Track list:
1.⁠ ⁠Sounds Of Porn - Porno Vintage (Skelesys Remix)
2.⁠ ⁠Randolph & Mortimer - Resurrector feat. Black Dahlia (Mufti Remix) 
3.⁠ ⁠Zee Mon - Why It Lasts [Crave Tapes]
4.⁠ ⁠Vasconcellos - Acid Dream 
5.⁠ ⁠Zaatar - Charm el Sheikh
6.⁠ ⁠Joe Lewandowski - Regazzi
7.⁠ ⁠Clouzer - Perpetual (Zee Mon Remix) [Distant Gaze]
8.⁠ ⁠Alpha Sect - La ultima vez
9.⁠ ⁠Zee Mon - You Better Don't (Curses & Tutto Vetro Remix) [Fucanglong Files]
0.⁠ ⁠Ćyan ID - Wax
11.⁠ ⁠Zee Mon - Justice (Alen Skanner Remix) [Crave Tapes]
12.⁠ ⁠Neurotiker - Ghetto Birds
13.⁠ ⁠Houses of Heaven - Flesh Techniques
14.⁠ ⁠Sugar Rody - On The Run (Original Mix) 
15.⁠ ⁠Great White Shark - The Night is Mine (Nomenklatür Remix)
16.⁠ ⁠RINA PAVAR - A New Time

ZEE MON - HÖR - May 21 /2024 [Distant Gaze Showcase]

Album releases on Bandcamp on 16 June 2025: https://myblueeyedghost.bandcamp.com/album/tempera

Hive

Two and a half years after the last compilation, Joachim Spieth presents the fourth ‘Textures’ sound library.
You will find a mixture of wide pads, drones and experiments that will serve as a starting point for your own sound creations. The samples are available in 48 kHz / 24 bit resolution.
Textures 4 is the result of Spieth's experience gained over the last few years with several album productions, collaborations and live performances.


All the sounds included were produced exclusively for this sound library.


produced and mastered with

Ableton - Live 12 Suite
Ableton - Sampler
Native Instruments - Kontakt 6
UVI - Shade
OEK - Sounds Soothe 2
OEK - Sounds Spiff
OEK - Sounds Bloom
Hypnus - Slink Filter
Brainworx - Vertigo VSM-3
Sonosaurus - PaulXStretch

Textures [Sound Library 4]

Sebastian Mullaert has always favoured the long arc: of tracks, of creative cycles, of artistic trust. His next chapter unfolds in the form of a new vinyl only label, born in close collaboration with Ulf Eriksson — his longtime friend, ally and the steady pulse behind Kontra Musik, a label that’s been both home and launchpad for many of Mullaert’s most vital releases.

K-Files is built on two foundations: singularity and multiplicity. Every release will present a single track refracted through three or four different versions — each one approaching the core idea from a distinct creative angle. These are tools not just for DJs, but for listeners who hear dance music as more than just rhythm — as mood, as exploration, as transformation.

The first release, KFILE 001, sets the tone: deep, dubby, and spacious, it invites patience and immersion. But like all good rituals, the process will shift. Future releases are already poised to explore other territories: sharper energies, stranger grooves, unexpected colours.

In an world increasingly defined by instant access and digital saturation, K-Files stands
intentionally apart — a slower offering. A return to physicality, to process, to the tactile rituals of listening, selecting, and playing music with care.

K-Files is a sublabel for those who play records not just to move bodies, but to open space. A
platform for sonic evolution, variation, and perspective. A place where dance music is not pinned down — but opened up.

Each record will be released exclusively on vinyl.


K-FILES 01

K-FILES01 -  Sebastian Mullaert  - K-FILES01 PREVIEW

Exploring the water engineering relationship between Japan and the Netherlands across a trilogy of experimental releases, the third and final part of Field Records' Waterworks series is courtesy of Yui Onodera. Pairing delicate synthesis and instrumentation with field recordings and negative space, the accomplished artist and sound architect examines the impact of water engineering on Japan's Kiso Three Rivers. 
 
The location refers to the confluence of the Kiso, Nagara and Ibi rivers on the Nōbi plain in Gifu prefecture. In the late 19th century, Japanese authorities collaborated with Dutch engineer Johannes de Rijke to separate the three rivers at the lower part of the Kiso delta. These extensive improvements, which were finalized in 1912, successfully shielded the city of Nagoya from regular flooding.
 
Onodera's minimalist palette and detailed approach to spatial sound design balances microscopic field recordings and tonally-rich traditional instruments, which he applies with stark focus to the subject of the Kiso Three Rivers across eight extended pieces of music arranged into two distinct parts. The A side's shorter tracks are delicately sculpted miniatures interweaving chiming bell tones, treated guitar impressions and hushed pads. The B side's two longer suites are more overtly minimal in nature, emphasising sampled water sources accented with patient brush strokes of synthesis. 
 
This project is supported by the Embassy of the Kingdom of the Netherlands in Tokyo, Japan.

Kodama 4

Bandcamp

Yui Onodera - Kodama 4

@lukasoppenheimer 
'*•.¸ ♡¸.•*'

wishing u the best . _ .♡

(@triplexlarge)

windowseeker - wish u (dvdv vvarp rmx)

Indefinite Pitch PREMIERES. Edition 784

Sub Accent - Behind The Mirror

Shades Of Night EP
[CNC077 | Concrete Records]

Production | Johan Bonnefoy aka Sub Accent
Mastering | Sub Accent at S A Studio
Artwork | Phase Comunicazione

Released by Concrete Records from Italy
Release Date: May 30, 2025

Sub Accent

https://soundcloud.com/sub-accent
https://www.facebook.com/subaccent
https://www.instagram.com/sub_accent

Concrete Records

https://soundcloud.com/concreterecords
https://www.facebook.com/ConcreteRec

Indefinite Pitch. Yantai

https://www.indefinitepitch.com

Shades Of Night EP

Behind The Mirror

Buy & Support

Indefinite Pitch PREMIERES. Sub Accent - Behind The Mirror [Concrete]

Premiere : PhishCakes - Late 08

PhishCakes is the electronic alias of a musician based in the southwest UK. After years of recording in several genres under his real name, PhishCakes was created to explore a more experimental direction. Often rooted in ambient textures and sound design, this project is a space for sonic freedom - drifting between structure and spontaneity, melody and harmony, rhythmic structure and ametric space. 

Late 08 is PhishCake's debut release and was inspired by the first landing on a comet, by the ESA's Rosetta mission. The Philae lander, part of the Rosetta spacecraft, successfully touched down on Comet 67P/Churyumov-Gerasimenko, after a 10-year journey and a 500 million kilometer voyage. 

@phishcakes-286230613
https://linktr.ee/phishcakesmusic

________________________________________________________________
Ak Family / Submit premiere:
submit.akfamily@gmail.com

@ak_family
FB: www.facebook.com/akfamily1
IG : www.instagram.com/akfamily69/
Connect: Ak Family on Spotify :
open.spotify.com/playlist/7MknHPkj4tKIZiwOEfm0Hx

Premiere : PhishCakes - Late 08

Postcards from Earth vol.1
by Iloh

A journey between sounds & noises from Earth, where ambient music tangles with environment, mechanics and noise pollution. 

@ilohmusic
https://www.facebook.com/Ilohmusic
https://www.instagram.com/iloh_live/


David Grubbs - The Chimney Swifts
Objekt - Ganzfeld (Ulla -Girl at Müller- Remix)
John Tejada - The Honest Man
Jonathan Fitoussi - Oceans
Fletina - Ground Floor - Elevator
KMRU - Lattice
Djrum - Out of Dust
Hidolas - Magma 
Hidolas - Obsidian
Rambadu - Zaouia
Formant Value - Profondo
Lost in Material - plen2o
Sigur Rós - Valtari
Rrose - Pleasure Vessels
øjeRum - Bærende På Alle Sine Digte Vandrer Månen Gennem Tågen
Yves De Mey - A F m 2
Francisco López - Untitled #203
o.utlier - Crop Rotation
Fletina - Basement - Washing Machine 
øjeRum - Imagine Absence 
Tim Hecker - Monotony
Max Durante - Born from Pain
Djrum - Reprise



Akf Podcast 006 - Iloh - Postcards from Earth vol.1

A distinctive piece from the Ballroom Records archive, “From Here to Eternity” by Kostas Maskalides is featured on TEN: The Archive Series, Pt. 4 — a curated collection exploring the label’s most atmospheric and genre-defying Electronica.

TEN: The Archive Series, Pt. 4

From Here to Eternity

Hell is a condition that I remain within.
I am trapped in the agony of my own mind,
for God did not see fit to include an escape
during my Creation.

My body is the barbed wire fence
around my jail.
He, in His Wisdom, made me healthy,
made me able-bodied,
but I, in defiance of His love,
starve and cut this vessel of mine.

All around me are souls free of their own prisons,
or at least with bigger, kinder cells than mine.
They wear the keys to freedom around their necks
and suffer not.
Meanwhile I freeze in the cold embrace of perception,
berating myself
as if I were the Devil.

I have sentenced myself to eternity alone,
yet I seek the path to nonexistence.
I, the selfish monster I have always been,
wish to leave this world,
leaving my agony behind
with the lives I have slithered into.

Every detail of Creation reminds me of my sins.
Salt in wounds I will not let heal.
Every memory a flame,
a red hot piece of metal
pressed to my skin.
I pray in labored breaths
that the singeing of my flesh
might be enough to exonerate me.

Each day on this Earth convinces me more
that I was not made to see Eternal Life.
My scarred body will not rise to rest beside the Lord.
I was born to lay in the ground forever,
eternally marked
with the injury that ends me.
I was not made to defile the embrace of Heaven,
but to fizzle out
like every other evil of the Earth.

To those I love,
I am a tick,
a finite blemish,
praying for a little more time
to be lied to
before I am wiped away.

prisoner of my own mind // forgot why I make music

Joachim Spieth’s musical career spans more than two decades, during which he has played many roles: DJ, producer, live performer, and founder of the esteemed Affin record label. His work is defined by an exceptional attention to detail and a keen sensitivity to creating immersive atmospheres, qualities that are evident whether in his studio productions or live performances.

In the early stages of his career, Spieth made notable strides through collaborations with Wolfgang Voigt’s Kompakt label. His contributions to the renowned Pop Ambient series, as well as a track featured on The Orb’s Back To Mine compilation, helped solidify his reputation within the ambient music scene.

A defining moment in Spieth’s career came in 2007 with the founding of his own label, Affin. Under his leadership, Affin has evolved into a respected international platform that brings together like-minded artists and fosters creative collaboration. Working closely with ambient artist Markus Guentner, Spieth has established a dynamic partnership that extends beyond music, with Guentner also contributing his artistic vision to the label’s visual identity.

Spieth’s discography showcases remarkable versatility, earning him recognition from both critics and fans. In addition to albums like Irradiance, Terrain, Overlay, and Retrace, his work has been reinterpreted by esteemed artists such as alva noto, Pole, Abul Mogard, Rafael Anton Irisarri, Dino Sabatini, Luigi Tozzi, and Claudio PRC. Through his Textures series, Spieth has also created a sound library that further emphasizes his commitment to sonic exploration and experimentation.

As a DJ, Joachim Spieth has performed in over 30 countries, sharing his musical vision with audiences worldwide. In recent years, he has developed a live ambient program, which has been showcased at prestigious festivals such as Up To Date (Białystok), Mostra (Barcelona), and the Ambientalny Festival (Wrocław).

Textures [Sound Library 4]

JOACHIM SPIETH