omg I love this!! shades of angus young on guitar & an awesome Stones vibe - had me singing along!! fabulous! 😁❤🎶

Yeahh. This is a radio hit. Fantastic. 🦩

AC⚡️DC meets the Stones; total hit Joe ⭐️👊⭐️

DIAL OUR FIRE AND THUNDER TONIGHT !!

Written, produced and performed by Jana Hermann and Enijs Maiks
© 2021 Elektrikana Rekordz

Low Diskow Techniquez (Part 1, 2 & 3) (2021) ER TK-168

Old Lantern's Brew

This is a 2002 interpretation of Samuel Barber's Adagio for Strings, taken from Barber's original 1936 score. The piece was arranged in Cakewalk 9. Synth sounds are from a Kurzweil K2500 keyboard.

Adagio for Synths (2002, From the Archives) An Interpretation of Barber

Hello.   Here is my new collaboration.  In a style a little new to me. 
With  Keri Johnson , whom I thank for her trust and for allowing me to propose this arrangement of her composition. 
To listen to more Keri  https://soundcloud.com/kerijohnson
Keri : composer - lyrics - vocals - synthé 
Pascal : percus - basses - orgue Hammond B3 - synthé Roland JP8 - arrangements - mixing 
Lyrics :
Off we go
into the unknown
(just sit back and)

Watch the show
hold your own

The place's we'll go
the seeds that we sew

Oh the places we'll go
the faces we'll know

Time rolls on
we are the song
(come on let's have)

Have some fun
while you're young
(comes on let's go)

Oh the places we'll go
the seeds that we sew

Oh the places we'll go
the faces we'll know
(come on let's go)

Oh, The Places We'll Go ☀️  (Keri Johnson . Prod pb)

Coming together of a flute blues and alto sax improvisation with bamboo flute drones and techno beats (adapted from 'Call to Prayer' from the album 'Nepalese Dream' https://thewindscalebluesexperiment.bandcamp.com/album/nepalese-dream).

Nebulae photo by S Aldebaran (Unsplash)

Call from Beyond

© Joe Liberty 2021. All rights reserved

On the dependence of convenience and the collective self.

SaveMe

Well I like milk in my coffee 
A lil' bit a sugar in my tea
Yeah  I like the sweet taste of honey 
Gives me the rush that I need

Cause I want it 
And I need it 
And I love it 
And I gots ta, gots ta, gots ta 
Have it

Making my way through the masses 
Carve out a spot at the top (cheek pop)
 Living the life of leisure 
Praying that it never stops

Cause I want it 
And I need it 
And I love it 
And I gots ta, gots ta, gots ta 
Have it

Save me, save me from myself 
Save me, from myself 
From my self

¯\_(ツ)_/¯ Solo ¯\_(ツ)_/¯

But it’s all right now 
Fill it on up is a gas  
But it’s all right 
Fill it on up it's a gas, gas, gas

Choking on the air that I'm breathing
Swimming in polystyrene
Just keep them dividends coming 
Gonna be what it's gonna be

Cause I want it 
And I need it 
And I love it 
And I gots ta, gots ta, gots ta 
Have it

Save me, save me from myself 
Save me, from myself
Save me, save me from myself 
Save me, from my self inflicted hell 
My self inflicted hell

SaveMe

Hello Folks!

Been quite some time, but being slow, doesn't gladly result in no productivity at all. Haha! After my Collab with @texmex-shaman (thanks again brother for this awesome experience), i was rummaging unfinished projects and thought about "whats next?". I found plenty of stuff which craves for my attention, but too close on the timeline with our first summer vacation at my parents in laws place.

So i came to the usual little drill , like "What equipment will i take with me" ,  "How will it be?" (in terms of my usual unique work and creativity flow) , and "Will i be able to do anything in the usual FY style at all?"...... turns out it was a fast super week there with a lot of various ventures, activities and wonderful weather!

I also used the possibility a few times to take the chosen stuff (i did go for the minimal setup as minimal can be) out in the garden, sat down summerstyle with a cold alc-free Radler and just worked in my DAW with self-built synths and a Studio One "Impact XT" drum preset which i manipulated and bent into the way i wanted it to be. Comparable with the first track you build in the Andrew Huang course, i went full electronic and after that week i had like 90% of it!! 

I have to thank my dear friend TexMex Shaman who did pre-listen ALOT and also encouraged me to build that intro (which took me quite a while to find the right samples, shape them and do some automations and stereo field sweeps - awesome process to push myself into this).

Going mad with the Visual was also predictable... most of you who know me by now, would've expected that, i guess? I love that process, like you have that music and it creates an audible image in your brain, but adding something as close as you want it to look like with a cover, is a complete different and somewhat relaxing process to me. 3 weeks of alot of work and manipulations. So much new stuff i did learn!

I want to thank big big time Chris Ainsworth on Flickr to give me the permission to manipulate his wonderful pic of an restorated "Tron" Arcade Machine!! (https://www.flickr.com/photos/53643381@N00/)

We're soon at the end of this summer and 2021 feels already passing way too fast and there is so much music to listen and also to continue working on. 

Love this SC community! Thanks for being out there and all this exchange!

Yours,
CMD SF

PS: If your'e interested, i start sharing the hq arts on my google drive for those who want to see more detail to the "vision" of my creation here!

https://drive.google.com/drive/folders/1IwcIXWLFPQtvPHYCKoOLpmme0Px0fzMh?usp=sharing

Thunder Runner

A new collaboration of Freddie M, Steven W. Davis and Jason Sands with the great singer and songwriter Karla Lynette. We thank Karla very much again for her great work and professionalism.
Here you can listen and see her soundcloud page: https: //soundcloud.com/karlalynette/tracks

Tonight In Gonna Wait For You- MTM (Feat. KARLA LYNETTE)

This is my second collaboration (that was actually completed in July, but this is me just getting round to uploading to SoundCloud now.) which features satosii and Rylei Nathaniel. It all started with a sequence bass guitar melody from Rylei and a beat and a guitar from satosii. Vocal chops, piano, synth  and the finished melody was done by me and we ended up with two versions.

Version one: Dial Up (https://www.instagram.com/p/CRCYnsCAZQL/)
Version two: サイバーパンクな夏の夜 (https://www.instagram.com/p/CRKIgQQA6rO/)

Videos for both versions are made by Rylei Nathaniel.
You Tube video made by Decan Usmic https://www.youtube.com/watch?v=UUNKdFYc8G0
This song is slightly different from my usual genre, but I hope you find it uplifting. Many Thanks for listening and for all your support!

Dial Up (Feat. Rylei Nathaniel and satosii)

Sure got cold after the rain fell

Written, performend and recorded by Neli CoKo
Bremen, 2021, all rights reserved.
Lyrics:
Beware of the beast inside you
Be aware of the beast inside you
1. Treachery is the mortal blow
to every kind of faith
No relationship can grow
Behind a doubled face
Beware of the beast inside you
Be aware of the beast inside you
2. Treachery is the brotherly kiss
with a dagger on one´s back
Foreside smiling innocence
Back side the attack
Beware of the beast inside you
Be aware of the beast inside you
3. Treachery is inexcusable
A scar that never heals
Treachery is unforgettable 
Once it is revealed
Beware of the beast inside you
Be aware of the beast inside you
(c) Neli CoKo

Neli CoKo  Treachery

An album in neoclassical sound, inspired by Scandinavian mythology and the works of musicians of the 90s. The music in the album tells a story through emotional and atmospheric motives using classical instruments for the genre - string assemblies, flutes and winds.
https://open.spotify.com/track/1GB4dCQVyPScIYLyBNec5Y?si=74bcbf2766544a40

Helluin - Chapter 1.  Spring Rain (intro)

Something more traditional/folksy I've been chipping away at for a bit, struggling to flesh it out with more instrumentation. However, the more I listen to its currently bare-cupboard, acoustic vocals+piano arrangement, maybe it's simply *meant* to remain rough and rudimentary?

So please pay no attention to the little finger flubs here and there, and just let yourself get washed over by the orange waves of the Northumberland Strait, where I grew up and where my childish heart still beats.

***

Orange waves crash then go
Stealing sand with its ebb and flow
Holes dotting cliffsides' red clay
Where the swallows sleeping lay

Beyond green edge a homestead puffs away
Hurls hardwood smoke through cold blue
Rocking chairs paired, slowly rotting grey

Island smiles from across the way
Thin dark line splits Strait and sky
It flickers ghostly, hovers fey
Once Ile Saint-Jean, now PEI

Each flat stone we throw from the beach
With dreams to skip, perhaps to fly
All doomed to sink, the island never reached
Drowning jealous of the driftwood swimming by

As full moon flirts with blushing tide
Salt waters sink and sandbars swell
Before they change their minds and hide
I take their path to Mount Carmel

Beyond green edge a homestead puffs away
Hurls hardwood smoke through cold blue
Rocking chairs paired, slowly rotting grey

At Trois-Ruisseaux I wait for you
At Trois-Ruisseaux I wait for you
Trois-Ruisseaux

Orange Waves (acoustic rough)

We're very happy to present this next installment in the Land of Zed saga. Stonerjazz, Uziel and I began this imaginative, narrative concept album project last spring and have been adding to the story one song at a time. It's always an incredible experience to work with these two amazing artists!

Check out the whole story (so far) here: soundcloud.com/tea_are_sea/sets/land-of-the-zed

Vocals, vocal manipulation, lyrics, piano, composition of part 1 + transition, and more  by Uziel @user-455619833

Spoken word vocals, guitar, mellotron, composition of part 2, and more by Stonerjazz @user-911083679

Experimental/atmospheric synth elements, mix/production, and final arrangement by @tea_are_sea

The Mountains Thought the Moons Were Mad (Land of the ZED #5) - Uziel | Stonerjazz | tea are sea

Synesthesia is main motif for this song, first because of original lyrics, then as I felt like adding it more flavor with female vocals*, & finally when I recently watched some paintings about this matter**.

*Great vocal performance by https://soundcloud.com/maraoldfield is most notorious matter in this piece, where riffing parts toggle with bass-guided proggy ones.

**Due credits to https://soundcloud.com/wouwouandthewormling for ad hoc painting of the song’s artwork.

Letra  /  Lyrics:

QUIERO SABER SI HACE CALOR  /  I WANT TO KNOW IF IT IS HOT

En verano, insoportable,  /  In summer, unbearable,
todo está lleno de ruido.  /  everything is full of noise.
El invierno, silencioso,  /  The winter, silent,
que congela los sonidos.  /  which freezes the sounds.

No quisiera quedarme sorda  /  I don’t want to get deaf
sin saber cuándo hace frío.  /  not  knowing when it’s cold. 
No quisiera quedarme sorda  /  I don’t want to get deaf
para saber si hace frío.  /  so as to know if it’s cold.

Los días soleados  /  Sunny days
acompañan al estío  /  go along with the summer
y cuando llega el invierno  /  and when the winter comes
el cielo está oscurecido.  /  the sky is darkened.

No quisiera quedarme ciega  /  I don’t want to get blind
sin saber cuándo hace frío.  /  not  knowing when it’s cold.
No quisiera quedarme ciega  /  I don’t want to get blind
para saber si hace frío.  /  so as to know if it’s cold.

ER24CH04 ©1995 ®2015

Quiero saber si hace calor (Vocals by Mara​Oldfield)

Para Lia
Fire (My Chemical Imbalance)- with Fady on synth
from the album ‘Gone With The Flow’
paralia.bandcamp.com/album/gone-with-the-flow
Vinyl / CD / Digital

What's the story behind this  song and the album as a unit? Find it out: Visit the 3D virtual art exhibition, realized by SophisticatedApe, with the great work of Louis Renzoni and the music of Para Lia with a lot of background information here:
https://www.sophisticatedape.com/gone-with-the-flow-exhibition/
It is like an interactive visit in a gallery: Use your mouse and the left button to walk around, use the arrow keys on your keyboard or the W-A-S-D keys (forward, left, back, right, respectively). On mobile devices, touch and drag in the direction you would like to move. 


words and music by René Methner
mix and production: René Methner
mastering: Thomas Heimann-Trosien, TurnstyleMastering, Berlin
cover artwork based on Louis Renzonis '6th floor walk up'

Follow Para Lia on:
www.facebook.com/paraliamusic/
www.instagram.com/paralia.music/
twitter.com/para_lia_band

Head over to the awesome @fadysporz to listen to some wonderful indie gems! 

i don't know
where to go
where to flow
where myself has been

if i was
here with me
'now!' i'd say,
'now i'm free'
but i am somewhere else and out of reach

sometimes my mind games
keep me under control
there's nothing i could do
my chemical imbalance turns into
fire

i know the fire
it keeps me under control
it's never far away
it never takes too long, you know
one, two, here it comes
fire

everything is an up and down
everything is an up and down
all my me's are running up and down
everything is an up and down
everything is an up and down
i'm trapped by this
fire

Gone With The Flow

get the album

Fire (My Chemical Imbalance)- with Fady

(Don't follow me here, best on my main page ;)

Songs of life, love and other stuff ¯\_(ツ)_/¯
Rock-n-Roll Forever Forever Rock-n-Roll
 #RRFFRR

SaveMe

JoeLiberty

Recent comments

SANDERS

Donald Berkeley

Little Man

thommo 🎧

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SaveMe

JoeLiberty

Recent comments

SANDERS

Donald Berkeley

Little Man

*thommo* 🎧

Related tracks

thommo 🎧