Club Tilt is an underground London-based party & DJ collective driven by two northerners who have been hosting & playing parties together for over a decade. From late-night sessions at The Cause to vibrant gatherings across Peckham, Shoreditch, Brixton & even to the magical fields of Glastonbury + plenty of other festivals; their musical journeys fuse many inspirations & sounds—Italo, Cosmic, Synth, & Pumping House all ever present, nicely accompanied by well-matched sub-genres.

Our mission is to always emote those special, freeing feelings by providing nothing but good vibrations.

'Stellar Drifting', the new album out now.
http://george-fitzgerald.com

www.ARunningMelody.com
Andrew@arunningmelody.com

'Cold Land' (Denham Audio Mixes) [PH45RMX] is out now on @phantasysound 

Bookings - 
martje@decked-out.co.uk

Since 2015, James Welsh’s contribution to Phantasy as Kamera has delivered a series of releases shrouded in mystery, injected with the personal energy of both a hardcore and club heritage. Two EPs, ‘Arc’ and ‘Ventoux’, set a distinct tone, with the latter complimented by head-turning remixes from artists such as George Fitzgerald, Throwing Snow, Truncate and Yaleesa Hall. Now, the key Phantasy artist emerges from the shadows under his own name, in order to continue his uncompromising musical journey.

PHANTASY
HYPERCOLOUR
KNEADED PAINS
WOLF MUSIC
FUTUREBOOGIE

Bookings: matt@thepool-london.com 
Promos: promo@gregwilson.co.uk 
DJ Dates: https://blog.gregwilson.co.uk/upcoming-dj-dates/
Greg began DJing in 1975 and is regarded as one of the most important figures on the UK dance scene. He enjoyed hugely popular residencies in the early eighties at Wigan Pier and Manchester’s majorly influential Legend, having originally started out in his hometown, New Brighton. A pioneer of mixing in the UK, he became the first ‘dance music’ specialist hired for a regular weekly session at Manchester’s now legendary Haçienda club in 1983. Greg was instrumental in breaking the new electronic, post-disco records coming out of New York, a sound he has dubbed ‘Electro-Funk’.

In 2003 he set up electrofunkroots, a website documenting this crucial era in the evolution of dance culture. After a two decade hiatus from the booth, he returned to DJing and soon welcomed bookings throughout Europe and, subsequently, worldwide.

Greg was the first DJ to mix live on British TV, putting together the first UK radio mixes of their type for Piccadilly 261 in Manchester and showing a certain Norman Cook (later Fatboy Slim) how to scratch.

Nominated by DJ Magazine for outstanding contribution, and also named amongst their top twenty remixers of all-time, Greg’s remix credits include Grace Jones, The XX, Groove Armada, Bryan Ferry, Confidence Man, Gilberto Gil and Simian Mobile Disco, whilst he’s edited tracks by A Guy Called Gerald, Talking Heads, O.M.D., Electronic, Imagination and Missy Elliot.

In January 2009 Greg’s reputation was further enhanced when his Essential Mix on BBC Radio 1 received almost universal acclaim and was selected as one of 10 classics that spanned the show’s near 17 year history.

Greg’s Blog, ‘Being A DJ’, was launched in June 2010 for observations on various aspects of club culture now an online touchstone for an ever-increasing amount of dance enthusiasts and aficionados.

In August 2010 he co-curated areas at the inaugural Vintage Festival at Goodwood, which was named ‘Best New Festival’ at the UK Festival Awards.

He has produced a series of documentary podcasts, Time Capsule, Random Influences and Early 80’s Floorfillers, as well as the long-running blog series, Living To Music.

Greg has given talks on music and DJ culture at a number events at venues The Tate Gallery in Liverpool and London's Southbank and Institute Of Contemporary Arts, whilst in 2013 he was invited onto a panel alongside legendary figures Nile Rodgers and Giorgio Moroder @ ADE in Amsterdam. 

In 2014 he unveiled the multi-media label Super Weird Substance, focusing on recording and live events. In 2015, the label released 8 vinyl singles, brought together in the 2 CD comp, 'Greg Wilson Presents Super Weird Substance'. September 2015 saw a memorable Festival No.6 Happening in Portmeirion and Greg rounded off the year with the Liverpool-based celebration of the 40th anniversary of his first club date in 1975 as well as being presented with DJ Magazine's Industry Icon award.

Greg launched his Credit To The Edit club collective at 2016's Festival No.6 and since then has taken it to Liverpool, Berlin, Brixton, Bethnal Green and finally back to Portmeirion for Festival No.6 2017.

2017 saw his label host the epic 14 Hour Super Weird Happening at Liverpool's Florrie, following a mixtape collaboration with Alan Moore, who also appeared at the Happening, whilst it also saw the digital release of The Super Weird Society's 'Gone With The Vibe', released the following year on the first Substance Select 12" vinyl alongside 'The Ghosts Of Watling Street', 'The Best Is Yet To Come' and 'Summer Came My Way'. 2018 also saw the release of Vol.3 in Greg's long-running Credit To The Edit compilation series.

After a handful of further releases, the label was put into hibernation with the onset of covid. Diversifying, ‘Greg Wilson’s Discotheque Archives’ was issued during 2020 lockdown as a limited run paperback, with more books, both Wilson’s own projects and by other authors, now planned.

For production/remix/general enquiries:
Chris - cg@285.group

For bookings:

Ryan - ryan@liaisonartists.com (N & S America)
John - john@higher-ground.de (Rest Of World)

Ossie Aneke a.k.a OSSIE is a London based artist and DJ, synonymous with forward thinking electronic productions on the UKs most crucial imprints. 

The past few years have seen releases on labels such as; Hyperdub (Kode 9), Madhouse (Kerri Chandler), Exploited, Wolf Music, Brownswood Recordings and his own in print SuperCali.

OSSIE has seen continued support from Benji B and his Deviation parties over recent years, including a stand out DJ set for the Boiler Room x Deviation stage at Notting Hill Carnival. 

2019 has been a busy year so far, with a sting of releases across the summer months (‘Yeah we feel it’ - Madhouse Records, ‘Better days’ - Sense Traxx) that have seen support from the likes of The Black Madonna, Jamie Jones & Laurent Garnier. Annie Mac, Benji B & Danny Howard have also showed regular love across the Radio1 network this summer. 

For the year ahead OSSIE shows no sign of slowing down, with the release of another dance floor weapon (‘To make you smile’) on his label SuperCali and a 4-track EP in the pipeline via Nervous records.

Bookings & info - info@supercalimusic.com

Label - @SuperCaliMusic

Black Fan is an alias born in 2015.

Bookings etc. blackfanmusic@gmail.com

Joe Willmott is following