Judul Lagu : Budaye Sasak
Album : Nendeq Gengsi Jari Kanak Sasak
Ciptaan : Eed Virtual
Lisensi : Creative Common
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Virtual Kanan Sasak - Budaye Sasak

Ten 2 Five - I Will Fly (Instrumen-Gitar) by ...

Tema da Coroação  1

Circular Reasoning

BOOKLET: https://eklektikaberlin.com/files/1383302/the-nearness-song-cycle-lyrics-and-story.pdf

LISTEN TO THE FULL ALBUM: 
https://soundcloud.com/user664246732/sets/the-nearness?si=42664a3fff404f73aa1162da61729024&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing
THE DUOLOGUE OF STRINGS AND LIGHT
At an unknown time, in an unknown place and in an unknown valley this story begins. At the centre of the valley’s strange acoustics — that zone where mist rose like an argument the earth had not resolved — the music itself began to change. The violin and the guitar, those two itinerant voices of Call and Echo, no longer behaved as discrete instruments. They became agencies through which the valley’s metaphysics began to speak.

From Call’s ridge came the violin: agile, tensile, jagged in places, its tone shaped by a lineage that ran from classical bowing to the ecstatic angularity of 1970s jazz rock. The lines were restless, almost impatient with the limits of melody — long serpentine gestures expanding into harmonic space like questions fired into the early light. Critics of the hypothetical future would later argue that the violin here does not “solo” so much as petition: each ascending figure asks the universe to reveal one more hidden syllable of its grammar.

Far below, Echo’s guitar answered not as a subordinate voice but as a counterpart with its own philosophical agency. The guitar’s tone carried the warmth of wood and the coolness of circuitry; its phrasing felt like memory pulled through electricity. Where the violin burned, the guitar shimmered; where the violin leapt, the guitar hovered in suspended polyrhythmic chords—extensions, ninths, elevenths—intervals that acted less as harmony and more as commentary. Scholars of musical semiotics would later describe these chords as “spatial markers,” allowing the listener to inhabit the liminal region between the two players.
(READ THE BOOKLET FOR THE REST OF THE STORY)

CONVERGENCE.DIVERGENCE.DUOLOGUE (The Nearness 5)

Bondan Prakoso - Kau Tak Sendiri [Official Music Video]

Melancaran

Janger

Meditasi Kesembuhan Dan Kedamaian oleh Guruji Gede Prama

Untuk tulisan Guruji Gede Prama dalam bahasa Indonesia bisa mengunjungi 
Web: https://belkedamaian.org  
FB: https://www.facebook.com/belkedamaian.org
IG: https://instagram.com/gentakedamaian
Lagu: https://soundcloud.com/belkedamaian

for Guruji Gede Prama writing in English please kindly visit
Web: https://bellofpeace.org
FB: https://www.facebook.com/www.bellofpeace.org
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Twitter: https://twitter.com/gede_prama

Tulisan Gede Prama

4. Meditasi Kesembuhan Dan Kedamaian

Uncle Bendoth-Uncle Bendoth - Take My Hand

15 April 2020  Dongeng Ke 1 "Tentang Hidup ini Indah"  Oleh Guruji Gede Prama

Untuk tulisan Guruji Gede Prama dalam bahasa Indonesia bisa mengunjungi
Web: https://belkedamaian.org 
FB: https://www.facebook.com/belkedamaian.org
IG: https://instagram.com/gentakedamaian
Lagu: https://soundcloud.com/belkedamaian
Youtube: https://www.youtube.com/channel/UCWTE0OzeP9fnhZF_Hh-8Tdw
Spotify: https://open.spotify.com/show/3PAN1fcKdno7idSNEECN7D 
Deezer: https://www.deezer.com/us/show/390162

for Guruji Gede Prama writing in English please kindly visit
Web: https://bellofpeace.org
FB: https://www.facebook.com/www.bellofpeace.org
IG: https://instagram.com/bell_of_peace
Twitter: https://twitter.com/gede_prama

Melancaran

Jochromatic Satria