classics i like??

Anood's wedding

very soft

Classique

hisaishi

Romantica

Joe Hisaishi

focus

This is a studio recording from 2012 for the BBC film 'Loving Miss Hatto'. A biopic penned by the British comedian Victoria Wood about pianist Joyce Hatto.

The character piece is like the art song's fun-loving cousin who always shows up to the party with a bottle of emotional perfume. It's perfect for those intimate gatherings or solo rendezvous with your piano. Thanks to the piano's rise to fame in the 1800s, character pieces were popping up everywhere, and composers were flaunting their creations at the hottest recital events of the time. Basically, character pieces were the 19th century's version of a hot new single. If you thought Franz Liszt's music was boring, think again! This guy was all about giving his character pieces creative and whimsical titles, like "Sposalizio" and "Vallée d'Obermann". But don't worry, he didn't forget about those of us who like our music titles to be a little more straightforward - he also composed plenty of works with no-nonsense names like "Album Leaves" and "Klavierstücke". With his "Consolations" (a.k.a. "Six Poetic Thoughts"), Liszt took a page out of Chopin's book and delved into the world of nocturnes. And let me tell you, the third Consolation in D-flat major is pure Chopin - even the key is pianist-friendly, unlike those pesky "easy" keys like C major. Looks like Liszt knew a thing or two about pleasing his audience! If you're a Chopin fan, you're gonna love Liszt's "Consolation No. 3"! I mean, talk about a tribute - this piece is basically a carbon copy of Chopin's Opus 27, no. 1. And while it might not have the same flashy piano solos that Liszt is known for, it more than makes up for it with its dreamy, slow-moving melodies. Plus, it's in the same key as Chopin's original, so you know it's gotta be good.

Despite the unusual title, the Consolations were inspired by both poetry and religious contemplation, just like Harmonies Poétiques et Religieuses. Some say the title comes from an 1830 poetry collection by Sainte-Beuve, while others think it's based on a poem by Lamartine called A Tear (or Consolation). Either way, it seems like Liszt was in a pretty contemplative mood when he wrote these pieces. But don't worry, Liszt didn't completely forget his roots - he snuck in a little Hungarian folk song as the primary theme, which he later used in his "Hungarian Rhapsody No. 1". So even though this piece might not match the wild, hair-flailing image we have of Liszt, it's still got a little bit of that old-school flavor. Liszt's "Consolation No. 3" wasn't just a musical masterpiece - it was also a major turning point in the composer's life. And let me tell you, Liszt's early life was a doozy - it was basically one big, crazy party. But don't take my word for it, just ask his first mistress (and mother of his three children) Marie d'Agoult, who wrote all about it under the pen name Daniel Stern. And if you're feeling really adventurous, you can even watch the 1975 film "Lisztomania" for all the juicy details. Talk about living the dream! Liszt's life was like something out of a Hollywood movie - seriously, this guy was breaking class barriers and performing like a superstar. But as he got older, he decided to trade in the limelight for a little bit of privacy. He started conducting orchestras and composing more, and even started teaching aspiring pianists from around the world. I guess you could say he was the original piano man!

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Piano: Yamaha C7
Piano Technician: Martin Walsh
Recorded at Cauldron Studios, Dublin
Recording Engineers: Ciarán Byrne & Michael Manning
Please share and comment.

An NFT of this track will be available from the artist soon!

Franz Liszt Consolation no. 3 in D flat Major, S. 172

Always With Me [Spirited Away]

Chopin. Valse Op.64 No.1. Played by Valentina Lisitsa - The Minute Waltz

Chopin Grande Valse Brillante Op.18 Played by Valentina Lisitsa

From the album 'ANONYMOUS REJECTED FILMSCORE'.
iTUNES   :   https://itunes.apple.com/us/album/anonymous-rejected-filmscore/id897132263
SPOTIFY   :   http://open.spotify.com/album/2qhmL8iYM98KJxeLBJB4vi
CD  :  http://www.johnmurphyofficial.com/store/
VINYL  :  http://www.johnmurphyofficial.com/store/

DEAD BALLERINA

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Title: Merry Go Round of Life
Movie: Howl's Moving Castle
Composer: Joe Hisaishi

So I just finished my undergrad, so Geoff and I thought we would record one last time. Hope you enjoy it as much as we did! 

I made the arrangement myself since I couldn't find any others that I really liked.

Merry Go Round Of Life - Howl's Moving Castle - Joe Hisaishi - Piano and Violin

Hisaishi Joe - Madness

Night Sky feat. NAK [Instrumental] (Spirited Away)

This is my recording of the theme of Howl's Moving Castle. Regretfully, I have not seen the movie yet, thus my interpretation of the music may be different from the original. 
Recorded on Oct 12, 2010.
FSW

Howl's Moving Castle Theme MP3

The Promise of the World - Merry Go Round of Life - Joe Hisaishi

AVAILABLE ON THE ALBUM: "LOVE STORY - cinematic piano Vol.2" on:
https://linktr.ee/bastian_lee_jones

Some say: pompuous vegas trash - Bastian Lee Jones says: emotion, emotion, emotion.
Erich Segals novel "Love Story " became a major movie hit in 1970 (Paramount, director: Arthur Hiller, cast:  Ali Mc Graw, Ryan O´Neil. For the  major songtitle  of that classic, Francis Lai  got  an Oscar for  his  evergreen hit tune  "Where do I begin".

EARMErecords LC 29347, ISRC DE-QB2-15-00015
PHOTO source: Google Search - the © owner is the production company of the movie/the photographer:  LOVE STORY

Love Story - cinematic piano Vol. 2

all buy & follow links

Francis Lai - Where Do I Begin (movie: Love Story)

I do not own any of this content and all rights go to their proprietary owners. No copyright infringement was intended in the uploading of this song.

Yuji Nomi - Haru's Memories

The Nutcracker Grand Pas De Deux

Hana-Bi

Sakura

Howl's Moving Castle Soundtrack  -Flower Garden-

One Summer - Joe Hisaishi

First Love - Joe Hisaishi

NAK's Mixtape Download Link: http://www.mediafire.com/?upd7uv1iettzc6o

Sunrise feat. NAK & DJ Illogic [Scratches] (Howl's Moving Castle)

Joe Hisaishi - Summer

Joe Hisaishi -Ashitaka and San

Joe Hisaishi - Carrying You (Castle in the Sky)

Joe Hisaishi - Moonlight Serenade

"Winter" is peppered with silvery pizzicato notes from the high strings, calling to mind icy rain

Antonio Vivaldi - Four Seasons - Winter - Allegro non molto

OMAR AKRAM - Dancing with the wind

Chopin - Etude Op. 25, No. 11, Winter Wind

The Path Of The Wind (ToToRo OST) - Joe Hisaishi

Mamoru Fujisawa known professionally as Joe Hisaishi 久石 譲 , is a composer and musical director known for over 100 film scores and solo albums dating back to 1981.
While possessing a stylistically distinct sound, Hisaishi's music has been known to explore and incorporate different genres, including minimalist, experimental electronic, European classical, and Japanese classical. Lesser known are the other musical roles he plays; he is also a typesetter, author, arranger, and conductor.

He is best known for his work with animator Hayao Miyazaki, having composed scores for almost all of his films, including Nausicaä of the Valley of the Wind (1984), Laputa: Castle in the Sky (1986), My Neighbor Totoro (1988), Kiki's Delivery Service (1989), Porco Rosso (1992), Princess Mononoke (1997), Spirited Away (2001), Howl's Moving Castle (2004), Ponyo (2008).
When he started to take violin lessons at the age of five, Hisaishi discovered his passion for music. Realizing his love, he attended the Kunitachi College of Music in 1969 to major in music composition. Hisaishi collaborated with minimalist artists as a typesetter, furthering his experience in the musical world.

He enjoyed his first success of the business in 1974 when he composed music for a small animation called Gyatoruzu. This and other early works were created under his given name. During this period, he composed for Sasuga no Sarutobi (Academy of Ninja) and Futari Taka (A Full Throttle).
In the 1970s, Japanese popular music, electronic music, and new-age music flourished; those genres, as well as the Yellow Magic Orchestra (a Japanese electronic band in 1978–1983), influenced Hisaishi's compositions. He developed his music from minimalist ideas and expanded toward orchestral work. Around 1975, Hisaishi presented his first public performance, spreading his name around his community. His first album, MKWAJU, was released in 1981, with Information being released a year later. His first major anime scores were Hajime Ningen Gyatoruz (1974) and Robokko Beeton (1976).

As his works were becoming well known, Hisaishi formulated an alias inspired by Quincy Jones, an African-American musician and producer. Retranscribed in Japanese, "Quincy Jones" became "Joe Hisaishi."

I do not own the pictures or the songs on this channel, nor am I claiming them in any way. All music used on this channel  belong to Joe Hisaishi and Studio Ghibli. No copyright intended.

Music Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for non-profit purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use.

This Channel was made to Display Joe Hisaishi's beautiful work; it has also been created in order to support him and therefore I invite you to buy any of his work. Thanks 

