Name: Spring by joerxworx
Duration: 2 min 54 s
Description: .... many synths & a bit of keyboard playing - no use of samples; only my drum vst comes with some ready patterns ;-) enJoy ! ...... photo: Arno Smit, Stockholm on unsplash

Just the right vibe - and it’s a lovely spring day here in Wales 😎

Really like the flow of the rippling piano and synth lead...

I'm ready...fresh, breezy beat and mood! Big like:)

Experimenting/unfinished demo

A piano composition, either to be played by two pianists, or by one pianist with four arms.

Part of a new album I've been uploading, featuring compositions written over the last several months of 2021. If anyone can pinpoint what all of these compositions have in common, musically-speaking, put it in the comments - there was a concept tying everything together but I'm not going to reveal what it was unless if someone figures it out on their own.

Cover art created using NeuralBlender.

This album is going to be called "Prohibited Topics," a tribute to the textbook authors and teachers whose work is being disrupted by right wing efforts to stifle education about racial disparity and structural racism in the US.

Prohibited Topics

21 7 23

J-The Groovy Dolphin

Original electric Guitar mix with original vocals and all mixing and Mastering from me.
All Modeling and Photography from me.

Lyrics:
I keep it Freaky.
I said I like it Freaky, yeah!
Oh, don’t you know?
I’m walkin' straight along my own avenue.

These streetlamps are like stars in the sky
This shade ain’t nothin’.
Oh, I said I like gettin’ Freaky like la French Kiss.
Don’t you know, don’t you know? Oh, yeah!

Oh, yeah I said keep it Freaky.
Don’t you know, don’t you know?
Do you know a freakin’ thing about me?
Yeah, Freaky like la French Kiss!

Remix of original track https://soundcloud.com/cirquedupsychology/777a

Freaky

Red Dragonfly

F-Get The Guitar Out!

Picture by Inaklick: https://www.flickr.com/photos/inaklick/4379014213/in/set-72157623891790703/

Skarp I Kantene

Method: Layering, as usual
Narration: The poem is what it is.
Picture: This is part of my original illustration for the 'tiny inclusions' series of poems this one belongs to. 

Poem / copyright jo richter:
(as published in: Tiny Inclusions, in: Auslegpapier)

She kept wondering
what might have happened
to that ring she used to wear.
She can still feel its tightness
when tracing the bone in her finger.

There had been some other life,
one she cannot remember.
Traces it of it surround her
like finds on an archeological dig.
She sometimes receives calls from strangers.

The other day, she must have held
a tiny, breathing something in her arm,
caressing it with affection.
Was it a kitten? She cannot detect
any litter in her home.

Right now, she can't help counting
down the letters in the alphabet.
Nothing adds up. Therefore, the fault
lies either in the faultlines between the numbers
and the letters or it is
her turn to vanish.

lapses

Lapses

The time we are given in this life is the crosswalk of our crossing. This song is part of the Mediterrâneo sequence.

PASSADEIRA

Parei o carro, que a passadeira é para parar.
Principalmente quando é um velhinho a atravessar.
Tremem-lhe as pernas, na tentativa de acelerar o passo minúsculo.
E eu até duvido que ele vá chegar ao outro lado,
a qualquer rua, a qualquer lugar.
Falta-lhe o tempo num mundo feito para circular.
E ele sacode o corpo, na tentativa de me acenar,
a agradecer-me a paciência do meu esperar.
E fez-se tarde, e eu vou ter mesmo que acelerar nesta viagem,
rumo a um futuro crepuscular,
que cruza a estrada de um deus que espera sem me apitar,
porque a minha vida vida é a passadeira do meu passar.

E fez-se tarde no meu passar.
Tremem as pernas no meu passar.
Tropeça o passo no meu passar.
E Deus à espera... 
É a passadeira do meu passar.

CROSSWALK
I stopped the car, the crosswalk is there for me to stop.
Especially when it's a frail old man crossing.
His legs tremble, in an attempt to accelerate the tiny steps.
And I even doubt he'll make it to the other side,
to any street, to anywhere.
He's short of time in a world made to circulate.
And he shakes his body, trying to wave at me,
to thank me for the patience of my waiting.
And it's getting late, and I'm really going to have to speed up on this trip,
towards a twilight future,
that crosses the road of a god who waits without horning at me,
because my life is the crosswalk of my crossing.

And I'm getting late in my crossing,
my legs trembling as I cross,
my steps stumbling as I cross.
And God just waiting for me,
because it's the crosswalk of my crossing.

Passadeira

.... many synths & a bit of keyboard playing - no use of samples; only my drum vst comes with some ready patterns ;-) enJoy ! ...... photo: Arno Smit, Stockholm on unsplash

Spring

Pursue Me

Thanks so much for 438K plays since 2013 !!!*
https://soundcloud.com/charts/new?genre=all-music&country=all-countries
___ https://www.drumax-project.de
___ Drumax PROJECT with @docfritz / https://oesj.eu/drumax
___ the Lunatics project with @cosmic-ratzzz
A playlist of collabs which should be updated :-))
https://soundcloud.com/joerxworx/sets/joerxworx-collabs-the-big
.......... band/jam cloud: https://soundcloud.com/pland-jammin
.......... my old account: www.soundcloud.com/joerxtune
.......... Also on https://hearthis.at/joerxworx-8v/
Jörg S. born in Cologne, from youth on, was fascinated by all kinds of art, so he taught himself the saxophone very early. Nowadays flutes of all kind are also part of the equipment, as are jaw harps, percussion, bass, guitars and keyboards.
He was and is always involved in many band projects and session events.
In the 80s he was a saxophonist in the Adam Noidlt Intermission Orchestra with gigs in Berlin, Cologne, Düsseldorf and Basel. Very early on he also worked as a writer with live readings in the Cologne area and was a painter with large formats for many years, all in addition to his job as a graphic designer. Now, retired, devoted solely to music: home recording with the platform of choice, Soundcloud and global collaborations.

*32K before 2016

Spring

joerxworx

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