Bookings
ashley@bassunityagency.com

Management:
stephan@muzikology.com

DJ/Producer of UK Chart hits like 'Badman Riddim' & 'Not A Saint', creator of the Dirty House™ brand & a bit of an insane bastard!

I am a collaborative mood operator.

www.dankndirty.com

@dankndirtydubz: https://solo.to/dankndirty

Radio Show Archives:
http://bit.ly/SashwatRadioMixes

Non-Radio Mixes:
http://www.mediafire.com/?6y6dlggbjgdv8

The Dank 'N' Dirty Dubz Radio Show airs at 10am PST the first Wednesday of every month on DI.FM's Dubstep Channel: www.di.fm/dubstep

Sashwat is a US-based DJ, producer, and label owner that has been pushing high quality bass music since 2007. He's played alongside Avicii, D. Ramirez, The Widdler, Commodo, Swindle, Antiserum, Roommate, Coki, Distance, Truth, Reid Speed, HULK, Goldie, DJ Marky, 6Blocc, AK1200, Hellfire Machina, DJ Kue, Sub Swara, Kraddy, and more. Sashwat's monthly mixes, which he's been releasing since 2007, have featured countless genres such as dubstep, garage, hip hop, dub/reggae, jazz, deep/progressive/electro house, trance, techno, breaks, downtempo, drum and bass, and goa-psychedelic. In 2009, these mixes began airing consistently on the Digitally Imported Drum & Bass channel until the launch of his Dank 'N' Dirty Dubz radio show in January of 2010, which coincided with the launch of the Digitally Imported Dubstep channel.

A year later, in December of 2010, Sashwat expanded his Dank 'N' Dirty Dubz radio show into a bass music label, focusing on a wide variety of forward-thinking sub-genres. The labels releases have received support from the likes of Skream, Funtcase, Downlink, Matty G, NumberNin6, Brown & Gammon, J:Kenzo, DJ Wonder, DJ Allbury, Distance, Von D, Eptic, Genetix, Riskotheque, LOST, and Mat The Alien, to name a few.

In 2012, Sashwat took on the role of Channel Director for Digitally Imported Dubstep and launched the Digitally Imported Liquid Dubstep channel. He hand-picks the content that airs on both channels, catering to thousands of listeners 24 hours a day, 7 days a week.

To stay up to date, follow Sashwat:
http://soundcloud.com/sashwat
http://soundcloud.com/dankndirtydubz
http://www.facebook.com/djsashwat.dankndirtydubz
http://www.facebook.com/DankNDirtyDubz
http://www.mixcloud.com/DJSashwat
http://www.youtube.com/user/DJSashwat
http://www.youtube.com/user/DankNDirtyDubz
http://twitter.com/djsashwat
http://twitter.com/dankndirtydubz

PRIMARY GENRES:
DUBSTEP / REGGAE / HOUSE (DEEP & ELECTRO)

SECONDARY GENRES:
MINIMAL / BREAKS / DOWNTEMPO / TECHNO
GLITCH / TRANCE / DRUM & BASS / GOA-PSY

For Booking Inquiries, Please Contact sashwat@dankndirty.com

Feeling generous or want to support?
http://bit.ly/dankndirtydonations

How to submit a demo:

1. Follow our Soundcloud account.
2. Send us a private Soundcloud link to electriqueavenueplaylist@gmail.com
3. If we like what we hear we'll be in touch to discuss a date for upload.

Swirling synths coated in sugar sweet vocals, booming bass lines and kickin' beats.

From the Kites Of San Quentin use various boxes and instruments old and new and make sounds come out of them. When the sounds turn into music we mash them together. You may call them songs if you wish....we call them experiments. Please enjoy responsibly. XX

Booking:
scott@newmail.dk
5COTT stands out as one of the most versatile DJs in the industry, renowned for seamlessly blending music across an array of genres—a skill honed over many years immersed in the world of music.

His Groove-Yard mixtapes traverse the spectrum of house music, from the depths of underground beats to the vibrant energy of funky rhythms. Meanwhile, the 5cottland-Hard mixtapes showcase his mastery of progressive house. And then, there's the eclectic mix of everything in between.

His journey into the realm of DJing began with a fascination for turntablism, scratching, and the technical craftsmanship behind the art. Initially drawn to Hip Hop, his musical exploration soon led him into the realms of Funk, Disco, and ultimately House music. The culmination of these experiences is a remarkable blend of skill, musicality, taste, and boundless creativity.

5COTT's career has taken him to cities far and wide, collaborating with esteemed DJs and leaving an indelible mark on the industry. With a discography dating back to 1996, his production and remix work have graced numerous labels. His accolades include Dj Awards and other prestigious honors.

Moreover, he's a key member of the A5 collaboration, known for the viral success of "Adagio For Strings (Extreme intro mix)," which garnered over 100,000 plays on a new profile without any promotional efforts. You can find it here: @a5-promo.

Yet, perhaps the most compelling testament to 5COTT's prowess is his music itself. Explore his extensive catalog of tracks and mixes, and you'll quickly discover that 5COTT's musicality and creativity speak volumes on their own—asserting him as a force to be reckoned with in the industry.

Enjoy!

Vieka Plays (:vee-e-ka p-l-aa-ys). Born, will die. A female singer-songwriter-electronic-fiddler-producer-engineer currently residing in the fair lands of Manchesterville, UK. Inspired and nourished by music and sound.

 Vieka plays her music full frontal, sometimes delicate, sometimes brash but always dedicated to the senses. Alikened to Björk, Portishead with a dash of Cocorosie, Vieka moves through you in a whirl of challenging stories and sounds created by all manors of electronic geekery that can be harnessed, beated and whipped into shape. 

...'Combining sonic brutality, unfettered on-stage physicality, never-quite-reassuring periods of calm and moments of breath-taking spectral beauty'...'Ostensibly an avant-garde musician in the Portishead/Björk mould mould, Vieka’s beguiling live performances set her apart from other experimentalists.'
 … 'Their live concerts can veer from dubstep mood-pieces to eerie swing narratives and sexual psycho-dramas all with an underlying Burial-style-soundtrack-David Lynch intensity'... 

With a lustful desire for the wild world, Vieka weaves through all manner of sounds; blending, warping and creating impassioned soundscapes with subtle sound recordings from nature, life and the wide-wide world. Obtuse creations of synthesised bass, glitch noise and samples come from deep within the digital spectrum while the vocals cut through unabashed.

'With a tongue stuffed thoroughly in her cheek she blissfully hovers her sound in the darker sides of life (or hoovers her music up from the filthy corner of the proverbial room).'

Joe Queally is following