heyy man rlly appreciate u putting thid out helps me through tough times

時には昔の話をしようか
通いなれた馴染みのあの店
マロニエの並木が窓辺に見えてた
コーヒーを一杯で一日
見えない明日をむやみに探して
誰もが希望を託した
揺れていた時代の熱い風に吹かれて
体中で瞬間（とき）を感じた
そうだね

Toki ni wa mukashi no hanashi o shiyō ka
Kayoinareta najimi no ano mise
Maronie no namiki ga madobe ni miete 'ta
Kōhī o ippai de ichinichi
Mienai ashita o muyami ni sagashite
Dare mo ga kibō o takushita
Yurete ita jidai no atsui kaze ni fukarete
Karadajū de toki o kanjita
Sō da ne

Once in a while, shall we talk about the old days?
That familiar shop we used to visit so often
You could see rows of chestnut trees from the window
We'd pass each day with a cup of coffee
Recklessly seeking an unseen tomorrow
Everone entrusted their hopes
Blown by the hot wind of a restless era
We felt the moment throughout our being
That's how it was

道端で眠ったこともあったね
どこにも行けないみんなで
お金は無くてもんとか生きてた
貧しさが明日を運んだ
小さな下宿屋に幾人も押しかけ
朝まで騒いで眠った
嵐のように毎日が燃えていた
息が切れるまで走った
そうだね

Michibata de nemutta koto mo atta ne
Doko ni mo ikenai minna de
Okane wa nakute mo nantoka ikite 'ta
Mazushisa ga ashita o hakonda
Chiisa na geshukuya ni ikunin mo oshikake
Asa made sawaide nemutta
Arashi no yō ni mainichi ga moete ita
Iki ga kireru made hashitta
Sō da ne

There were even times when we slept by the side of the road
None of us had anywhere to go
Though we had no money, somehow we lived
Poverty carried each day along
In a small boarding house, the bunch of us barged in
were rowdy till morning, then slept
Each day burnt like a storm
We ran until we were out of breath
That's how it was

(instrumental)

一枚残った写真をご覧よ
ひげづらの男は君だね
どこに居るのか今では分からない
友達も幾人か居るけど
あの日の全てが空しいものだと
それは誰にも言えない
今でも同じように見果てぬ夢を描いて
走り続けているよね
どこかで

Ichimai nokotta shashin o goran yo
Higezura no otoka wa kimi da ne
Doko ni iru no ka ima de wa wakaranai
Tomodachi mo ikuninka iru kedo
Ano hi no subete ga munashii mono da to
Sore wa dare ni mo ienai
Ima de mo onaji yō ni mihatenu yume o egaite
Hashiritsuzukete iru yo ne
Doko ka de

Look at the one remaining photograph
The bearded guy is you
I have no idea now where you are
Even though some of your friends are still around
Yet none of us can say
that all those days were in vain
Even now, as then, painting an undending dream
You're still running
Somewhere

Porco Rosso - Toki ni wa Mukas

OST from Hayao Miayazaki's Laputa Castle in the Sky by Joe Hisaishi

Sora Kara Futte Kita Shoujo

Joe Hisaishi - The Legend Of Ashitaka Theme - End Credit (Princess Mononoke OST)

FIRST SYMPHONY

Howls Moving Castle - Cave Of Mind

The Bygone Days / Kaerazaru Hibi - Joe Hisaishi ( Porco Rosso )

Castle In The Sky

The Journey To The West

21 - Owari To Hajimari ~ Shudaika [Toki No Uta] ~ Ending

03 - Kuuchuu Sanpo

Joe Hisaishi - Princess Mononoke Symphonic Suite

Mamoru Fujisawa known professionally as Joe Hisaishi 久石 譲 , is a composer and musical director known for over 100 film scores and solo albums dating back to 1981.
While possessing a stylistically distinct sound, Hisaishi's music has been known to explore and incorporate different genres, including minimalist, experimental electronic, European classical, and Japanese classical. Lesser known are the other musical roles he plays; he is also a typesetter, author, arranger, and conductor.

He is best known for his work with animator Hayao Miyazaki, having composed scores for almost all of his films, including Nausicaä of the Valley of the Wind (1984), Laputa: Castle in the Sky (1986), My Neighbor Totoro (1988), Kiki's Delivery Service (1989), Porco Rosso (1992), Princess Mononoke (1997), Spirited Away (2001), Howl's Moving Castle (2004), Ponyo (2008).
When he started to take violin lessons at the age of five, Hisaishi discovered his passion for music. Realizing his love, he attended the Kunitachi College of Music in 1969 to major in music composition. Hisaishi collaborated with minimalist artists as a typesetter, furthering his experience in the musical world.

He enjoyed his first success of the business in 1974 when he composed music for a small animation called Gyatoruzu. This and other early works were created under his given name. During this period, he composed for Sasuga no Sarutobi (Academy of Ninja) and Futari Taka (A Full Throttle).
In the 1970s, Japanese popular music, electronic music, and new-age music flourished; those genres, as well as the Yellow Magic Orchestra (a Japanese electronic band in 1978–1983), influenced Hisaishi's compositions. He developed his music from minimalist ideas and expanded toward orchestral work. Around 1975, Hisaishi presented his first public performance, spreading his name around his community. His first album, MKWAJU, was released in 1981, with Information being released a year later. His first major anime scores were Hajime Ningen Gyatoruz (1974) and Robokko Beeton (1976).

As his works were becoming well known, Hisaishi formulated an alias inspired by Quincy Jones, an African-American musician and producer. Retranscribed in Japanese, "Quincy Jones" became "Joe Hisaishi."

I do not own the pictures or the songs on this channel, nor am I claiming them in any way. All music used on this channel  belong to Joe Hisaishi and Studio Ghibli. No copyright intended.

Music Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for non-profit purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.

This Channel was made to Display Joe Hisaishi's beautiful work; it has also been created in order to support him and therefore I invite you to buy any of his work. Thanks 



Castle In The Sky

Joe Hisaishi

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