Oh wow, very surprising production from you, love the ingenuity. :D

Interesting track, very original and different from what you do. Brilliant.👍

Du wirst noch zum Techno mixer 👌🤗👍🗯

Wow! Another fascinating experimental (and beautifully produced) organic creation. Followed your directions from the comments in 'paper beat'. These are truly beautiful percussive sounds. (I can't go for a walk to the beach without bringing home one of the myriad volcanic pebbles around here.)

cooler groove - shoobidoo - ziemlich stoned sozusagen:-)

Two different narrow slate plates, recorded with a contact microphone, one after the other in separate layers and additionally two vst drum loops. Of course, it's the effects that make it interesting :-) ... photo: Razvan Dumitrasconiu, unsplash

Lithophone

⚡️ 577.000  ⚡️ plays since 2013*
https://www.youtube.com/@joerxworx7299
___ Drumax PROJECT with @docfritz
___ the Lunatics project with @cosmic-ratzzz
A playlist of collabs which should be updated :-))
https://soundcloud.com/joerxworx/sets/joerxworx-collabs-the-big
.......... band/jam cloud: https://soundcloud.com/pland-jammin
.......... my old account: www.soundcloud.com/joerxtune
.......... Also on https://hearthis.at/joerxworx-8v/
My bio (to copy) written by me in the third person :-)
"Jörg S. born in Cologne, from youth on, is fascinated by all kinds of art, so he taught himself the saxophone very early. Nowadays flutes of all kind are also part of the equipment, as are jaw harps, percussion, bass, guitars and keyboards.
He was and is always involved in many band projects and session events.
In the 80s he was a saxophonist in the Adam Noidlt Intermission Orchestra with gigs in Berlin, Cologne, Düsseldorf and Basel. Very early on he also worked as a writer with live readings in the Cologne area and was a painter with large formats for many years, all in addition to his job as a graphic designer. Now, retired, he is devoted solely to music: home recording with the platform of choice, Soundcloud and global collaborations."

*32K before 2016

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