glenn molloy guestmix for joe doherthy

Addiction. Its a word with mostly sinister connotations, but for Glenn Molloy, it was his addiction to music that makes him feel alive. “I’ve always liked music.” He says, “As a child, once I realised I got goosebumps and spine tingles from listening to loud music I became immersed.” It’s a tale as old as the hills but something that bands DJs from all walks of life together: that epiphany moment. Nothing can quench the desire to search for all the music they find, always looking for the next fix; the perfect beat, the warmth of a pad, the thrill of a joyous piano line.   Formulating his tastes on The Prodigy, Shades of Rhythm and Altern-8 courtesy of his older brothers rave tape collection, he became fascinated by early progressive house and began to collect the Renaissance and Global Underground CDs.Growing up in Blanchardstown, Glenn wasn’t far from the 24/7 action of Dublin. It was there his fascination with dance music took hold completely at clubs like Redbox watching John Digweed  weave his dystopian tale, or The Village, where Darren Emerson would destroy the dancefloor. Leading on of course to finding out about secret afterparties, and finally, commanding the room himself at a memorial night for a fallen friend.   Residencies followed and Glenn built a good name for himself in the city. Now developing a club night with fellow Dubliners Soulfinder, Gerard Bozyk, and Khankra called Fusion Underground, his ambition grows. With influences as disparate as Sasha, Rodriguez Jr., Super Flu and Carl Cox, his style is an amalgam of melodic house and tough tech flavours that he splits between his Glenn Molloy and Gorgonoize aliases. Production continues to be his biggest adventure to date. After some masterclasses with local hero, Will Kinsella (Hybrasil), Glenn now has tracks signed to Circus ,Perfecto, Asymmetric, Pro B Tech,  Arrvl, with upcoming releases on Mirabilis and more. more recently his productions have been played and supported by scene heavyweights, such as Paul Oakenfold, Nick Muir ,Hernan Cattaneo, Luke Brancaccio, Dj Ruby.  Looking forward to the future, Glenn is ready to take that next step in his artistic development and play internationally pushing on with bigger and better events and growing his own night into something memorable. Addiction doesn’t always take a downward spiral, Glenn Molloy is only just getting started.

I've been listening to electronic music since I was old enough to tune into the John Peel show on Radio 1. Peel first introduced me to Chicago House, Detroit Electro and Rap. I would listen to an entire show with my finger hovering over the record button of my 'tape-recorder' close to the radio speaker just to record whatever 3 electronic imports he would play each night. I wish I'd kept those recordings.
From the moment I first heard 'Roxanne Shante' I sought out everything I could ranging from Kraftwerk, Mike Oldfield, Kurtis Mantronik, Africa Bambata, Grandmaster Flash, Gorgio Morodor, Axel-F, Jean Michel Jarre and just about anyone who used a synth to make music! With the arrival of House in the mid-late 80's the likes of Marshall Jefferson, Frankie Knuckles, Farley Jackmaster Funk, Steve Silk Hurley, Adonis and many more American underground House producers, the music had developed into a new, seriously exciting phenomena.
Music progressed at pace with House and Acid imports driving change, the UK in particular underwent an epiphany of sorts in the 80's and 90's. From Break-Dancing to New Romanticism, the music developed, finally morphing into the early genres of Acid Trance, Techno and Progressive Trance. Heavily influenced by American and underground Dutch and German artists and with the advent of clubbing and non-speaking mixing DJ's, it opened up a Pandora's box of new music, influences, sounds and styles. What that amounted to for me (and most others like me) was an ever-growing range of electronic music that was continually breaking free from pigeon-holes and mainstream pop culture. Electronic music had become the new classical music of a generation.
I can only say that electronic or computer music has evolved beautifully in the past 40 years and I love it as much now as the day I first heard John Peel play fantastic American imports.
I'm not anything more than a bedroom DJ and electronic music enthusiast. I have the greatest admiration for those who DJ publicly and seek to build a following or career from DJing, but that’s not a path I’ve tried to follow. I do love to put together great tunes, so for me using this sort of platform for sharing music is perfect for me. I do mixes both on my decks and using Ableton, as sometimes I find it easier to create a journey through that medium. 
As for making music, I’m slowly finding my way around Ableton in order to bring life to the musical ideas rolling around my head. 
Anyway, I hope you enjoy the mixes I post, please give me some feedback and if nothing else, support the artists themselves and buy their music.

Angrish

We are a collective of 3 Dj's, Colin Laird, Darren Mc Menamin and myself Joe Doherty who have known each other for far longer than we care to admit. With a deep rooted love of dance music in lots of forms, spanning many years from the 80's to the current date.We are still heavily involved in the electronic music scene, still loving getting our hands on the latest tracks. We have all played at various venues all over Ireland and with our current residencies at online radio station www.saturosounds.com and on Irelands largest underground radio station Phever.ie.  We have managed to feature many styles in our sets which you can find on our page here. If like what you hear give us a like, a share and a follow. Email for booking enquiries.

for your premier contact please send your message
pasrisky1234@gmail.com
As a partner we have only one called @PAS-RISKY

Lifelong lover of electronic music — spinning, mixing, and exploring sound for over 35 years. From timeless house grooves to forward-thinking techno, this is a journey through rhythm, melody, and emotion. Sharing mixes that connect the dancefloor, the heart, and the history of  sound. 


Years ago a good friend show me what progressive house was, my life has not been the same since... "One way ticket or like we say in Argentina: VIAJE DE IDA"

glenn molloy guestmix for joe doherthy

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