ROCK'N ROCK'N ROCK 18 A bunch of fantastic ROCK songs from
some of the great Artist/Bands on Soundcloud & few of my own.

ROCK'N ROCK'N ROCK 018

AB Playlist 126 The latest songs from these fantastic Artists & Bands.

AB Playlist 126

Raindrops of Gratitude: Thanks for all your playlists and comments on The Shrike Pt. 1, Pt. 1!

ROCK'N ROCK'N ROCK 19 A bunch of fantastic ROCK songs from
some of the great Artist/Bands on Soundcloud & few of my own.

ROCK'N ROCK'N ROCK 019

Related tracks: No Tomorrow

CREATIVE DRAGONS WITH SUBMARINE BRUSHES

A 016

AB Playlist 128

A     048

Hope We Meet Again

#16 (Number 16)
Written, Performed, Produced & Mastered
by Andrew Borderick Copyright 2022 AB Music
A rock soundtrack inspired by a favorite Melbourne Band 'ROCKET SCIENCE'

#16 (Number 16)

PSYCHALOVIC SONIC ENERGETIC INDIE ROCK - MEETS CLASSIC

Don't miss the music video and give us a like and a follow on Youtube:
https://www.youtube.com/watch?v=2QCF2pa80-A

With: Andreas Jäpel (vocals)

Words And Music By René Methner, Recorded and Produced by Para Lia, Mix By Para Lia With Thommy Hein, Mastered By Thommy Hein In The Thommy Hein Tonstudios Berlin.
Cover Artwork By: Georgia Moschogianni @tzo-moschogianni
P&C 2023 PARA LIA UNDER EXCLUSIVE LICENSE TO ABOUT US RECORDS GMBH

'IN CLASH WITH THE ZEITGEIST' - The New Album - 25.08.2023
PSYCHALOVIC SONIC SONGS FOR LOVERS AND SURVIVORS
paralia.lnk.to/Clash

Follow Para Lia:
► Facebook: www.facebook.com/paraliamusic
► Instagram: www.instagram.com/paralia.music
► Tik Tok: www.tiktok.com/@paralia00
► YT-Kanal: www.youtube.com/c/paralia
► Website: para-lia.de/de/

good evening mr. perry, i hear you sing the blues
you are a bit down today, but don't forget
we always have been fools
like david versus goliath, we are limited but cool
we’re just an indie rock band
always on the loose
no record contract and no budget,
no plastic music to get fooled
killed by the radio drabness,
we were reborn in our multicolored shoes
our currency is passion, our brand is a distorted chord
we are not dealing with the mainstream
being authentic - this is what we are
don't let you down
and get off the ground
life is an opera
behind the curtain we all are stars
good evening mr perry, we understand the rules
we‘re just a niche product between all the glossy brochures
of the music industry
we won’t change our attitude
we’re just an indie rock band
always on the loose

Mr Perry

Franck Douvin joue sur une flûte PRIMA SANKYO Sayama en argent massif avec une embouchure en argent massif et cheminée en Or 9K "Faulisi" PARIS

- Spitfire Audio - LABS - Vintage Keys : The Seventy Three (Fender Rhodes)
- Spitfire Audio - Ólafur Arnalds Chamber Evolutions - Chamber Waves
- Spitfire Audio - BBC Symphony Orchestra Pro - Bassoon
- Spitfire Audio - Spitfire Appassionata Strings - Violins Legato
- Spitfire Audio - Albion II - HornEuph
- Spitfire Audio - Contemporary Drama Toolkit - Electric Cello
- Spitfire Audio - Contemporary Drama Toolkit - Combi Textural
- Spitfire Audio - Albion - Solstice
- Spitfire Audio - Originals Rare Flutes
- Spitfire Audio - Spitfire Studio Strings - Celli(6) Legato Performance
- Spitfire Audio - British Drama Toolkit - Alto Sax
- Heavyocity - Foundations Emotive Choir
- Arturia - CS80

Old Textures - Variation Avec Franck Douvin

tried this piano blues piece for you, as I did not post for years..hope you like. Love, Rina

Live Relexion#006

Walking on tundra
Written by TG August 2023
Inspired by my work in the Canadian Arctic, 1995-2000. 

Technical Details
Rhythm Guitar: Gibson ES 335
Lead Guitar: Fender Jazzmaster
Guitar Amplifier: Vox AC15….set as clean I can get it. 
Fender pedal board: Line 6 delay; Fender clean boost
Mics: a pair of Royer r10 ribbons for guitar 
Mic preamps: API 312
Mixer: API 24 channel summing mixer (8200/7800)
Stereo Bus processing (API EQ and API compressor)
Final mix down to a MARA MCI JH110 1/4inch 2-track at 15 ips using ATR Master Tape.

Walking on tundra

Midisound sent me this track for collaborating on , and it was so pretty i had to bite, go hear his AWESOME work :-https://soundcloud.com/sonido-reflexivo
Please enjoy my little ditty about going home from a long busy day at work , these words were formed on the cycle ride home i do every evening from the west end of London to the flat in Chelsea where i live.
Lyrics:-
Home
Where the heart is
Home
Where my mind can roam
The precious time i spend alone

When the working day is over
That's my favorite time , I'm going home
I like to be there on my own
I used to be a kind of rover
Being loud , those days are over
Home
I like to be here on my own

Midisound / winkandwoo 2023

Home

Home - Midisound & winkandwoo

My imagining of B's awesome track. 

The Original

https://soundcloud.com/belial-pelegrim/giant-bones-and-inscriptions-in-stones?si=c6c55ffbccc44a61887128c80d0ba225&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

Inscriptions In Stone

Inscriptions In Stone Belial Pelegrim ---- COtu RMX

written and performed by Jim Manser
production by Russ sinfield
watch the lyric video on Jim Manser youtube.com
https://youtu.be/FP3GEvRdm54?si=-b8zYplTqAzY_TW8

I wrote this song about a year ago and was inspired to write the music after my uncle passed away who was a big part of the 1960s underground and psychedelic music scene in london ,the hippies of that time would frequent a place called the ufo club where they would drop acid and watch such acts as the early syd barrett era pink floyd and many other upcoming music stars of that time.
This song is a bit introspective as well as all things must pass like the music it was an end of an era [jim 2023]

youtube

End Of An Era [watch the video on youtube]

D.T.3 -Whutt Up Doe

Original performances and recordings by Jessica Lowe @user-298062433
Reimagined by Boxy

[ d o w n l o a d a b l e ]

BOXY / RED POP - The Way Things Are MIX

Blammo

The vocals were tough, i just redid them, added some upper harmony, sounds a little better...

I feel a change that’s in the air
I hear music everywhere
An excitement that i feel 
beyond compare

I believe you feel it, too
And it's more than me and you
It's the start of something real
Something strange and true, 
  
Far away from the city life
now I'm not sure the reason why 
I was lost in my own wilderness
now the weight of the world is gone

And i want to thank you
I was lost until You shined your light  on me
You found me in the dark and you set me free 

For the refuge of your arms
For your love, safe and warm
And i want to thank you, thank you

Now we’ve been through the thick and thin
I won’t deny it or we defend
But we’ve shown how much we care
This will never end

Like darkness gives in to the dawn
We’ll have our day out in the sun
And a place to love and share
For people everywhere

A place where people understand
We all are brothers hand in hand
And our Salvation’s in our tenderness
and the weight of the world is gone

now the weight of the world is gone
And i want to thank you

Thank You

Project 20

This is the lead track from the set of songs that I began with Wou-Wou & the Wormling during the start of the turmoil and chaos brought upon by the pandemic. This is also the first part of four tracks within the album directly based on Wou-Wou’s comic, The Shrike. It has been incredible working with Bitzone and Stricknice throughout the project as well. It is always cool when the everyone in the stag heard works well togehter and brings distinct yet complimentary ideas to the mix. Big thanks also to Weighty Tree for introducing his groovy style of neopsychedelica to the rut! 

May everyone be victorious at their turn during the rut.

Track Credits:
The Weighty Tree: Guitars
https://soundcloud.com/theweightytree
https://theweightytree.bandcamp.com
Stricknice: Intro Guitars, Samples and Sample Work, Keys
https://soundcloud.com/j-nice-6
Bitzone: Drums, Orchestration, Mix, and Master
https://soundcloud.com/bitzone
www.bitzones.net
Wou-Wou & the Wormling: Reverse Guitar, Bass, Mellotron, Synths, Original Demo Track, Song Art
https://soundcloud.com/wouwouandthewormling
wouwouandthewormling.bandcamp.com
www.youtube.com/channel/UCy0rEOgxbaIcWbZZuxAKVmA
the Couch King: Lyrics, Vocals, Ending Samples, Production
https://musiciselation.bandcamp.com

Lyrics

Intro
Several weeks after the events of The Great Scurry, all had returned back to normal in the autumnal forest. Nature has a way of quickly shaking off the traumas of the past and returning to its most basic of desires. You see, all of life yearns to mate and procreate, and while most that experience defeat from the stronger or rejection from those seeking the fitter, muster the determination to get back up again, some take their spurning to heart, as if they were more deserving than nature intended, where it festers and begins to grow a new grotesque life of its own.     

Verse
Word 
Yo
As antlers crashed with the desperation of lust 
And the scent of musk in the air
I couldn’t help but take notice there
Was a sweet smell of autumn 
Carried in the gust 
Of wind  
It is a beautiful time of the year
When the does come into estrus 
And there is only one thing on my mind
I must get some of that behind 
I find
Times like these to be harbingers 
That linger
I could count times like these on my fingers
If I didn’t have hooves 
And wasn’t crashing to the ground 
With the sound of defeated dreams 
Of games of hard to get
And multiple days of getting wet 
I let the overwhelming excitement of rut
Get the best of me 
And now am crest fallen to see
The Doe that I thought was mine
Walk away with the buck that brought me down to the twines
Uh

The Shrike Pt. 1

The Weighty Tree, Stricknice, Bitzone, Wou-Wou & the Couch King - The Shrike Pt. 1

Now Christmas time is now passing and we are heading into a new year I would like to thank all of you who have taken your precious time to listen and support my music over the past year. I appreciate you all.

Music,arrangment,orchestration,mix and production :- Pablo

Christmas Passing

Starry Sky Melody

Taken from the upcoming debut full length album (planned to be released mid-2024 - "Rock and Roll Kills").
(p) & (c), 2024.
Youtube link: https://youtu.be/t5sGg8f5L50
-----------------------------------------------
lyrics:
I say let's get outta here, let'go where noone's near
and don't let fear reign on you

I say let's climb the highest mountains, let's drink from the holy fountains
and don't go back anymore

Don't take anything for granted, now the world's gone haunted
and this is what i say , from now on...


Grateful, not stranded
faithful like there's no tomorrow
ohhhhhh ohhhhhh

not dreadful nor abandoned
not shameful like there's no tomorrow
ohhhhh ohhhhhh

You got scared, trembling from fear
Like there's no one here, but you've got all that you need

material, this useless serial, your soul is imperial
don't let vanity make your demons feed.

Rock and Roll Kills

No Tomorrow

We wish all a Happy New Year 2024  🎈🎈🎈
If U Love Me feat. 2nick8
2nick8 Vocals and Lyrics:
https://www.looperman.com/acapellas/detail/21971/if-u-love-me-122bpm-pop-acapella
https://soundcloud.com/ds-nick
Paploviante:
E-Bass,Rhythm Guitar and Solo Guitar
Lillithe:
Wha Guitar, Beats, Synth, Jew’s Harp, Mix and Production

If U Love Me - feat 2nick8

TwentyFirstCenturyMedievalWorld

Yea I know it’s  better
Than it’s ever been before
With all the  technobabble things
That we all vie for 
Like wi-fi and internet
Google this and Uber that
And here’s one thing you can’t forget      
We’re still
In a twenty first century medieval world

Now apathy’s an atrocity
A plague on the society
Acceptance and obedience
Feeds the endless greed

Like billionaires in rocket ships
Carrots hanging from a stick
And here’s one thing you can’t forget  
We’re still
In a twenty first century medieval world
Medieval world

Solo

Genuflection
Masters of the Universe
By the grace of God
Oh Buck Rogers

One generation to the next
Ad nauseam
begone you old bad habits
So we carry on
To live a life without the threat
Of crazy wars or massive debt
And here’s one thing you can’t forget  
We’re still
In a twenty first century medieval world
We’re still
In a twenty first century medieval world
medieval world
med-ie-val-world

TwentyFirstCenturyMedievalWorld Redux

Boxing Day

Thanks to Grace for harmonies.

Hey you, with your mask and your MP3,
where d’you think you’re going to?
I got someone I got to see,
maybe too good to be true.

Hold on, 		        just a little bit longer
Reach out, 		just a little bit further
Head down, 		in the overhead crossfire
Fading with the evening

Hey, with your bed on your shoulder pack, 
when d’you think you’re coming home?
I just need to get back to my love,
been too long alone

How long, 			when you com’in back kid?
Head strong, 			you’re radioactive
Done nothing wrong,	I wish you’d come back now
You broken rolling stone

Hey, you, with your style and your different friends,
with your new name, what d’you think you’ve done?
I’m in between two places,
don’t belong in either one.

Long time, 		searching for obscurity
Maybe 		        a little bit traumatized
Seems like 		all the time she knew me
Searching for a sign
Shining 		        blue and green beryline
Coming home,		maybe Sapphirine
She smiles,		she smiles like you’ve never seen
I wish I was there

Aquamarine

Another track inspired by Asimov's Foundation trilogy. 
Arcadia: 14 years old, infuriatingly single-minded, impulsive and a stowaway. Cool character.
The artwork is from Pinterest; unfortunately, I couldn't find a credit.
I played the lead guitar parts on a PRS Santana Custom. The heavier backing is a Fender Jazz Bass through a modern amp.

Arcadia

Last Submarine Home

Buy HD

Texte Français et Google Translate

CROYONS EN NOUS

Un peu de sens bien réaliste
Quand on y pense, tout çà existe
Cacher ses maux, ne pas les vivre
Regarder haut  çà nous enivre.
Un peu d’amour, rien qu’une larme
Se faire des jours posant les âmes
Seront t’ils beaux, fera t’il sombre ?
Dans chaque haut, il y’a une ombre.
Un peu d’argent juste ce qu’il faut
C’est indécent d’en avoir trop
Les coins de rue montrent la misère
Des homme perdus sans rien y faire.

Croyons en nous, croyons-y fort
Voyons le bout, et puis d'abord
Restons debout, au mauvais sorts
Pas à genoux, une fois encore.
Dans un mal fou prenant nos corps
Prendre des coups sans avoir tord
Pensons à nous une fois encore.
Un point c'est tout et puis alors.

Un peu de rêve, des brins d’espoirs
Que rien n’achève pour mieux y croire
De l’utopie plus que raison
Entendre oui plutôt que non.
Un peu de chance, des coups de pot
Quand çà avance sont jamais trop
Un p'tit bonheur c'est bon à prendre
Et le meilleur c'est beau à rendre.
Un peu d'oubli sur l'importance
Prendre la vie comme elle avance
A chaque trou il faut remplir
Et jusqu’au bout bien se le dire.

Croyons en nous...

LET'S BELIEVE IN OURSELVES

A bit of realistic meaning
When you think about it, it all exists
Hide your pain, don't live with it
Looking up high intoxicates us.
A little love, just a tear
Have days resting the souls
Will they be beautiful, will it be dark?
In every top, there is a shadow.
A little money just enough
It's indecent to have too much
Street corners show misery
Men lost without doing anything about it.

Let's believe in ourselves, let's believe in ourselves
Let's see the end, and then first
Let's stay standing, bad luck
Not on your knees, again.
In a crazy evil taking over our bodies
Take blows without being wrong
Let us think of ourselves once again.
Period, that's all, so what.

A little dream, a bit of hope
That nothing ends to better believe it
Utopia more than reason
Hear yes rather than no.
A little luck, pot shots
When things progress, there are never too many
A little happiness is good to take
And the best part is beautiful.
A little forgetting about the importance
Take life as it goes
Each hole must be filled
And until the end, say it to yourself.

Let's believe in ourselves...

A little peace would be good
But we don't know what tomorrow is
A white flag slung over one shoulder
By slandering all the troubles.
A little emotion, which takes to the heart
Heat the cold for the best
Can do good in the spirit
Because for everyone nothing is written.

Let's believe in ourselves, let's believe in ourselves

CROYONS EN NOUS

https://soundcloud.com/windscaleblues: flute x10; clarinet x6; tenor sax x3; soprano sax x2; alto sax; bamboo flutes x2; oboe; synth; beats (Inspiring original track https://soundcloud.com/windscaleblues/cryptoblues).
RUIZZOIDMAN: lyrics, vocals, guitar.

VENTOSO BLUES A LA PRADERA  /  WINDY BLUES FOR THE PRAIRIE

Pradera, salgo de viaje,  /  Prairie, I go on a trip,
te dejo aquí prisionera.  /  I leave you prisoner here.
Salgo sin prisa, pradera,  /  I leave without hurry, prairie,
seca de hierba salvaje.  /  dry from wild grass.
Dejo este bello paraje,  /  I leave this beautiful place,
este río y su ribera,  /  this river and its bank,
atrapados en la espera  /  trapped in the wait
de recibir su folaje,  /  to receive its foliage,
su frescura y su coraje  /  its freshness and its courage
verde de la primavera.  /  green of the springtime.

Este tren que con seguro  /  This train that with confident
traqueteo de ti me lleva;  /  rattling takes me away from you;
surge el humo de su cueva  /  the smoke arises from his cave
ensuciando tu aire puro.  /  polluting your pure air.
Ya la vía, acero oscuro,  /  So the railway, dark steel,
ya la vía es la prueba,  /  so the railway is the proof,
ya la vía, nieve o llueva,  /  so the railway, may it snow or rain,
debil tú, el acero duro,  /  weak you, the steel hard,
tú la brisa, él el muro,  /  you the breeze, it the wall,
tú la suave, mi pradera.  /  you the soft, my prairie.

De tus flores, la frescura,  /  From your flowers, the freshness,
quieren apagar el fuego  /  they want to extinguish the fire
de la marcha, y así luego  /  of the pace, and so then
mantener fragancia pura,  /  maintain pure fragrance,
mas es tal tu desventura,  /  but your misfortune is such,
tal fuerza del enclavado  /  such strength of the interlocked
metal, que te ha fallado  /  metal, that has failed you
tuya la verde dulzura  /  yours the green sweetness
bajo la realidad dura  /  under the harsh reality
de los rieles plateados.  /  of the silvery rails.


Pic from https://www.thoughtco.com

Ventoso Blues A La Pradera (with The Windscale Blues Experiment)

Gear / Paploviante 
Paploviante: Bass, Composing, Arrangement, Mix, Picture and Mastering 
BPM 120
Free Download

Gear - Paploviante

Come with me. To a place beyond imagination. Free from everything that keeps you inside yourself. Explore far and wide. Scale these lands and reap the rewards of infinite happiness. Until the end. Always the end.

These feelings are heaven sent. Putting your soul to rest. A longing for fulfillment, finally met. Follow the light for it will guide. Yearning no more, you're now in your stride.

Until The End

Day of the Dragon

Lyrics by Tony Harris
Vocals, Music & Mix by Glen Granthem
Poem that inspired Glen is listed below.

WOKE UP THIS MORNIN'	
THE SNOW WAS FALLIN'	
ICE WAS ON THE WINDOW	
CHILL FACTOR WAS TEN BELOW 	
	
I HAVE NOWHERE TO GO	
WHY WORRY ABOUT THE SNOW	
HAD A GOOD NIGHT'S REST	
I KNOW I'VE BEEN BLESSED 	
	
(CHORUS)	
AS I LOOK AT THE SNOW ON THE LAWN	
ANOTHER YEAR HAS COME AND GONE	
WE ALL HAVE SOME UPS AND DOWNS	
AS THE WORLD GOES ROUND 	
	
I HAVE A ROOF OVER MY HEAD	
AND A WARM COZY BED	
SHOES ON MY FEET	
AND PLENTY TO EAT	
	
LIFE IS VERY SHORT, MY FRIEND	
WE NEED TO ENJOY IT TO THE END	
GIVE SOMEONE A HELPIN' HAND	
YOU WILL BE BLESSED, IN THE END 	
	
(REPEAT CHORUS)	
	
2024 ©Lyrics by Tony Harris

Ups and Downs - Collab by Tony and Glenny G's One Man Band - Original

Cast of Characters:
mistermark-- @user-432503709 -- Mark--sax (VST), organ, tremolo guitar chords (synth), harmonica, composition, production, mix
Mysterious Decibel--@themysteriousdecibel --MD—lyrics and primary vocals

TexMex Shaman–@texmex-shaman –Stephen– second electric guitar solo, and mastering

J.J. Terrell–@j-j-terrell –piano and electric piano

K2 and the Three [and the Four]--@k2andthe3, @k2-kara -–Ken–drums and percussion

Entheogenic Psychonaught (Josh Clary)–@josh-clary-1 –-four string fretless bass, first electric guitar solo, rhythm guitar comping 



This is a song started when Mark came up with its architecture, recorded in a  slower, more laid back version on his own. However, he wanted a more souped up version with solos in turns. So, he turned to The Eclectic Collective to fill in the pieces. He originally had solos in all the parts which he laid down on the keys, and he had some lyrics, too. However, once he heard The Mysterious Decibel's excellent lyrics and vocals, the song totally changed the direction and the vibe, for the stellar. 
  But MD didn't start the whole thing. As happens sometimes, even without Tez on this one, we still needed to clear out some space to let everyone have their say. So, Mark went in and lengthened the song mechanically. Once we had a final form, Ken, as always, came up with the foundation for the song, allowing Josh to add his version of Mark's bass line. Then, after MD gave us the vocals to form the song, we got down to adding the solos. JJ first added his thrilling opening piano solo, as well as the electric piano solo right after the first verse, which Mark is also playing a VST sax solo in, as well. Then I added my guitar solo, which is the first of the two, with a very clean tone. Right after that, Stephen added his fiery solo, which follows right after with a more overdriven tone. Finally, Mark stepped back in and added his killer harp solo at the end. Of course, it needed to be mixed and mastered well, too, so we turned to both Mark and Stephen for those important roles, once again, which they fulfilled expertly.  
  This past Tuesday, we released a fun little series of interviews over a compilation of some of our favorite musical moments. If you want to hear our voices and some of our thoughts about music, check it out. I realize it's a big ask at twenty minutes, but you might really enjoy it, especially if you follow us, and have been for a while. It's a celebration of all of our work over the past almost year together in various forms. This song was supposed to be a showcase of all of our skills, except Tez isn't in on this one. He'll be on the next one, though, for sure.
  We hope you enjoy this jazzier side of the EC as much as we enjoyed making it. MD's lyrics are about a psycho killer artist who hides clues about his murders in his paintings. 
Original Lyrics by The Mysterious Decibel:

Some might say he's crafty and planned.

With a shade of black and a brush in his hand
Some might say the world is his oyster
But no Pearl lays inside just a conjuring blur

He'll paint you a murderous scene
With the blending of  sin all between pigments of green
He's a shady fella Who hides behind the canvas!
I spy something with my little eye
This art might show just where he died

Will you find it?
The secret
Some freak shit
are you so sure you'll really wanna Keep it ?
The secret
Are you so sure you'll really wanna keep it?
Ahhh a little secret
Are you so sure you'll really wanna keep it?
It'll haunt your mind like it does him too
He's a swifty one he'll come for you!
The secret
The secret
The secret
Are you so sure you'll really wanna keep it?

I spy something with my little eye
This art might show just where he died

His art might show
might show
might show
just where he died

A Brush With Death (Eclectic Collective with The Mysterious Decibel)

INNOVATIVE AND CREATIVE
Lillithe: Music, Mix and Production
Vocals and Verses: IPG1
https://soundcloud.com/ipg1/innovative-and-creative-vocal-96-bpm

Innovative And Creative feat. IPG1

Loving You 66 Minutes Every Hour

Lyrics:
Oh my days
When will we begin
To see that change
Has started
Started from within

The human race
Is so divided now
What will it take
To bring us
Bring us back to base

Into the future
Into the time of love
Into the future
Bring us all back to love
Into the future

It never ends
The governments that war
Whereas the people 
Don't want it
Don't want it anymore

Who are they
To say that we should fight
Those powerful leaders
Betray us
Betray us day and night

Into the future
Into the time of love
Into the future
Bring us all back to love
Into the future


winkandwoo 2024

The Future

Ein kleiner Moment außzeit Habt viel freude beim Hören

Moment

The Border Express
Andrew and Mike doing this instrumental tune.
I sent Andrew over a bass & drum track and told him to put some guitar tracks down.
And then he added some organ and did all the mixing & mastering.
I hope you all enjoy it as much as we do.
Andrew Borderick Guitar & keys mixing & production.
Mike Gabriel Bass guitar & Drums.

.© MCG Inc 2024

AB MASTERED SONGS

THE BORDER EXPRESS - Andrew Borderick & Unguided Express

Written and produced by Deep Sky Musics
Vocals: Lyrics written by DSM, singer: Nebura
Master: DSM & noregrets

it's all for you....
💚

Memories of Heaven ft. Nebura

Art Expressed in Music – Dali's Eccentricity, Feat. Belial Pelegrim
March 2024
Duration: 3:30
Listen to the Playlist: soundcloud.com/bruce-klepper-1/sets/art-expressed-in-music-i
Painting:  The Persistence of Memory
Bruce Klepper: music composition with melting clocks (“soft watches”) and sound effects
Belial Pelegrim: sound design
Listen to Belial's brilliant electronic music: https://soundcloud.com/belial-pelegrim
John-Marc Ventimiglia: tool to create the melting clocks (“soft watches”), gliss and panning tools, Dali sound clips Visit: https://soundcloud.com/john-marc-ventimiglia
Salvador Dalí (May 11, 1904 - January 23, 1989) was a Spanish surrealist artist renowned for his technical skill, precise draftsmanship, and the striking and bizarre images in his work. Born in Figueres, Catalonia, Spain, Dalí received his formal education in fine arts in Madrid. Influenced by Impressionism and the Renaissance masters from a young age he became increasingly attracted to Cubism and avant-garde movements. He moved closer to Surrealism in the late 1920s and joined the Surrealist group in 1929, soon becoming one of its leading exponents. His best-known work, “The Persistence of Memory” was completed in August 1931, and is one of the most famous Surrealist paintings.  “The Persistence of Memory” epitomizes Dalí's theory of "softness" and "hardness", which was central to his thinking at the time. As one art historian wrote: "The soft watches are an unconscious symbol of the relativity of space and time, a Surrealist meditation on the collapse of our notions of a fixed cosmic order". This interpretation suggests that Dalí was incorporating an understanding of the world introduced by Albert Einstein's theory of relativity.  In August 1929, Dalí met his lifelong muse and future wife Gala, who was a Russian immigrant ten years his senior.  Dalí and Gala lived in France throughout the Spanish Civil War (1936 to 1939) before leaving for the United States in 1940 where he achieved commercial success. He returned to Spain in 1948 where he developed his "nuclear mysticism" style, based on his interest in classicism, mysticism, and recent scientific developments. Dalí's artistic repertoire included painting, graphic arts, film, sculpture, design and photography, at times in collaboration with other artists. He also wrote fiction, poetry, autobiography, essays and criticism. Major themes in his work include dreams, the subconscious, sexuality, religion, science and his closest personal relationships. His eccentric and ostentatious public behavior often drew more attention than his artwork. In 1968, Dalí bought a castle in Púbol for Gala, and from 1971 she would retreat there for weeks at a time, Dalí having agreed not to visit without her written permission. His fears of abandonment and estrangement from his longtime artistic muse, Gala, contributed to depression and failing health. In 1980, at the age of 76, Dalí's health deteriorated sharply and he was treated for depression, drug addiction, and Parkinson-like symptoms, including a severe tremor in his right arm. Dali was obsessed with death. Feeling that any every moment he needed to be alive. At the end of his life, he is quoted as saying he was eccentric because he needed to show that he was alive as versus his brother who died very young and his family always referred to him as his brother. On the morning of January 23, 1989, Dalí died of cardiac arrest at the age of 84. He is buried in the crypt below the stage of his Theatre- Museum in Figueres. 
For strings, flute, trumpet, trombone, virtual instruments, sound effects and percussion.

Art Expressed In Music - Dali's Eccentricity, Feat. Belial Pelegrim

Temple Of Sorrow ( Dj Santi Fabian Remix )

Once I wrote a longer description here: a love song in 7/4 ¿or 14/8?

Silvia II (Lo que siento por ti) /  Silvia II (What I feel for you)

Es de difícil clasificación  /  It is difficult to be classified
dentro de las variedades del amor  /  among all varieties of love
lo que siento por ti, lo que siento…  /  what I feel for you, what I feel …

Sólo sé que no puedo vivir sin ti,  /  I only know I can’t live without you,
no puedo ver sentido a mi vida si no estás aquí.  /  I can’t find sense to my life if you are not here.
Lo que siento por ti, lo que siento…  /  What I feel for you, what I feel …

Cuando todo va bien  /  When everything goes fine
lo que me une a ti es tu forma de ser,  /  what joins me to you is your way of being,
es muy fácil ver  /  it is very easy to see
todos tus encantos de mujer.  /  all your woman's charms.

Una idea que no puedo soportar  /  An idea that I cannot bear
es verte en brazos de otro, en otro lugar.  /  is seeing you in other one’s arms, in another place.
Lo que siento por ti, lo que siento…  /  What I feel for you, what I feel …

No puedo imaginar  /  I cannot imagine
tu voz susurrando a otro compás.  /  your voice whispering to another compass.
Lo que siento por ti, lo que siento…  /  What I feel for you, what I feel …

Cuando algo va mal,  /  When something goes wrong,
puedo contemplar tus defectos con claridad.  /  I can behold  your faults with clarity.
Cuando algo va mal,  /  When something goes wrong,
sólo quiero escapar a otro lugar.  /  only I want to escape to another place.

Grab it !!

Silvia II (Lo que siento por ti)

Ste van Horne (lyrics, all vocals) Mike Cliffe (guitars, music)

BIRTH OF AN EMPIRE - Ste van Horne and Mike Cliffe

Track from the remixes pack of the Alex Cortiz classic 'Barfly'

Available on all downloadplatforms and streaming-services worldwide.

Barfly (remixes)

Barfly - (Slo-Fi Mix)(long preview)

Child in Time Instrumental Cover
Cover „Deep Purple“ Child in Time
Musik and Production Paploviante 2020
One of the best from Deep Purple

Child In Time - Cover

THE SONG WITH NO NAME
Written, Performed, Produced & Mastered
by Andrew Borderick Coptright AB Music 2021
https://www.youtube.com/watch?v=I9wTEzWb6-E

WHEN WILL THE DAYLIGHT COME
THERE'S NO MORE SKY LIVING INSIDE
WHEN WILL THE LIGHT COME ON
WHEN YOU GET HOME   A FLASH OF LIGHT

BUT LIFE WILL PASS US BYE
AND NEVER SAY GOODNIGHT
NO KEY TO THE OTHERSIDE

WHICH WAY DOES THE RIVER FLOW
IT'S LOOKING REAL DRY EXCEPT WHEN I CRY
THE MOON AND THE SUN WILL RISE
AND EVERYDAY   THEY CALL YOUR NAME

A LIFE OF RIGHT AND WRONG
A NEVER ENDING SONG
NO KEY TO THE OTHERSIDE
(Break)
THE TICKING OF TIME GOES BYE
THE MEMORY LANE IS FADING AWAY
THE WAVES ARE ALL CRASHING DOWN
AND EVERYDAY HAS NO NAME

SO LIFE WILL PASS YOU BYE
THE PUNISHMENT FITS THE CRIME
NO KEY TO THE OTHERSIDE

THE SONG WITH NO NAME

THE SONG WITH NO NAME (see info for video link)

Songs of life, love and other stuff ¯\_(ツ)_/¯
Rock-n-Roll Forever Forever Rock-n-Roll
 #RRFFRR

TwentyFirstCenturyMedievalWorld Redux

JoeLiberty