César Burago - percussion
João Carreiro - guitar

18-5-22, live at graciosa

Carreiro + Burago, 18-5-22

T R A C A P A N G Ã
_______
Improv
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Mariana Dionísio . voice
João Pereira . drums

Live at HotClube - Lisbon

TRACAPANGÃ - BA NI AN - HotClube

"CATACHRESIS" is a soundscape composition focused on the complex idea of the ambiguous denotative and connotative character of metaphors, not applied to linguistics but to the sound world. Meaning, literally, abuse, CATACHRESIS is defined as a kind of misapplication of a word, in terms of its utter significance, frequently portraying the function of referring to a concept that linguistically has no definite term or word to state its reference, that is: its denotative conceptual definition. The term CATACHRESIS is a conceptual frame to strengthen the aural ambiguity of meaning, reference and its perception. This piece presents a selection of aural events and geographic locations that explore the ambiguity of recognizable and contrasting / conflicting sound plots, by suggesting complex sound canvas fulfilled with contradicting and improbable events and juxtaposing sound frames with the intention to create a flow of intrinsic sonic unity.
"CATACHRESIS" actually intends to forge a real soundwalk, as it tries to convince the listener that the perceived sound output corresponds to an actual linear soundwalk, i.e., a walk that could have happened exactly the way the piece is composed and presented sound wise, as one would be walking and freely recording natural landscapes. This long piece is essentially based in field recordings captured along different and contrasting natural locations as: urban sounds of the city of Lisbon; natural sounds from several locations of Tagus river (the harbor of Cais do Sodré; near Belém Tower and on the verge of flowing to the Atlantic ocean); natural sounds captured in several locations of Sintra's forest, Canterbury's Cathedral (UK) premises and inside its buildings, including recordings from instrumental music (a pipe organ) and a mass choir. In order to constitute the idea of a feasible soundwalk, the piece was composed as a continuous mix, so there is no absolute silence between its 7 parts. Minimal sound processing techniques (equalization and mixing) were used in this piece (a few electroacoustic processing occurs in the latest parts of the piece), for the main idea here is to reveal a soundscape compositional approach. 
(more info @ http://www.triplebath.gr/releases/trb.034_panaural.html)

CATACHRESIS - 3) flowing where the river meets the ocean (2012) excerpt

MOLEJO - Cilada

Track comissioned by Colectivo Casa Amarela as included in its fifth anniversary celebratory release:

https://casaamarela.bandcamp.com/album/island-fever


"Transparence Derived From The Presence Of Everything" by João Valinho was composed in reference to a visual piece by Mafalda Melim, inspired by Roni Horn's "Another Water". The title is a quote from the author.

Special thanks to Mafalda Melim and Bruno "Aires" Pereira.

Island Fever

Transparence Derived From The Presence Of Everything

Lamurya Ep 
Produced by @eqstasya
Mixed by @eqstasya
Mastered by @imaabs

Artwork by Jusomor

ESP
Lamurya nos cuenta la historia de alguien con una sed insaciable por reinventarse. Aquí, Stasya trata de abordar su insatisfacción crónica por su propia existencia y la manera en que es percibidx por el resto. Lamurya lidia con el conflicto, la muerte y la resurrección, en un viaje de autoafirmación y descubrimiento. A través de melodías y composiciones cinematográficas, Stasya resiste como una mariposa que viaja a través del tiempo y el espacio, consciente de que cada acción tiene una consecuencia.

ENG
Lamurya tells the story of someone with an insatiable thirst for reinventing oneself. Here, Stasya tries to address their chronic dissatisfaction regarding how they exist and present themselves to others. Lamurya deals with conflict, death and resurrection,
in which Stasya depicts a journey of self-afirmation and discovery. Through cinematic melodies and compositions, they live as a butter y traveling through time and space, well aware that each action comes with a consequence.

PT
Lamurya conta a estória de alguém com uma sede insaciável de se reinventar. Aqui, Stasya tenta abordar a sua insatisfação crónica relativa à forma como é percepcionada pelo mundo. Lamurya lida com conflito, morte e ressurreição, em loop, numa jornada de auto-afirmação. Através de melodias e composições cinemáticas, Stasya vive como uma borboleta viajando pelo espaço e tempo, bem ciente de que cada acção tem uma consequência.

Culpa Ft. Odete

COMPLETE VERSION: https://salviatek.bandcamp.com/album/herramientas-para-el-club-2020

EN 
Celebrating our fifth year as a label, here’s Salviatek's first bootleg, edit & tool club pack. Includes 40 tracks from producers around the globe, focused on Latin American avant-garde new wave, and non hegemonic identities. 

ES 
Celebrando nuestro quinto año como sello, presentamos el primer club pack de bootlegs, edits & tools de Salviatek. Incluye 40 tracks de productores del mundo, enfocado en la nueva ola vanguardista latinoamericana, e identidades no hegemónicas.

Artwork: Miguel Cruz 
Mastering: POBVIO

HERRAMIENTAS PARA EL CLUB 2020

Descargar

Blastah x Jhay Cortez - 5:12 (No Boy Edit)

Brandon Lopez is a bassist/improviser/composer who works at the intersection of jazz, free improvisation, noise and new music. He has been an artist-in-residence at Roulette and Issue Project Room, performed as a soloist with the NYPhilharmonic and in ensembles with Fred Moten, Okkyung Lee, Ingrid Laubrock, Tyshawn Sorey and Gerald Cleaver, who is his guest for this episode. 

TAK commissioned and performed Empty Church of Plenty with Brandon in the fall of 2019 at St. Mary’s Church in Harlem and on the 2020 New Ear Festival. 

Gerald Cleaver, a drummer/improviser/composer who’s worked with Henry Threadgill, Roscoe Mitchell, Muhal Richard Abrams, and William Parker. He’s the bandleader of Violet Hour, Black Host and he recently released an album of electronic music titled Signs.

Gerald Cleaver's 
Signs: https://577records.bandcamp.com/album/signs
Black Host: https://geraldcleaversblackhost.bandcamp.com/releases

Brandon Lopez's
bandcamp: https://nevernotagravedigger.bandcamp.com/
website: https://www.brandonlopez.nyc/
 
to learn more about TAK, go to http://takensemble.com

015. Brandon Lopez and Gerald Cleaver

music: Peter Lyondev
Conductor: Katya Barulova

Song Kaval Sviri
Artist The Bulgarian State Radio & Television Female Vocal Choir
Album Kaval Sviri
Licensed to YouTube by
WMG, Beggars (on behalf of 4AD); LatinAutorPerf, SODRAC, and 13 music rights societies

Kaval Sviri

Bulgarian Folklor - Kaval Sviri

https://abssys.bandcamp.com/track/bichota-nightcore-mix

BICHOTA NIGHTCORE MIX

MY DEBUT ALBUM IS FINALLY OUT CASSETTES,CDs:
https://dismissyourself.bandcamp.com/album/-

POSTERS, MERCH:
https://shop.dismissyourself.com/category/anthony1

Credits:
Album Art by Dyinginkyoto

Mastered by Sienna Sleep

Sienna Sleep: soundcloud.com/sienna-sleep
Dyinginkyoto: twitter.com/dyinginkyoto

Crisis Core

joaovalinho@gmail.com

"the issues are a part of what is at this time. So naturally, as musicians we express whatever is. (...) music is an instrument - it can create the initial thought patterns that can create the change, and the thinking of the people."