W8 4ME

Chillout

Sounds for the crown

Zenstep

Joey Fehrenbach

Qadafee's soundcloud:
https://soundcloud.com/qadafee

Binod Katuwal:
https://www.youtube.com/channel/UCSLPg--3m41JPZh7EgiYuiA
https://www.facebook.com/binodflute

Image by Emmanuel Shiu:
http://www.eshiu.com/

Qadafee - And Again (Zenstep Remix)

Pre-order ‘Mechanical Bull’ on iTunes and get new track ‘Wait For Me’ instantly. Order here: http://smarturl.it/MechanicalBull?iqid=scw

‘Mechanical Bull’ out 9/24 (US) / 9/23 (UK)

www.kingsofleon.com

PRE-ORDER ON ITUNES

Kings of Leon - Wait For Me

I just found this lost demo. This was the first draft of the song that later became Untouchable. This was the version I sent over to Vi Flaten to see if it was something she'd like to contribute vocals. You can hear my original guitar part that she later turned into her vocal melody. 
FREE DOWNLOAD! :)

Untouchable (Studio Demo)

from Exist EP
Music Written by Planet Boelex & Mosaik
Mastering by Christopher Leary at Melograf Mastering

Planet Boelex & Mosaik - Space Walrus

Riding on the clouds.

00:00 Naibu (Om Unit Remix) - Decay
03:50 Synkro - Echo Festival Mix (Zenstep Mix)
06:20 Sorrow - Sweetheart of Kairi E.P
09:05 N4M3 - Magic Leaves For Pleasure By The Moments EP
13:40 Blu Mar Ten - All Or Nothing (Fracture Design Remix)
16:25 Sorrow - 1+1 & aether
18:30 Sorrow - Elixer
22:40 Sorrow - Chronical
24:00 Synkro & Indigo - Guidance
28:00 Tycho - Cloud Generator (Selerac Remix)
32:00 Quartz - Every Last Breath
36:25 Ivy Lab - Afterthought feat. Frank Carter III 
38:24 Owsey & CoMa - Imagine That
42:38 Cosmo's Midnight - Won't You Stay (feat. JaysWays)
44:57 Sorrow - Gallows Hill 
47:36 James Zabiela - Paradigm Shifts 1 & 2 (Zenstep Mix)
50:13 Koda - Labyrinth
53:54 Qadafee - And Again (Zenstep Remix)
57:00 Sorrow & Shura - Thinking Of You

Image by Snobbyoo:
http://snobbyoo.deviantart.com/

"Cloudborn" Mixtape

elpirri - PsyYoga
=============

Se agradecen mucho los comentarios en las pistas, la difusión y el soporte.
Así que sientete libre de comentar, repostear o pulsar los botones "like" o "follow", si te gusta lo que suena...
;)

Much appreciated the comments on tracks, diffusion and support.
So feel free to comment, repost or press the "like" or "follow" buttons, if you like what sounds...
;)

Tracklist:

01. Dead Can Dance - Monk With Bell + JemInEye - Warrior of Light (extracto)
02. School Of Crystal Healing - Nature Of Green
03. Carbon Based Lifeforms - World of Sleepers
04. Healer - Apnea + Omar Faruk Tekbilek - Mystical Garden
05. Aes Dana - Aftermath # 06
06. Psy-Baba - Umi no Sekai
07. Audraulic - Elysium + Dead Can Dance - Monk With Bell
08. Ishq - As starlight shining bright + Lyght
09. Healer - Resonate Within
10. Frost-RAVEN - Infected Trench
11. Desert Dwellers - Cave Dwellings
12. Siyanie - Spaceship Human Body
13. Aes Dana - Antimatter (Ante)
14. Siyanie - Evolution Tracery
15. Aes Dana - Xylem
16. Perfect Blind - Ethernion II
17. Solar Fields - Combination
18. Solar Fields - Polarity
19. Aes Dana - Aftermath # 01
20. Flict - Explorers

elpirri - PsyYoga (música para Levitar) DJset

FREE DOWNLOAD - https://www.facebook.com/pages/Joey-Fehrenbach/47353499155?id=47353499155&sk=app_220150904689418

Tylam - Blizzard (Joey Fehrenbach Remix) FREE DOWNLOAD -see comments

Nuxx - Jupi

Taken from the Deluxe Edition of Dido's Greatest Hits, out 25th November.

White Flag

Buy from iTunes

Dido - White Flag (Timbaland Remix)

Taken from the alum 'Goodbye'.

How to describe Ulrich Schnauss's music? Let's see. It's shoegazing heroes. Slowdive headlining a rave. It's krautrock plunging headlong into the celestial raptures of the Cocteau Twins. It's U2 if Brian Eno had ousted Bono and commandeered the band in 1985. It's Balearic with a view of the Baltic instead of the Mediterranean. It's art-techno for the heart as well as the head. It's stadium chillout, as immense as a festival field and as intimate as a bedroom. It's celebration and catharsis. It's vapour trails and meteor showers. And it's very, very good.
 
So far, the quietly spoken German who creates this music has operated beneath the radar. His first two albums, 2001's Far Away Trains Passing By and 2003's A Strangely Isolated Place, worked their way into record collections by stealth. People heard tracks played by Rob Da Bank or Tom Middleton, or chanced upon him on stage at the Big Chill or Bestival, or heard about him from friends. However they discovered him, they were hooked. XFM's Lauren Laverne called A Strangely Isolated Place "a life changer everyone I have forced to buy it loves it."
 
Ulrich's third album, Goodbye, is his first for Independiente. It is also the end of a chapter in his sound. "I see these three albums as moving closer to something I wanted to do right from the beginning but didn't quite manage," he says. "Merging songwriting and indie elements with electronic music. I've tried to take all the ideas to the maximum."
 
So the ambient tracks are more spacious, the songs more memorable, the multi-layered, guitar-heavy tracks more ragingly psychedelic. Just listen to the obliterating rush of Medusa, or the cloudbusting dream-pop of Stars (performed by long-time collaborator Judith Beck). At times, there are over 100 different audio tracks playing simultaneously: a tower of song. No wonder Goodbye has taken three solid years of in the studio.
 
If Ulrich hailed from somewhere less boring, things might have been different. Fortunately, he was born in 1977 in Kiel, an unprepossessing city on Germany's Baltic coast best known for its naval base. It seemed to the young Ulrich as if everything important was happening elsewhere.
 
He explains, "I was talking to Andrew Sherriff from Chapterhouse and he told me that being from Reading had a significant influence because the place was so shit that you had to create beautiful music to get out of that state of mind. I'd say the same thing for me. Kiel is probably the most boring, ugly place in the world. The whole city is grey concrete. Places like that inspire you to create something that elevates you out of reality for a few minutes."
 

Bands didn't tend to play in Kiel, but at least the NME arrived regularly at the train station, albeit four weeks late, and the british forces radio station was good. Around 1990, Ulrich discovered electronic music and shoegazing simultaneously: the Orb alongside My Bloody Valentine, 808 State next to Ride, Shades Of Rhythm beside Slowdive. He also followed up every artist namechecked by LFO in their 1991 single What Is House?: Brian Eno, Tangerine Dream, YMO His core ideas about music were forged there and then.
 
"For me that was the magic of those days," he says. "You couldn't say if a band was electronic or rock. I'm not interested in purist ideas. I like it when things you don't expect merge and mix and something new comes out of it."
 
And because he never got to see his heroes in the flesh, they maintained an aura of mystery and wonder. "You make up your own idea of how things are. For me that whole early '90s scene was something I imagined, like a fairy tale - an alternative reality to what I was experiencing."
 
Ulrich worked as a psychiatric nurse as part of his national service. After that, he moved to Berlin, where he tried in vain to become accepted by the electronic scene. "I felt really isolated. I desperately tried to integrate but it just didn't work. I was trying to marry what I wanted to do with what was trendy at the time and I always ended up with a foul compromise. So I thought I might as well do what I want to do."
 
After a few years of watered down, pseudonymous productions which he'd rather you didn't seek out, Ulrich released Far Away Trains Passing By on the dauntingly hip City Centre Offices label. He was amazed they even wanted to release it; more amazed still when it became a cult success. With its abundant charm and unabashed optimism, it was the most pleasantly surprising electronic debut since Boards of Canada's Music Has The Right To Children.
Its more rock-influenced successor, A Strangely Isolated Place, received an even warmer response, from critics and other musicians alike. It led to Ulrich remixing some of his shoegazing heroes (Neil Halstead and Rachel Goswell of Slowdive, and Mark Gardener of Ride), as well as Depeche Mode, Justin Robertson, Lunz (Hans-Joachim Roedelius), and Longview.
 
Tired of the Berlin scene, Ulrich moved back to Kiel to make Goodbye. Most of his schoolfriends had moved away, so he didn't have to worry about distractions. His last two album titles spoke of isolation, but was that the pain of enforced loneliness or the comfort of voluntary solitude? Goodbye is equally ambivalent. "Emotionally, I find farewell situations interesting," he says. "Saying goodbye can be tragic or hopeful."
 
Like its predecessors, Goodbye constructs its own world, vast and vivid. When he's making music, Ulrich sees colours: one song might be red, another blue. Next time, he wants to "record an album based on more traditional electronic music structures - which could enable me to merge all these different influences beyond recognition". Meanwhile, this is the album he's been moving towards for over a decade: a sonic tour de force, an alternative reality, a life-changer.

Ulrich Schnauss - Look At The Sky

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Whispering Lotus (Ovnimoon Rec)

Original mix from the full-length album, Don't Wake Me,  by Joey Fehrenbach.

Joey Fehrenbach - Underwander

From "Don't Wake Me" album by http://soundcloud.com/joey-fehrenbach

Joey Fehrenbach - Delicate

Andain - Promises (Album  Version)

From the album 'Things Are What They Used To Be'

Lonely By Your Side

From the Joey Fehrenbach album, "Don't Wake Me"

Untouchable (Feat. Vi Flaten)

Out Now on iTunes: http://smarturl.it/andaindeluxe

Black Hole Recordings.

For such a concise discography, the history of one of EDM’s greatest cult duos has been writ plenty large. ‘Summer Calling’. ‘Beautiful Things’. Two tracks, two successive years, two conclusive anthems and ones that masterminded the rocking of countless club floors. That was followed by a recorded-but-never-released long-player, band hiatus, a parting of ways and finally, in 2011, the reunion. 
All of which has led to this point: the release of Andain’s first official album...

http://www.facebook.com/andainofficial
https://twitter.com/AndainOfficial

Much Too Much

Taken from Dido's new album, Girl Who Got Away, out 4 March 2013. (Pre-order from iTunes now at smarturl.it/gwgadigidlx)

Buy Girl Who Got Away

Dido - No Freedom (j.viewz Remix)

Blackbird

Dido - Blackbird (from Girl Who Got Away)

'I Take Comfort In Your Ignorance' (Tycho Remix) is available as part of a bonus I Take Comfort In Your Ignorance remix EP when purchasing Ulrich Schnauss' A Long Way to Fall out now from Domino or iTunes in North America.

Ulrich Schnauss' A Long Way to Fall is out now on Domino in North America and Ulrich Schnauss' own Scripted Realities imprint in the rest of the world.

Listen to the album version of 'I Take Comfort In Your Ignorance' here: snd.sc/X09MBa

Purchase
Domino Mart: bit.ly/aLongWaytoFallDominoMart
iTunes: smarturl.it/alongwaytofallalbum

Ulrich Schnauss online
www.ulrich-schnauss.com/
www.facebook.com/ulrichschnauss/
twitter.com/ulrichschnauss

Ulrich Schnauss - I Take Comfort in Your Ignorance (Tycho Remix)

The End Of Night EP - featuring the Radio Edit and 3 great remixes - is Out Now! Get it from iTunes at http://smarturl.it/endofnightep

End of Night

Dido - End of Night (Cedric Gervais Remix)

“Gorgeously sculpted, uber-melodic downtempo.” – BPM Magazine


Growing up, he was influenced by 80’s British pop like Depeche Mode and New Order; while you can hear the melodic elements of their work in his, he’s gone in a whole different direction with this new chillout release. He thinks like a great cinematographer, with moving melodic lines and layers of innovative sounds presenting a vivid story. Sometimes the songs sound like a movie soundtrack.

Joey comes from a long line of professional musicians including aunts and uncles who played for everything from symphonies to commercial jingles. He’s been writing music since he was thirteen and for the past twenty, he’s produced electronic music, starting with an old Mac Plus and a few old analog keyboards and an 8-bit sampler. For nine years he recorded dance tracks under the name Dream Traveler. One of his songs,” Time,” appeared on Paul Oakenfold’s Transport CD, one of the highest selling dance compilations of all time.

In 2006 he switched direction and started using his real name. “I wanted a more personal connection to the listener and the only name I could put on it was my own. Band names tend to mask the artist’s identity. There’s nothing more intrinsic than putting your real name on an album, and there’s nothing more personal than writing the most emotional music you can to express to others who you really are.” His goal was to eliminate boundaries and write emotionally charged, melodic music. He even self-released his first album on his own record label to avoid any outside influence.

His music has been used on TV shows like Steven Seagal: Lawman, History Detectives, and Earth 2100: ABC Special Report. Two of his songs, “Behold” and “Being Around You,” were included on Nick Warren’s Global Underground – Paris compilation.

His earlier release, Mellowdrama, topped downtempo and chillout radio charts and sold record numbers over the past four years. Before that, as Dream Traveler, he released numerous dance singles and remixes that became dance floor favorites, played by DJs including John Digweed, Sasha, Nick Warren, and Scott Stubbs.

Joey continues to produce electronic music for Delicate Recordings and has just released a new remix package entitled Everything Is Alright.