disquiet.com/forums/

Are You Making This Mistake On Soundcloud? [disquiet0220-rhythmicarrhythmic]

She is particularl greater thangreater thangreater than

just dragged a bunch of things that have been kicking around Quick Access [the most recent ｐａｔｚｒ ｒａｄｉｏ , Margaret Rutherford on cycling, field recordings from Byker last Monday, the usual dronal mush i mess about with on a ~daily basis, a percussive bit, a tap dripping] into Audacity & made with the slice & dice; chopping a sequence together, then chopping that up, then chopping that - ended up making an eventful and oddly, to my ears, coherent clag. I'm still super-wary of calling my stuff the em-word but it is what it is, yeh.

More on this 277th weekly Disquiet Junto project — “Chew Concrète: Make music inspired by C. Reider’s Chew Cinders album procedures” — at:

http://disquiet.com/0277/

More on the Disquiet Junto at:

http://disquiet.com/junto/

Subscribe to project announcements here:

http://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

http://llllllll.co/t/chew-some-concrete-sounds-disquiet-junto-project-0277/

There’s also on a Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

DIGITALT RESTAURERED [disquiet0277]

icsr [disquiet0001-ice]

[]

# The following text was saved as two .txt files - one using UTF-8 encoding, the other ANSI [i used every translation because i am tedious]:

Disquiet Junto Project 0027: Texting
 

The following instructions appear below translated into four additional languages: French, German, Japanese, and Turkish, courtesy of Éric Legendre, Allan Brugg, Naoyuki Sasanami, and M. Emre Meydan, respectively.
 

We're continuing the theme of "creative reuse" this week. In past Disquiet Junto projects we have reworked audio files, and in the process of interpreting a photograph as a graphic score, some participants treated the image file as abstract audio. This week, we'll be interpreting a text file as sound.
 

Please copy the instructions to this project and save them as a text file. You will then open that file in one or more pieces of audio-processing software. The resulting sound will serve as the foundation of your track. You can only use the sounds resulting from the text file in the process of making your track. You can manipulate the sounds, and you can use multiple versions that result from different pieces of software, but you cannot add any other sounds. 
 

Deadline: Monday, July 9, at 11:59pm wherever you are. 
 

Length: Please keep your track to between 2 and 5 minutes. 
 

Information: Please when posting your track on SoundCloud, please include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. 
 

Title/Tag: When adding your track to the Disquiet Junto group on Soundcloud.com, please include the term "disquiet0027-texting” in the title of your track, and as a tag for your track. 
 

Download: As always, you don’t have to set your track for download, but it would be preferable. 
 

Linking: When posting the track please include this information: 
 

More details on the Disquiet Junto at:
 

Disquiet Junto; 


. . . . .
 

Instructions in French:
 

Projet Disquiet Junto 0027 : textage
 

Nous poursuivons cette semaine sur le thème de la « réutilisation créative ». Dans de précédents projets du Junto de Disquiet, nous avons retravaillé des fichiers audio, et dans le processus d'interprétation d'une photographie en tant que partition graphique, certains participants ont alors traité le fichier image en tant qu'audio abstraite. Cette semaine, nous allons interpréter un fichier texte comme son.
 

S'il vous plait, copier les instructions de ce projet et les enregistrer dans un fichier texte. Vous ouvrirez ensuite ce fichier dans un ou plusieurs éléments d'un logiciel de traitement audio. Le résultat sonore servira de base à votre piste. Vous devez utiliser uniquement les sons provenant du fichier texte dans la production de votre piste. Vous pouvez manipuler les sons, et vous pouvez utiliser plusieurs versions qui résultent des différents éléments du logiciel, mais vous ne pouvez pas ajouter aucun autre son.
 

Date limite : lundi 9 juillet, à 23 h 59 où que vous soyez.
 

Durée : Veuillez S.V.P. vous assurer de conserver la durée de votre pièce entre 2 et 5 minutes.
 

Information : S'il vous plait, lors du téléversement de votre piste sur SoundCloud, veillez à inclure une description de votre processus suite à la conception, la composition et l'enregistrement. Cette description est un élément essentiel du processus de communication inhérente au Junto de Disquiet.
 

Titre/mot-clé : Lorsque vous ajoutez votre pièce au groupe Disquiet Junto sur Soundcloud.com, veillez à y inclure l'expression « disquiet0027-texting » dans le titre de votre pièce, mais également comme mot-clé.
 

Téléchargement : comme à l'habitude, vous n'avez pas à permettre le téléchargement de votre pièce, mais cela serait souhaitable.
 

Lien : lorsque vous publiez votre pièce, S.V.P. inclure ces informations :
 

Plus de détails à propos Projet Disquiet Junto :
 

Disquiet Junto; 


. . . . .
 

Instructions in German:
 

Disquiet Junto Projekt 0027: Texten
 

Wir setzen das Thema der “kreativen Wiederverwertung” diese Woche fort. In vergangenen Disquiet Junto Projekten haben wir Audio Dateien überarbeitet, und im Prozess, eine Photographie als graphische Partitur zu interpretieren, haben einige Teilnehmer die Bilddatei als abstractes Audio behandelt. Diese Woche werden wir ein Text-File als Klang deuten.
 

Bitte kopiert die Anweisungen dieses Projekts und speichert sie als Textdatei. Ihr werdet sie dann am Stück oder in mehreren Teilen in einem Audio-Programm öffnen. Der resultierende Klang wird als Grundlage eures Tracks dienen. Ihr könnt ausschließlich die aus dem Text resultierenden Klänge verwenden. Ihr könnt die Klänge manipulieren, und ihr könnt mehrere Versionen, die aus unterschiedlicher Software hervorgehen, verwenden, aber ihr könnt keine anderen Klänge hinzufügen.
 

Abgabefrist: Montag, 9. Juli, um 23:59 Uhr, wo immer ihr seid.
 

Länge: Bitte haltet den Track zwischen 2 und 5 Minuten.
 

Information: Bitte fügt eurem Track, wenn ihr ihn auf Soundcloud hochladet, eine Beschreibung des Planungs-, Kompositions- und Aufnahmeprozesses hinzu. Diese Beschreibung ist essentieller Bestandteil des kommunikativen Austauschs, der Disquiet Junto eigen ist.
 

Titel/Tag: Wenn ihr euren Track der Disquiet Junto Gruppe auf Soundcloud.com hinzufügt, schließt bitte die Bezeichnung “disquiet0027-texting” im Titel und als Tag mit ein.
 

Download: Wie immer, ihr müsst eure Tracks nicht zum Download freigeben, es wäre aber wünschenswert.
 

Verlinkung: Wenn ihr euren Track postet, fügt bitte die folgende Information hinzu:
 

Mehr zu Disquiet Junto unter:
 

Disquiet Junto 
 

. . . . .
 

Instructions in Japanese:
 

Disquiet Junto Project 0027: 文字を鳴らす
 

　わたしたちは、引き続きクリエイティヴな再利用のテーマを続けます。過去のプロジェクトでは、一枚の写真を図形譜として解釈したり、ある参加者はイメージを抽象的な音響として処理したりしました。今週はテキストファイルをサウンドとして解釈します。 
 
　このプロジェクトの指示をコピーして１つのテキストファイルとして保存してください。そして、そのファイルを１つまたはいくつかのサウンド加工ソフトウェアで開きます。その結果できた音素材をトラックの土台とします。テキストファイルから作られた音素材のみを使用してください。なんらかの操作を施したり、いろいろなソフトウェアから得られた異なる複数の結果を使用してもかまいませんが、そのプロセス以外の音を加えてはいけません。
 

〆切：7月9日月曜日11:59pm あなたの居住地にかかわらず
 

長さ：2分から5分の間の長さにしてください
 

情報：作品をサウンドクラウドのグループに投稿する際には、あなたの構想、作曲、録音の過程についての説明をつけてください。この記述がこのグループの本来の目的であるコミュニケーションに大事なものとなります
 

タイトル／タグ：Disquiet Juntoグループに作品を投稿する際には"disquiet0027-texting” をタグとしてタイトルに追加してください
 

ダウンロード：いつものように必ずしもダウンロード可能にする必要はありませんが、望ましい
 

リンク：投稿する際には以下の情報を追加してください   
 
More details on the Disquiet Junto at:
 

Disquiet Junto; 

. . . . .
 

Instructions in Turkish:
 

Disquiet Junto Projesi 0027: Texting
 

Talimatlar:
 

Bu hafta da "yaratıcı tekrar kullanım" temasıyla devam ediyoruz. Önceki Disquiet Junto projelerinde ses dosyalarını tekrar düzenlemek konusunda çalışmıştık; ve bir fotoğrafın grafiksel nota yazımı gibi kullanıldığı projede bazı katılımcılar verilen görseli soyut ses olarak yorumlamıştı. Bu hafta ise bir yazı dosyasını ses olarak yorumlayacağız.
 

Lütfen bu projenin talimatlarını bir yazı (text) dosyası olarak kaydedip, bu dosyayı bir (ya da birkaç) ses-düzenleme yazılımında (sanki ses dosyasıymış gibi) açın. Elde ettiğiniz ses, oluşturacağınız parçanın temelini oluşturacak. Parçanız üzerinde çalışırken sadece bu yazıdan elde ettiğiniz sesleri kullanacaksınız. Sesleri dönüştürebilirsiniz, ve farklı yazılımlar kullanarak elde edeceğiniz farklı versiyonlarını bir arada kullanabilirsiniz, ama başka ses ekleyemezsiniz.
 

Son Teslim Tarihi: 9 temmuz pazartesi, 23:59 (bulunduğunuz ülkenin saatine göre)
 

Uzunluk: Lütfen bestenizin uzunluğunu 2-5 dakika arasında tutun.
 

Bilgi: Yaptığınız parçayı paylaşırken, lütfen bu parçanın planlama, besteleme ve kayıt süreciyle ilgili bilgi de verin. Bu açıklama, Disquiet Junto'ya içkin iletişim sürecinin önemli bir parçasıdır.
 

İsim/Etiket: Parçanızı Soundcloud.com'daki Disquiet Junto grubuna eklerken, lütfen "disquiet0027-texting" kelimesini hem parçanın isminde, hem de etiket (tag) olarak kullanın.
 

Download: Her zamanki gibi; parçanızın indirilebilir olması gerekmiyor, ama öyle olması tercih edilir.
 

Linkler: Yaptığınız parçayı paylaşırken, lütfen şu satırları ekleyin:
 

More details on the Disquiet Junto at:
 

Disquiet Junto

/ / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / / 

These two files were imported as Raw Data into Audacity; The dull rumble is the UTF-8 file slowed & filtered & panned slightly to the left. The oscillating whir is two copies of the imported ANSI file looped and filtered, one copy being sent through a ring modulator in Audiomulch & panned to the right.

The resulting audio was then slowed down.

The resulting audio was then faded in & out.

\ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \ \

Mehr zu Disquiet Junto unter: http://soundcloud.com/groups/disquiet-junto/info

.txt [disquiet0027-texting]

I had a week old copy of New Scientsist lying around – unopened - so I decided i'd use an article from the news section for this weeks Junto; since this article is shorter than requested, only tangentially “local” to me, and cover dated for last Saturday I am prepared to accept any censure that the Junto believes to be just.

This is a soundtrack to the article Earthworms roped into making quantum dots [intriguingly re-titled  Worms enlisted to make quantum dots in the print magazine] from issue2898 of New Scientist, available at http://www.newscientist.com/article/mg21728984.300-earthworms-roped-into-making-quantum-dots.html

The sounds heard are taken from a couple of sources: a recording of me opening the oxo-degradable bag which the magazine arrives in; a recording of me finding the page in the magazine & then reading it;& a recording of me placing some peelings &c in the compost bin in my back yard (prompted by all this thinking about worms); & a 487hz sine wave. These were all chopped up, slowed down & generally tinkered with in Audiomulch before being combined & layered in Audacity & Fruityloops. Perhaps it should be played at low volume.

Apart from the caveats mentioned above I believe this sound fulfils the criteria for this week's Junto.

More on this 54th Disquiet Junto project at:

disquiet.com/2013/01/10/disquiet0054-audiotextual/

More details on the Disquiet Junto at:

Groups – Disquiet-junto

Worms enlisted to make quantum dots [disquiet0054-audiotextual]

More on this 433rd weekly Disquiet Junto project, Disquiet Junto Project 0433: Kit Bits — The Assignment: Create a kit’s worth of percussion samples — at:

https://disquiet.com/0433/ 3

More on the Disquiet Junto at:

https://disquiet.com/junto/ 1

Subscribe to project announcements here:

http://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0433-kit-bits/

There’s also a Disquiet Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

tyoy [disquiet0433]

uck [disquiet0433]

uh [disquiet0433]

vrro [disquiet0433]

so many pleasing sample sets from last week to play with - i was/we are a little spoilt for choice. I ended up taking a lot of sounds from @breannajohnston's comprehensive shards of domesticity [https://soundcloud.com/breannajohnston/isolation-sample-kit-disquiet-0433-kit-bits] , a few of samarobryn 's kitchen sounds  [https://samarobryn.bandcamp.com/] - especially feeling the gas ignition - and one of @sam-knot-poet's frogs [https://soundcloud.com/sam-knot-poet/frogs-disquiet0433](when offered frog sounds how can anybody resist?). & i included a few of mine, cause, y'know they were kind of lying around & i wanted to play with them; self-indulgent? Yeah, most likely.

There's minimal effects - a little distortion, some EQing, a little delay on on the Astralgus tincture & a little reverb on a few things. It's probably not music but approximates a groove - if something so cluttered and distracted can be said to constitute a groove; i tried to carve away bits that felt a bit too much, build spaces and gaps to let the thing approximate breathing...

More on this 434th weekly Disquiet Junto project, Disquiet Junto Project 0434: Beat Kit — The Assignment: Create music with beats crafted by fellow Junto participants — at:

https://disquiet.com/0434/ 1

More on the Disquiet Junto at:

https://disquiet.com/junto/

Subscribe to project announcements here:

http://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0434-beat-kit/

QUICKMIST COOL BERRY [disquiet0434]

Due to storage limitations over on @patzr-radio this is the twenty-first non-downloadable archive block of old ｐａｔｚｒ ｒａｄｉｏ episodes.  Unconcatenated episodes as ever remain available over on patzrradio.podbean.com  /// episode one hundred and seven / Charly got a new kettle before xmas / told me it sounded good, *rich*, so i nagged her to record it / phone-fidelity ftw! !!! this episode of ｐａｔｚｒ ｒａｄｉｏ was produced by special guest patzr & kipple family member CharlyMac !!! | episode one hundred and eight / like a pleasant and not very exciting cousin / A Holiday you Won - Go With Family / a tiny bird pecking around the pots in our backyard | episode one hundred and nine / i found a copy of The Palm Wine Drinkard in Amnesty Books / filming for the televisions show / lost a set of drumsticks somewhere, somehow the other day |  episode one hundred and ten / the first of ten daily episodes, all recorded at Newcastle's Central Station a place of bustle & reverberation which as anybody who's scanned the listings of this podcast will know, kinda captivates me. There may be bonus/alternate episodes; there are certainly longer recordings if anybody has a need or desire for them. [recorded at 08:33 approx.] |  the second of ten daily episodes, all recorded at Newcastle's Central Station / Railway buildings ought to do much for architecture : being quite a new class of structures, erected for purposes unknown until the present age, or, we may say, the present generation, they suggest, or ought to suggest, a character of their own, and fresh combinations in design ; and being generally upon an extensive scale, they afford opportunities that have hitherto been of rare occurrence. They are, moreover, especially public works — structures constantly seen by thousands and tens of thousands of persons ; and might, therefore, do much towards improving the taste of the public. [recorded at 17:33 approx.] | the third of ten daily episodes, all recorded at Newcastle's Central Station / Greeted at Newcastle Central Station by the most furious display of Gnostic graffiti in the gentleman’s room walls that I had ever seen on the planet... [recorded at 21:29 approx.]

ｐａｔｚｒ ｃａｃｈｅ ０００２１

Growing up on near the coast, i have long been captivated by bits of sea glass - they hold some weird, ambiguous, place in my heart - and seem a productive phenomena to think about time with; once useful things carelessly abandoned to the elements, once sharp things rendered smooth, once entirely fabricated things approximating the natural once again. And the colours! Frosty whites, evocative blues and turquoises, greens both pale and deep, browns suggesting booze, coincidentally suggesting seaweed... would that all our waste could be rendered so innocuous and casually beautiful...

so, yeah, i chose to work with three pieces of sea glass; not technically stones i guess? but, the way i figure it, the sand that made the glass was once rock, and these pieces, sea and sand-worn are, if not rocks, then, uh, rock adjacent? & they have all been collected from the coast of North East England...

i had intended to make something smoother, more gauze-y - i guess i may yet, as these are pleasing samples to my ears - but i ended up rather liking the the scrape and chip of the ~eight minutes i recorded fiddling about with the three most appealing pieces near the top of the jar i keep these things in on my windowsill.  There's a varying amount of granular delay at play here - a quintessential smoothing/eroding effect to my mind - but that aside there's no real effects added bar some eq-ing and compression; most everything else is cut & splice; where it gets weird - that strange digi-brittle & rumble - is just me playing games with playback speed in the main - micro universes extruded from dragging things out and out again. I felt justified in using rain recorded yesterday morning, 'cause [a] i reallly like rain & [b] it's a way of including the water than formed these odd pieces of glass in the first place... heading to the beach didn't appeal yesterday - it was raining - & anyway, waves and sea seemed a little too on the nose, i figured...

More on this 441st weekly Disquiet Junto project, Disquiet Junto Project 0441: Three Stones — Make music that explores territory sonically — at:

https://disquiet.com/0441/

This is the first of three projects in collaboration with Musikfestival Bern 2020 which will take place in Bern, Switzerland, from September 2 to 6. More on the festival at:

https://www.musikfestivalbern.ch/

https://www.facebook.com/musikfestivalbern/

More on the Disquiet Junto at:

https://disquiet.com/junto/ 1

Subscribe to project announcements here:

https://tinyletter.com/disquiet-junto/ 1

Project discussion takes place on llllllll.co 1:

https://llllllll.co/t/disquiet-junto-project-0441-three-stones/

There’s also a Disquiet Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

untitled [from three pieces of sea glass and some rain] [disquiet0441]

a slightly snatched recording; it was the first time i'd been in town since March & still felt a little guilty - i did have to wait for my train so i wasn't being totally illegitimate...

untitled [Central Station is my favourite musical instrument 290720 ~1400]

these short messages

20x20 Project

suspended systemwide

every other Thursday is something i slowly assembled for much of last summer - snatched minutes on lunches whilst working at home, hours on quiet evenings when the neighbours complained, damp mornings, late nights...

It is, as they say, what it is - if you've heard any jks up until this point, i can't imagine there's much to surprise you here. There's more hisses, flickers and drones; more birdsong, more traffic, more clicks, rattles and pulses... maybes everything's packed a little denser, maybe everything is a little more cohesive? You probably don't need it, but hopefully it pleases, maybes even soothes a little?
credits
releases February 18, 2021

all sounds recorded / reclaimed / repurposed / reworked by Jimmy Kipple Sound between April and November 2020 (give or take)

SHOUTS and THANKS: Alex, Callan, Marc, Mike, Peggy.

Peace.

jks 02/12/20

~ d o w n l o a d ~

every other Thursday [2]

every other Thursday [1]

i took this weeks project as an impetus to just cut and paste something together, didn't let the "musical" side put me off, just revelled in the excuse to splice and juxtapose the contents of my recorder - some sounds recorded intentionally for this project, most just what was there; fragments snatched over the past three months or so.

///

... some pink noise, an aubergine being chargrilled, nextdoor's bins, a ventilation system, a brief hydrophone recording, a waterfall, a self-service check-out, various birds, some metal stairs, traffic, rain, ice, snow, various paperbags, a train station tannoy, a malfunctioning videocall, a dehumidifier, gulls, small pieces of plastic, wind, demolition work...

///

it's my age and inclination, i think, but i am deeply enamoured with collage and assemblage aesthetics; the way the world necessarily leaks in to even the most perverse and hermetic project; the way you can sort of synthesise the sheer abundance of the world; a nest of implications and connections; the way things become strange when they're oblided to be in overlap or proximity.

///

i used no effects on the final piece beyond a little panning at times, a little EQ-ing; some of the files and chopped into the thing had been processed, but for the most part - as the relentless bumps of mic-handling shoud indicate, the component sounds are essentially unprocessed.

///

More on this 478th weekly Disquiet Junto project — Collage of Collages (The Assignment: Make a collage that will become part of a larger collage.) — at:

https://disquiet.com/0478/

The project is a collaboration with the radio show Kopfkino, initiated by Margarethe Maierhofer-Lischka. More on Kopfkino at:

https://cba.fro.at/series/kopfkino

More on the Disquiet Junto at:

https://disquiet.com/junto/

Subscribe to project announcements here:

https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0478-collage-of-collages/

time and room enough here [disquiet0478]

C H E A P  C O N C R E T E  |  C O N T R I V E D  G L I T C H E S™ | C O N T EN T  S O L U T I O N S

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