"Prometheus, in Greek religion, one of the Titans, the supreme trickster, and a god of fire. His intellectual side was emphasized by the apparent meaning of his name, Forethinker. In common belief he developed into a master craftsman, and in this connection he was associated with fire and the creation of mortals."

Enciclopedia Brittanica

Recorded at the Universität für Musik und darstellende Kunst Wien by the prestigious PHACE Ensemble and conducted by Daniel Rueda Blanco, during the Vienna Summer Music Festival 2022.

Prometheus | for Ensemble

PROMETHEUS | for Ensemble - Performed by Ensemble PHACE

João Moreira is a young composer from Lisbon, Portugal

http://www.davidmiguel.pt
info@davidmiguel.pt
https://www.instagram.com/davidmiguel.pt/

Trinity Hlynn Prater (*2000) is a southeast-American composer of acoustic and electroacoustic concert music. Prater's music has been described as being ". . . concerned with sensuousness . . ." and ". . . marked by a sensitivity to sound color, formal rigour underneath beguiling musical surfaces, and the need for new musical notations and instrumental extensions . . ." 

Prater has collaborated with musicians throughout the United States and the European Union, with soloists and large and small ensembles such as Irvine Arditti, Ensemble PHACE, the JACK Quartet,  the Ensemble Institute .abeceda and the MDR Orchester. 

Prater has composed since 2020, taking part in long-term formal study with Sivan Cohen Elias (University of Iowa), Robert Morris (Eastman School of Music), and Claus-Stephen Mahnkopf (Hochschule für Musik und Theater "Felix Mendelssohn Bartholdy" Leipzig). Long-term informal, but no less influential teaching relationships have included Trevor Bača and Gregory Rowland Evans. Prater is currently a PhD candidate in the composition program at the University at Buffalo, where she studies with Ming Tsao.