Classical

Music can be a source of pleasure and entertainment, but research shows that listening to instrumental music has therapeutic effects as well. First of all, music can influence an emotional state, feelings, thoughts and even behavior. You've probably noticed that some songs inspire you, others make your dance, set you in a romantic mood, or help you concentrate. Musical therapy is actively used to improve psycho-emotional state, combat stress and is an additional aid in the fight against depressive conditions. Listening to music and playing musical instruments contribute to the production of immunoglobulins and protective cells, as well as creation of new neural networks in 🧠. Music can be your friend and companion for life, your reflection and shadow: Listen, play & enjoy! We - are music, we - are love, amen 🙏🏽 #violin #piano #poems #pushkin #tyutchev #khayyam #classicmusic
Thank you to wonderful musicians 
Samādhi Tracklist:
1)  Max Richter & Mari Samuelsen - Mercy (Voiceless Mix)
2) Mark Eliyahu - Journey 
3) London Symphony Orchestra - Canon 
4) Ballake Sissoko & Vincent Segal - Mako Mady
5) Aldo Romano & Louis Sclavis & Henri Texier - Annobon 
6) Hamed Nikpay - Moments (Lahzeha)
7) Faran Ensemble - יסמין
8) Kelly Thoma -Ice Tree
9) Dem Ferde - Çöl
10) შენ ალაზანო (თუშური) - Shen Alazano (Tushetian Love Song) - Lela Nakeuri & Chveneburebi
11) Max Richter, Louisa Fuller, Natalia Bonner, John Metcalfe, Chris Worsey & Ian Burdge -  On The Nature Of Daylight (Entropy)
12) Yaghma - Fleeting Memories 
Thank you🎻💛🙏🏼

Instrumental

InstrumenTale

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Track name: Violin Sonata No. 1 in A Minor,
Op. 105, I. Mit leidenschaftlichem Ausdruck
Violin Solo 

Music by Robert Schumann
Violin: Michael Herter

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Violin Sonata No. 1 in A Minor  Op. 105: I. Mit leidenschaftlichem Ausdruck: Violin Solo

Robert Schumann – Violin Sonata No. 1 in A Minor, Op. 105, I. Mit leidenschaftlichem Ausdruck

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Track name: Enchanting Nocturne in G Minor: Whispers of Shadows
Music by Michael Herter
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"Enchanting Nocturne in G Minor: Whispers of Shadows" is a mesmerizing and evocative piano solo that transports listeners to a world of captivating beauty and introspective melodies. Crafted with meticulous artistry, this enchanting composition paints a musical landscape of shadows and delicate emotions.

In this Nocturne, the rich harmonies of G minor intermingle with ethereal melodic lines, evoking a sense of mystery and introspection. The delicate piano tones dance like whispers, gracefully exploring the intricate nuances of light and darkness.

Ideal for scenes of emotional depth, romance, and introspection, this Nocturne creates a captivating ambiance that enchants and engages listeners. It seamlessly blends melancholic undertones with moments of profound serenity, offering a cinematic journey through the depths of human emotions.

"Enchanting Nocturne in G Minor: Whispers of Shadows" is perfect for film soundtracks, commercials, documentaries, and any project that requires a touch of elegance and emotional resonance. Embrace the enchantment of this Nocturne and let its melodies captivate your audience, leaving them yearning for more.

Evoke emotions, awaken the senses, and elevate your project with the timeless beauty of "Enchanting Nocturne in G Minor: Whispers of Shadows".


g-moll; 3/4; 120 bpm

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Enchanting Nocturne in G Minor: Whispers of Shadows

This Nocturne, or at least its main themes, represents my first true attempt at composing on the piano several years ago. I composed or improvised a bunch of fragments and musical ideas together with the basic framework of the Nocturne.

As I've already implied in the description of my Fantasy, the two compositions were once conjoined when I finally decided to separate them and develop them independently. However, besides sharing the same key, a lot of textural fragments are still shared that can be noticed, and I bluntly quoted the main theme of the fantasy as a homage to their shared heritage. Personally, I'm particularly fond of the A-major melodic line starting at 0:38, which I consider one of the smoothest and most beautiful melodies I've written so far. Considering the hammering intro, it is one of the last additions I've made for this nocturne, and it helped me with a lot of structural problems. As with my other compositions, further changes will likely happen down the line.

I dedicate this work to another of my great friends, Ivan Dadić, a masterful smith, who once gifted me a beautiful crusader helmet he crafted (he even took measurements of my head for the undertaking). I humbly hope this endeavor will honour the gift he blessed me with!

Nocturne for Piano, F-sharp Minor

A piano piece I started writing during the composition of my F-sharp minor Nocturne. Initially, I tried to figure out if I could use it as a middle section of the Nocturne (the F-sharp to G minor modulation was a very alluring challenge), but very soon, it started to gain a consciousness of its own, and the music began writing itself. It is a very dark and somber piece that aptly suits its Elegie name. 
I would describe it as an excursion into contemplation and resignation fostered by the pain of loss and irreversibility. Brief sections into the relative (Faith) and parallel major (Remembrance), and some dance-like drunken stupor (Holding on) offer some respite. The G major restatement of the main theme is my latest addition, simply because I found it beautiful. 
I dedicate this piece to Ivan Bago, a great friend and a monumental influence on my music. Safe to say, I wouldn't be deep in this musical endeavor without him. (He also mentioned he would like to play this piece on his own).

Elegie For Piano, G Minor

My first experiment in a somewhat sonata-like movement that loosely follows the exposition-development-recapitulation cycle, where the second, G major (tethering even on D major) returns in the recapitulation in the home key of C minor. It took me longer to finish than anticipated but in the end, I'm extremely pleased with the result. 

The main theme is one of those themes that simply appears almost on its own when your hands land on the piano. It was a delightful, but chalenging experience trying to develop it and derive new themes from it, in the end I've scraped as many themes as I've included. 

I dedicate this work to my dear friend Ivan Dadić and his wife, Katarina Dadić, who liked the melody so much that she used it as a ringtone for her alarm clock.

Allegro for Piano, C Minor

The main theme of my Aria was also written during my teenage years on a cheap Yamaha keyboard, as a simple flute melody. A dozen years later, after vigorously immersing myself in the music of the old masters, I finally managed to breathe completely new life and meaning into it.

I can confidently say that I drew inspiration from the enchanting and, at times, ethereal serenity of a particular Mediterranean landscape also found in my native province of Dalmatia. This was perfectly captured by a beautiful watercolor painting (courtesy of a magnificent painter, Vanja Kalemba) depicting a white church nestled in a lavender field. The painting may have even spurred me on further to try to encapsulate the feeling of the landscape, a beauty that no one from Dalmatia can ever take for granted due to its constant and ever-present allure.

The form of this composition falls somewhere between a rondo and theme & variations, since all the episode of the rondo form stem from the main melody as, after many experiments, I concluded that a more straightforward musical language better suits the vision of this piece, without the need for complex ornamentation and texture.

I dedicate this composition to my beloved son Karlo, who has brought more serenity and beauty into my life than anything else.

Aria for Piano, C Major

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Title: Dance of Christmas Elves
Music by Michael Herter
Genre: Classical, Neoclassical, Holiday, Christmas Music
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"Dance of Christmas Elves" is a enchanting musical journey that captures the whimsical spirit of the holiday season. In the tradition of Tchaikovsky's "Dance of the Sugar Plum Fairy," this composition brings to life the mischievous and lively movements of Christmas elves. Delicate melodies, reminiscent of delicate snowflakes, twirl and sparkle, while playful orchestrations evoke the magical ambiance of a winter wonderland. The enchanting waltz of the Christmas Elves unfolds with a sense of joy and festive cheer, creating a delightful soundscape that transports listeners to a world of yuletide magic and merriment.

a-moll; 4/4; Varies bpm

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Dance of Christmas Elves

Dance Of Christmas Elves

My new Nocturne that I've started writting a few years ago, the main theme and the E-flat majorish restatement of the main theme came quite swiftly and naturally. However, I found myself a bit stuck on how to proceed further, and as a result, I neglected it for quite some time and focused on other musical pursuits.

However, just around this Christmas, as I leisurely sat by my piano, a new theme and continuation unexpectedly presented themselves, and the composition practically wrote itself from there.

I feel that this piece really captures the essence of a Nocturne, depicting the stillness of the night, scarcely moved by a lonely star or a lamppost on a street, and also conveys the painful but sometimes even sweet melancholy of one's solitude.

Nocturne for Piano, C Minor, No. 2

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Title: Quartet No. 59 in G Minor (Rider), Opus 74, Finale: Allegro Con Brio
Live concert recording
Music by Joseph Haydn
Genre: Classical, Quartet
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Joseph Haydn's Quartet No. 59 in G Minor, also known as "Rider," Opus 74, features a dynamic finale marked "Allegro Con Brio". The term "Allegro Con Brio" indicates a lively and spirited tempo. In this concluding movement, the composer employs energetic rhythms and melodic intricacies, creating a vibrant and engaging musical experience. The quartet showcases Haydn's mastery of form and structure, with the finale serving as a lively culmination of the entire work.

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CLASSICAL and NEOCLASSICAL

Joseph Haydn – Quartet No. 59 In G Minor (Rider), Opus 74, Finale Allegro Con Brio

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