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Los Angeles, California, US
Genres	Garage rock, psychedelic rock
Years active	1966–1967
It's pretty close to impossible to explain in mere words the greatness of The Human Expression but I'll give it a whack. Most folks were introduced to this great Los Angeles group via their inclusion on garage/psych compilations such as Pebbles, Highs In The Mid 60's and Psychedelic Disaster Whirl, and of course I'm no different. Their records are beyond rare and when they do come up for sale, usually top $2,000 or more these days. I once bid $100 for one of their singles back in 1982 and didn't win the auction. So when it comes to the garage rock "holy grail" The Human Expression are near the top of the list.

The Human Expression were Los Angeles based and issued just 3 45's during their short lifetime (1966-1967.) It is quite possible they acted as support group to Love, The Doors and most probably The Seeds. The Human Expression's lead singer Jim Quarles had all Sky Saxon's moves down and then some. One could actually say he out Sky Saxoned Sky Saxon (if that makes any sense?) 

The Human Expression's absolute peak was their psychedelic free for all "Love At Psychedelic Velocity" which I spoke about on this site a few years back. But their second 45 "Optical Sound" is every bit as potent. Musically the song is the polar opposite of "Velocity" where that track was a non-stop train ride to the sun, "Optical Sound" is a slow, brooding almost menacing number that seemed to describe a bad LSD trip. The guitars sound like they were tuned by Sonic Youth, giving the whole song a disoriented feel somewhere in the direction of My Bloody Valentine meets The Ventures. Actually there was another record by a group Chapter Four called "In My Life" (reviewed on this site recently) that had a very similar guitar sound. 

"Calm Me Down" is more in The Seeds vein, this one starts kinda slow then just erupts in a frenzy with Jim Quarles again sounding like he got a hold of some bad LSD or Speed. The group just drive it home until the listener is just as disoriented as the band. High marks to guitarists Jim Foster and Martin Eshleman for their truly inventive playing. 

The Human Expression issued one final 45 in 1967 that coupled "Sweet Child Of Nothingness" and "I Don't Need Nobody", while this 45 has it's merits, it's not quite up to the standard of the first 2 singles. There was a great compilation of all the group's material "Love At Psychedelic Velocity" (Collectables) issued in 1994, but I'm not sure if it is still available. Finding that would be the most cost effective way of hearing this incredible band. In the liner notes Jim Quarles actually claims the Human Expression were first offered the demo of the Steppenwolf mega-hit "Born To Be Wild" by Mars Bonfire but passed on it. 

I always wondered what would have happened if groups like The Human Expression had the recording freedom afforded big name acts such as The Beatles and Rolling Stones. I guess we'll never know, besides the mystery surrounding these psychedelic unknowns makes their recordings that much more special.

The Human Expression - Calm Me Down(Original Master)

Session 250829 - anyway

The Velvet Underground - All Tomorrow's Parties (Falkodelica Dreamy Extended)

David Sylvian - A Fire in the Forest (Meow-Meow Attack Remix)

Afro Blue Impressions

My Favorite Things (Live In Stockholm / 1963)

For the season of mists and mellow modalness.

I've just uploaded a new Autumn Jazz mix in a similar style to this one: https://soundcloud.com/mark-wayward/when-there-is-no-sun-autumn-mix

It Ain’t Necessarily So - Mary Lou Williams
Modal Forces - Fritz Pauer
Blue Mosque - Ian Carr and Don Rendell
Eboness - Yusef Lateef
Del's Theme - George Braith
I Miei Recordi - Marco Di Marco
Communion – James Tatum
The Devil is a Woman – Ada Moore
Flamenco Sketches – Frank Minion
Alex The Great – Harold Mabern
Tell Me a Bedtime Story – Herbie Hancock
Amalgam – Dudley Moore Trio
Jeansy – Novi Singers
Just a Little Lovin’ – Sarah Vaughan

Mostly Modal

Piero Umiliani - Centrali termiche

Oh! Mountain

Fishmans - Blue Summer

Kid koala - 8 Bit Blues

Order: http://latenighttales.co.uk/product.php/200/r-yksopp-late-night-tales/3d3b063ad46274b2c5e6f58d760ec22d
iTunes: https://itunes.apple.com/gb/album/late-night-tales-royksopp/id643663833

The new edition of Late Night Tales journeys to Scandinavia to invite Norwegian duo Röyksopp to delve through their record collection.

Röyksopp announced themselves in 2001 with their hugely successful platinum selling debut album ‘Melody AM’, establishing themselves among the elite of the hip Scandinavian music scene. A further trio of albums have followed: ‘The Understanding’, ‘Junior’ and ‘Senior’ – which includes collaborations with some of Scandinavia's finest: Lykke Li and Karin Dreijer Andersson (The Knife, Fever Ray) – and there is also the matter of Grammy nominated ‘The Girl & The Robot’ featuring Swedish pop songstress Robyn and remixes for Depeche Mode, Coldplay, Beck and Lady Gaga.

Their Late Night Tales mix is eclectic, diverse and wonderful. Sliding from light folk to widescreen ambience to experimental rock to prog-pop (seasoned with the occasional guilty pleasure); it’s all in the spirit of the night.

http://latenighttales.co.uk

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Richard Schneider Jr. - Hello Beach Girls (Sample, from Late Night Tales: Röyksopp)

The Human Expression - Calm Me Down(Original Master)

joe_ soap.