Genre soup of darkwave, ambient, krautrock, post-rock, slowcore, low rock... or whatever I feel like. Abandon your labels. To borrow the wise words of En Vogue: free your mind and the rest will follow.

Described by Sasha Geffen as "Best Feminist Rock n' Roll Exorcism" SHE SPEAKS IN TONGUES is artist/vocalist Kate McCandless. Inspired by her studies in theatre/performance and all things spiritual including shamanism and energy work, McCandless channels a kind of feminist, shamanic reckoning in her performances. 
Armed with powerful voice and a simple looping pedal, she lures with nostalgia - simultaneously embracing and questioning its comfort and authority with a dark, feminist bent.  
McCandless creates and performs her work both solo, and in collaboration with other musicians. The affect is jarring, haunting, and a cathartic call to action.

The woman who mistook her lover for a hat and other short stories.

formerly of the bands Esau and Experimental Instrument Orchestra.
mostly guitar, but other stuff too.
Currently wrangling guitar in Skull School.

In 1967, I wrote songs on old cassette tapes. I loved to share my music back in my 50's.

The Caribbean is an American experimental pop group from Washington, D.C., primarily composed of Michael Kentoff, Matthew Byars and Dave Jones. The band has been critically acclaimed for its deconstructionist approach to pop music, its wry, literary lyrics, and its eclectic sound, which incorporates elements of American pop, indie rock and experimental rock, cool jazz, folk music, lounge music, and even Brazilian music.

The band's most recent album, Discontinued Perfume, received high praise from Pitchfork Media, with the reviewer stating: "It’s as though the band had all the pieces for comfortable indie pop in its possession but no interest in putting them into a standard order. This is of course what makes them interesting. They are bound to confound your expectations several times on any given album, and if you’re into that, they’re good enough at putting these weird songs together that they can pull you in with surprising ease." [15]
In addition, the record received a 9/10 from PopMatters, wherein the review stated, "They walk out of step with prevailing pop-culture trends and fashions. Yet they’re making some of the most interesting and multi-faceted music that exists right now. Operating on the fringes, they’re nonetheless capturing essential dilemmas of our time, and doing so through the musical equivalents of quandaries, rumors, and whispers. To the band, the listener, the songs’ characters, and the instruments themselves, Discontinued Perfume is an exciting exercise in unlocking the puzzle that is the world around us."[16] Additionally, PopMatters named Discontinued Perfume the "Best Indie-Pop Record of 2011" in their year-end "Best Of" list.[17] "Mr. Let's Find Out" from the record was named to Washington, DC City Paper writer Ryan Little's "Ten Best Local Tracks of 2011,"[18] the title track from the record was named to DC City Paper Arts Editor Jonathan Fischer's "Ten Best Local Tracks of 2011," [19] the Washington Post hailed the record as a "subtle masterpiece," [20] and the Denver Post's online site Reverb listed the record as one of their Top 10 Albums of 2011, as well.[21]
Over the past few years, The Caribbean has garnered further positive press in The Washington Post, The Washington City Paper, Magnet,[22] Tiny Mix Tapes,[23] Uncut (UK), The Denver Post,[24] Flak,[25] Stylus, Harp Magazine, and Signal to Noise.

JS Haque is following