I like this, "it's only rock 'n' roll" etc. great stuff, keep rockin'! :)

More good stuff from an aussie rocker, I like your style, bits of the old bits of new, very good!

cool raw rocking energy, great performance and vocals

Pure & raw man.....like an old-time 4 man rockin' band, no gimmicks.  And love the LBJ quote....he was a throwback with an attitude that would keep him banished from politics today...

Great song  Sir.  I’m late to the party but it’s never been more relevant

I'm glad i found here! Straight, pure and raw Rock'n'Roll! Awesome Yeah!

Your Mix 2

Grandes Rasades D'oxygène.Hommage à Erik Satie*A tribute to Erik Satie*

A song that was particularly close to my heart to remix and especially to sing...So I tried to put my voice on this title that I love so much....And it is with immense joy that musical accomplice for almost 10 years....accompanied me on the piano.

Karine L.
KAELLE

DANCING ON MY OWN REMIX

I loved creating this song ... I hope you feel the emotions I wanted to share with you

NEVER KNOW

A soundpalette of rhythmical patterns and vocals with ambient influences inspired by sounds from MNDALA 2 soft synth

Wrong taste Bad appetite

Lyndon B. Johnson - ”If you can convince the lowest white man he's better than the best colored man, he won't notice you're picking his pocket. Hell, give him somebody to look down on, and he'll empty his pockets for you."
https://www.snopes.com/fact-check/lbj-convince-the-lowest-white-man/

John Philpot Curran, "The condition upon which God hath given liberty to man is eternal vigilance; which condition if he break, servitude is at once the consequence of his crime and the punishment of his guilt.
https://www.bartleby.com/lit-hub/respectfully-quoted/john-philpot-curran-17501817-2/

Patrick Henry - Is life so dear, or peace so sweet, as to be purchased at the price of chains and slavery? Forbid it, Almighty God! I know not what course others may take; but as for me, give me liberty or give me death!
https://avalon.law.yale.edu/18th_century/patrick.asp#:~:text=Is%20life%20so%20dear%2C%20or,liberty%20or%20give%20me%20death!

No Surrender

Now convince the lowest man that he's better
And he won't even notice you're picking his pocket
Hell, give him someone to look down on
And he'll empty his pockets for you

If ya wanna be free, live your life own way 
Then eternal vigilance is the price ya pay
Cause  Servitude is the consequence
If you’re too damn complacent  

No surrender, to the powers that be
No surrender, to autocracy
No surrender, no surrender 

It’s a lie, It’s a lie, It’s a lie
It’s a crime, It’s a crime, It’s a crime
Of the time, of the time, of the time
It’s a low down stinking lying crime of the time.

Is life so dear or peace so sweet
To be purchased at the price of slavery 
Some will bend the knee and kiss the ring
For me I say let freedom ring 

If ya wanna be free, live your life own way 
Then eternal vigilance is the price ya pay
Cause servitude is the consequence
If you’re too damn complacent 

No surrender, to the powers that be
No surrender, to autocracy
No surrender, to the chains of tyranny

No surrender, to the powers that be
No surrender, to a wanna be king
No surrender, no surrender

NoSurrender

Please welcome to join Syntaleta community on www.patreon.com/syntaleta
Remastered by Houman (https://soundcloud.com/houmans)

But I've Got the Wings

Level Up

"Whatever"is an '80s-style rock song. It talks about the world of disposable and temporary things we live in, where nothing lasts long enough to become real. Friendships, relationships, love — everything is plastic and fleeting. A time without memories.

Whatever (Tanto Faz)

It’s just like that, the way I recall,
Blurred-out words, nothing real at all.
I hit the street, but I’m not there,
Can’t see you — green or red, I don’t care.
I walk ahead, try not to glance behind,
Where I go, you don’t cross my mind — that’s fine.
What’s gone is gone, it won’t return,
The future waits, no need to burn.
It’s gone, it’s done — no more glory,
The fire wipes out every story.
Time just moves, it won’t relent,
Chasing wins, it kills the present.
And memory? It fades, it dies,
Just disappears before your eyes.

++++++++++PORTUGUES

Tanto faz é um rock estilo anos 80. Fala sobre o mundo de coisas descartáveis e temporarias em que vivemos, onde nada dura tempo suficiente para se tornar verdadeiro. Amizades, relacionamentos, amores...tudo é plastico e passageiro. Um tempo sem memórias.

Tanto Faz

É bem por ai, é como eu me lembro;
Palavras difusas, tudo fake;
Descubro a rua e não me vejo;
Não te enxergo, verde ou vermelho;
Sigo em frente sempre tento não olhar pra trás;
Pra onde ando não te percebo, tanto faz;
O que passou, passou. Não volta jamais;
O futuro te espera, fica em paz;
Passou, passou, não tem mais glória.
O fogo varre toda a história.
O tempo sempre segue em frente, buscando a vitória despreza o presente.
A memória se diluí, se desfaz.

Whatever (Tanto Faz)

Phone recording 10.8.25

Not that I've always got the light. But I've always got the light, to get. 

It's a good job that I don't have any pride
'Cause we're being taken for a hell of a ride
They take our freedom they may take our homes
Throw me in a well I wouldn't be alone 
I have always got the light
I have always got the light
The sins of us adults do the children harm
Old McDonald's got to sell the farm
Sweet indifference causes cancer too
I've got no time to loose I don't know about you
I have always got the light
I have always got the light
Mercy mercy mercy please have mercy on me 
Sweet Lord have mercy on me
I have always got the light
I have always got the light

Always Got the Light

(Music: Hans-Michael Albers, Lyrics: Terry Reeves)
Terry Reeves:  Vocals
Hans-Michael Albers: All instruments, Arrangement & Production

Today, 22nd. August 2025, marks 13 years since our dear brother Bri succumbed to the deadly combination of leukaemia and Guillain-Barré syndrome.  Watching him through 2012, unable to do anything for himself and increasingly confined to a hospital bed is something none who loved him will ever forget.  
He has never been (and never will be) forgotten, not only for the music he created but for the force of nature he most certainly was.  In 1964, our Mum & Dad bought him an entry level acoustic guitar as a Christmas present and his progress on the instrument was something to behold.  By the time he was 18, he’d bought himself a Gibson Les Paul on HP (24 payments of five pounds and thirteen shillings per month) from Selmers in Charing Cross Road, London.  He joined a band, somehow co-opting me in as lead singer at the tender age of 15 (still a schoolboy, no less) and over the ensuing ten years, formed bands of whose line-up I was always a part, graduating from singing to percussion and eventually drums.
There being guitars laying around the family home, Tel took to playing and encouraged by Bri, never stopped.  Fast forward another five years and he too started writing songs so that by ’82, the 3 of us decided to form a band (Root Division) to play them.  It’s a truly special thing to be in the same band as your brothers and recording those songs became something Tel and me still remember with an abiding nostalgia.  No wonder we still talk about those days…
This song started life as an instrumental, written by Hans and of course, it’s brilliant as is but Tel liked it so much, he asked if he could write some lyrics and a vocal melody.  Being a generous fellow, our dear friend from Hamburg said he’d love to hear what Tel had in mind.
His basic idea was to incorporate as many references as he could to Cripple Club tracks, in celebration of the firm friendship we have formed in together recording what amounts to over 50 songs.  There may be a few of you who can spot one or two…
So this is for you, Bri.  We love and miss you, sweet brother.
(Gary Reeves)

Last Summer day reasons
Hamburg always shines
Shadows of Superheroes
Another surprise will come in time
Click toward a pension
From birth but never knew
Surprised to find a blackbird
In the flames as the music grew

Touch wood for satisfaction
CC music every day
Root of strong existence 
Step off the world to feed the phrase
Another Titan message
Titanic stories past
Image of a fraying edge
Never thought hang of time would last

It’s the time, it’s the place
It’s the only performance I can show my face

Last chance for singing
Avoid resistant tide
Pleasing distant garage
Remember 4 to 3 to 5
Stars in space that linger
Soaking up the blue
Palette of sunshine yellow
Mix to green for go - but for who?

T,G & H, Two and you!

LAST SUMMER'S DAY BLUES - CRIPPLE CLUB

Fighters is an epic cinematic work that transforms intensity, inner struggle, and the power of rising again into sound. The track begins with a dark foundation and gradually builds to monumental climaxes, carrying both hope and determination.

To create this atmosphere, I combined several orchestral libraries:

Spitfire Audio Abbey Road One – providing the orchestral foundation, recorded at the legendary Abbey Road Studios in London. Long notes, staccatos, and orchestral swells are featured here.

Spitfire Originals Epic Choir – with soprano and alto voices delivering long “Ahh” phrases that heighten the epic and hymn-like moments.

Spitfire LABS (BBC Symphony Orchestra) – delivering warm, soft viola layers that add emotional depth and a classical foundation.

EastWest Hollywood Orchestrator – bringing in powerful brass sections, driving percussion, and orchestral unison parts that push the track forward cinematically.

Each library contributes its own character:
The Abbey Road Strings add vastness and a majestic tone.
The Epic Choir creates spine-tingling moments, reaching beyond the fight into the spiritual.
The BBC violins & violas bring warmth and melancholy into the heart of the piece.
The Hollywood Orchestrator Brass & Percussion release raw, combative energy.

The result is a composition that feels like the soundtrack to an epic movie – a musical companion for battles fought both within and without. Fighters is not just a track, but an experience: dark, powerful, vulnerable, yet full of hope.

Fighters ist ein episch-cineastisches Werk, das die Intensität des Kampfes, die innere Zerrissenheit und die Kraft des Aufstehens in Klang verwandelt. Der Track beginnt mit einem düsteren Fundament und steigert sich stetig zu monumentalen Höhepunkten, die Hoffnung und Entschlossenheit gleichermaßen transportieren.

Um diese Atmosphäre zu erschaffen, habe ich verschiedene Orchester-Libraries kombiniert:

Spitfire Audio Abbey Road One – für die große orchestrale Basis, aufgenommen in den legendären Abbey Road Studios in London. Hier kommen vor allem die langen und staccato gespielten Streicher sowie die orchestralen Swells zum Einsatz.

Spitfire Originals Epic Choir – Sopran- und Altstimmen, die mit langgezogenen „Ahh“-Phrasen die epischen und hymnischen Passagen verstärken.

Spitfire LABS (BBC Symphony Orchestra) – für warme und weiche Violaklänge, die dem Track emotionale Tiefe und ein klassisches Fundament verleihen.

EastWest Hollywood Orchestrator – für kraftvolle Brass-Sektionen, markante Percussion-Elemente und orchestrale Unisono-Parts, die den Track filmisch vorantreiben.

Jede dieser Libraries trägt ihren eigenen Charakter bei:
Die Abbey Road Strings verleihen Weite und majestätische Klangräume.
Der Epic Choir schafft Gänsehaut-Momente, die über den Kampf hinaus in das Spirituelle reichen.
Die BBC Violinen & Violas bringen Wärme und Melancholie ins Zentrum des Stückes.
Die Hollywood Orchestrator Brass & Percussion setzen die kämpferische, rohe Energie frei.

So entsteht eine Komposition, die sich wie ein Soundtrack zu einem epischen Film anfühlt – ein musikalischer Begleiter für innere und äußere Schlachten. Fighters ist damit nicht nur ein Track, sondern ein Erlebnis: dunkel, mächtig, verletzlich und dennoch voller Hoffnung.

℗ 2025 DestKorn | © 2025 DestKorn. All rights reserved.
℗ 2025 DestKorn | © 2025 DestKorn. Alle Rechte vorbehalten.
Jegliche unautorisierte Nutzung, Vervielfältigung, Bearbeitung oder Verbreitung dieses Tracks ist untersagt und wird rechtlich verfolgt.
Artist & Publisher: Matthias K. / DestKorn
SenneRecord – established 2012

Fighters

Composed & Produced by Val Akey.
Thank you for listening!

Release date: 27 August 2025

A Romance Torn By The Wind

QUE FONT NOS DIRIGEANTS

This song was written at the same time as ‘Get Up’ which I posted a couple of months ago and is very much a partner piece to it. I’ve given it a more jazzy feel and upped the tempo from my first  version which I hope has given it a brighter and lighter feel. I’ve also multi-tracked the ‘Uh Oh’ vocal loop and added a few effects to make it a little more prominent in the mix - it is after all the title! I very much hope you enjoy this one and, if you have time, maybe leave a comment. The feedback I’ve had on the other songs has been really, really helpful ( and very encouraging too! ).

Original image from Wikilmages on Pixabay

Uh Oh!

The Snow Queen – The Forest
September 2025
Duration: 2:45
Listen to more music from the Snow Queen ballet at: https://soundcloud.com/bruce-klepper-1/sets/the-snow-queen-music-for-danse
Music for Danse Etoile Ballet (www.danseetoile.org) who will be performing The Snow Queen Ballet January 2026 in Colorado.
For strings, shakuhachi, bass flute, heckelphone, marimba, double bass, field recordings, timpani and percussion

The Snow Queen - The Forest

A dark twist on a classic tale. “Alice in Chains” leads listeners deep into a haunted Wonderland — where innocence meets insanity and shadows whisper her name. With thunderous guitars, eerie melodies, and Don Dalo’s haunting vocals, Ravenshield transforms fantasy into a gothic metal nightmare. A cinematic soundscape for fans of dark storytelling and Halloween chills.

The Halloween Saga (Halloween Special)

30.10.2025

Alice In Chains

Alice in Chains

⚡ Synthwave energy unleashed! ⚡ Shock the Algorithm returns with a brand NEW album — Ultraviolet Cosmos.
https://shockthealgorithm.bandcamp.com/album/ultraviolet-cosmos

🌌 Available NOW on Bandcamp — grab your digital copy today and step into the neon! 🌌

Songs of life, love and other stuff ¯\_(ツ)_/¯
Rock-n-Roll Forever Forever Rock-n-Roll
 #RRFFRR

NoSurrender

JoeLiberty

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Under The Bad Sign

1967 * ROCK

spanishlilies

jigs trippin

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