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LiStening Now // December 15th

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CHVRCHES - It's Not Right But It's OK (Whitney Houston Cover) from Zane's Live Sessions

CHVRCHES - It's Not Right But It's Okay (Whitney Houston Cover)

Featuring Example

Get the Thursday - EP
Download: http://smarturl.it/psbthursdaydl
CD Single: http://smarturl.it/psbthursdayd2c

Get the Thursday Remixes
Download: http://smarturl.it/psbthursdaydl2

From the Pet Shop Boys album "Electric"
Out now: http://PetShopBoys.co.uk
Digital: http://smarturl.it/psbelectricdigital
CD: http://smarturl.it/psbelectricphysical

Thursday - Tensnake Remix

ONO.MIX - 30 Track Remix Retrospective
OUT NOW on Mindtrain/Twisted Records via iTunes & Beatport.

http://itunes.apple.com/album/onomix-feat.-yoko-ono/id555045639
http://www.beatport.com/release/onomix/959596

YOKO ONO ascends to the top of the Billboard Hot Dance Club Play Charts yet again with her 4th consecutive #1 club chart-topper, “GIVE ME SOMETHING” (Issue Date:17 April 2010). Taken from the landmark, Grammy Award winning 1980 DOUBLE FANTASY album, the contagious reworking features mixes by MOREL, DAVE AUDE, STONEBRIDGE, TWISTED SOUND+VISION, JUNIOR BOYS, RALPHI ROSARIO, ALEX TRAX and alt-rock icons SPARKS.

The fiery reinvention is the latest offering from ONO’s acclaimed remix series, which has paired the avant-garde icon with an array of cutting edge producers and collaborators (FLAMING LIPS, PET SHOP BOYS, BASEMENT JAXX, THE POLYPHONIC SPREE, ANTONY AND THE JOHNSONS and SPIRITUALIZED) and spawned 6 #1 dancesingles to date including “GIVE ME SOMETHING”, “I’M NOT GETTING ENOUGH”, “GIVE PEACE A CHANCE”, “NO NO NO”, “EVERYMAN / EVERYWOMAN” and her seminal “WALKING ON THIN ICE”.

“GIVE ME SOMETHING” (THE REMIXES) is available now as a digital green release (no materials used or abused) on MIND TRAIN / TWISTED Records.

Clubplanet Interviews Yoko Ono
by Marcos Colón, Club Planet

Other than being known as an artist, author, peace activist and wife to John Lennon, Yoko Ono also makes great music. Her life and career have seen many ups and downs, but right now it seems like all things are in an upswing for her as she’s dominating the Billboard Hot Dance Club Play charts with the latest track off of her latest remix series, “The Remixes.” While many so-called artists today tend to walk a safe path when it comes to art and the perceptions others have towards it, Yoko Ono never felt the need to follow a particular path, but controversially created her own and welcomed everyone else to do the same.

Clubplanet recently caught up with Yoko Ono and chatted about the recent success of her remix series, the underlying theme behind her latest single, and what she thinks of music today in relation to art.

Clubplanet: You’ve had many great accomplishments throughout your life, and now you’re topping Billboard’s Hot Dance Club Play chart. How does it feel to do this four consecutive times in a genre that’s extremely stacked with talent from all areas of the globe?
Yoko Ono: Well I’m totally surprised. ‘Shocked’ is really the word. I never expected that. I really think that I’m very lucky. I’m lucky to be here and lucky to experience this. All my life there was talk that people really didn’t like my songs or that my songs were just swept under the rug. But now, suddenly, there are people that love my music. It’s a very nice feeling.

CP: What’s the underlying theme behind the track, “Give Me Something”?
Yoko Ono: It really says it all in the song. It’s just a feeling that I had about society. We live in a kind of society where we all scream, “Give me something.” At the time I thought that this is what society was feeling. It’s interesting because “Death of Samantha” was another song I wrote a long time before John passed away, but it was about John passing away… about the day of the vigil. The words were coming through me, and they were definitely about the vigil. And it was the same for this song too, it says it in the song, “Give me something that’s not cold.” We’re all getting very cold now as a society. That’s what I was feeling.

CP: When you write these songs, do your influences come from the state of the world today?
Yoko Ono: I usually feel that they come from somewhere, like outer space, and I’m just passing it along to you guys and sharing the experience.

CP: What’s your process for determining what remixes will make the cut for your series?
Yoko Ono: Well I don’t like to play the bad mommy role, telling these guys that they have to make their mixes a certain way or it won’t work out. I like to see what happens with their creativity. I like to give them their space to work. My whole attitude for this comes from a “everything is beautiful, all styles are beautiful” way of thinking. I love them all [the remixes] and I also appreciate working with them. I feel very lucky.

CP: How do you feel about the role of the “producer” today?
Yoko Ono: I think that the producer’s job today is very exciting. It’s very creative and exciting work. It’s also a joint effort with the artist and sometimes they may feel like they’re not appreciated as much, but I’d really like to say that I really appreciate each one of them.

CP: In relation to art, what are your thoughts on dance music today?
Yoko Ono: We should all keep dancing. I really think that dance is a very, very important part of our lives. I always say, “Don’t march through life, dance through life.” Marching is one way of going through life, but dancing is a much more joyful way of going through life and we need joy.

CP: What do you have planned for the remainder of the year?
Yoko Ono: Many things. (laughs) But you’ll find out when the time is right. I don’t believe in saying things before the soup is made, so to speak. (laughs)

Buy now on iTunes

ONO - Give Me Something (Roberto Rodriguez Extended Vocal Mix)

ONO.MIX - 30 Track Remix Retrospective
OUT NOW on Mindtrain/Twisted Records via iTunes & Beatport.

http://itunes.apple.com/album/onomix-feat.-yoko-ono/id555045639
http://www.beatport.com/release/onomix/959596

"NO, NO, NO was written and sung by a woman who was in such a pain that her heart was cracking while she kept her mind clear, so she could survive for herself and for her son. Of course that was me - right after John passed away. When John was still alive, he kept whispering to Sean that he would always be there for Sean and protect him. So when John left, Sean kept saying "a promise is made to be broken",  making it lighter than what it was. He was in pain. Sean loved this song. Each time when I sung "I don't remember what you promeeesed" and elongated the end of it, he used to let his body go down at the same time to the floor. I remember how hard it was for me to go through that period, especially, knowing how Sean was managing to hide his tears."

- Yoko Ono, 29 May 2011

ONO - No, No, No (Tom Novy Vocal Mix)

Wanderlust by The Weeknd remixed by Jaded Incorporated 

Add Jaded Incorporated on:
www.jadedinc.com
http://jadedinc.tumblr.com
www.facebook.com/jadedinc

The Weeknd - Wanderlust (Jaded Incorporated Remix)

Coat Of Feathers

Jumpin Beds

Download: http://www.xlr8r.com/mp3/2014/09/dusk

Download

Gidge - Dusk

* OUT NOW ON NINJA TUNE RECORDS *
Bonobo Store: http://smarturl.it/flashlightbonobo
Ninja Store: http://smarturl.it/flashlightninja
Amazon: http://smarturl.it/flashlightaz
iTunes: http://smarturl.it/flashlightit
Spotify: http://smarturl.it/flashlightsp

EXPLORE FLASHLIGHT: http://bonobomusic.com/flashlightep/

Flashlight

iTunes

Order FR & Wrld :itunes.apple.com/album/id955893478
Order UK: itunes.apple.com/gb/album/mirage/id961055206

Saycet is a name that’s been on an increasing number of lips over the last few years, like a secret too precious to keep to oneself. With just a few releases to his name, the project by Parisian producer Pierre Lefeuvre has elegantly evolved in a resolutely modern fashion, attracting attention more or less everywhere around the world from people who like their music electronic and heavy with organic emotion. Using electronic music as his original inspiration, and influenced by the hypnotising, minimal sounds of both Germany and Iceland, Saycet has matured his sound thanks to intensive touring of Europe, Russia and Asia, gaining international fans at every stop. His new (third) album, due for release in early 2015, was nourished by this experience of travelling and playing live over the past few years. More directly, the new Saycet has taken inspiration from images and forms (a certain interest for design, architecture, and visits to Le Corbusier’s ‘Cité radieuse’), widening his style to include pop and radiant sonic mirages in which one can get deeply, deeply lost. The aim is no longer to choose between black and white and spirals of colours, but to stimulate emotion and take you on a journey, without or without a return ticket.
He has worked in close collaboration with vocalist & lyricist Phoene Somsavath on several songs from his upcoming album, adding a complementary dimension to his craft.

On stage, Pierre is accompanied by Louise Roam (vocals, violin, keyboards) and Zita Cochet (stage design, video projection)

https://facebook.com/saycet
https://twitter.com/saycet
https://youtube.com/saycet

VOLCANO (feat. Phoene Somsavath)

Spoon - Inside Out (Tycho Remix)

Track from Hanne Kolstø- Forever Maybe 2014 (Jansen Plateproduksjon)

All Is Contagious

CHROMATICS / RUNNING FROM THE SUN (LP Version)

Music & Lyrics: Agebjörn/Gunnarsson/Svanängen
from the album "Notes" out on Feb 10th 2015

In a way I was nervous
In a way I was not
With no time to prepare I just hoped 
for the best and forgot 

how the fear can possess me
maybe hold back the best me
So afraid to be hoping too much
So afraid to be touched

And we were the leftovers
No one wanted to hold us
No
It seems almost too perfect now
and I wasn't prepared for love

I was talking too much, dear
I was hiding my own fear
So afraid to feel happy in vain
and ashamed

Then we started to wonder
and I lied to feel stronger
I was happy it was something new
It was you

And we were the leftovers
No one wanted to hold us
No
It seems almost too perfect now
and I wasn't prepared for love
Am I fearing the perfect now?
Is it just that it's strange to love?

And we were the leftovers
No one wanted to hold us
No
You seem almost too perfect now
and I wasn't prepared for love

You seem almost too perfect now
Why is it strange to love


The Leftovers (with Loney Dear)

B-side for For

https://www.facebook.com/mrchrisduncan
http://www.fat-cat.co.uk/site/artists/c-duncan
https://twitter.com/mrchrisduncan

C Duncan - And I

MUSIC VIDEO! https://www.youtube.com/watch?v=VUUV7lrbj3c

Written/Produced by Jay Lekat & Danny K
Mixed by Matt Gio at RADA Studios Perth
Mastered by James Newhouse
Music Video by Tim

NGHT

"Red River" was influenced by recent events of missing aboriginal women on Highway 16 in British Columbia, as well as by the story of Tina Fontaine. It was a hard topic to approach. I tried to avoid it, but it continued to come back to me until I felt a strong conviction to follow through. There were a lot of heavy hearts and tears through the process, from researching to recording and mixing. It had the same effect on everyone involved. These are things that need to be talked about. It should be disturbing. It should be heartbreaking. And we should be doing something about it. 

- Reuben Bullock

Full story: tgam.ca/broadsheet

Reuben And The Dark - Red River

@hnny
https://soundcloud.com/lphnyc

Part of the Swedish producer's follow up April Solsidan/Alby 12" for NYC label Let's Play House. 

HNNY - Solsidan

BROTHER

Oddience x www.soundcloud.com/com-truise

Artwork by Matt Andres

Watermelon (Prod.Com Truise)

Remember? - Lali Puna

Remix of 'Home Away From Home' by http://soundcloud.com/touchtonesounds

Home Away From Home (Starcadian Remix)

denitia and sene.
produced by sene.
co produced by nolan thies.
bass by sly5thave.
auxilary percussion by cooper heffley.
photo by aaronisnotcool.

http://denitiaandsene.bandcamp.com/album/casanova-radio-single

casanova.

The Mother We Share out now: http://po.st/TWMSiT

The Bones Of What You Believe out now. Standard: http://po.st/TBOWYB | Special: http://po.st/TBOWYBSpecial

http://chvrch.es/
https://facebook.com/CHVRCHES
https://twitter.com/chvrches
http://chvrches.tumblr.com/

The Bones Of What You Believe

The Mother We Share

Flight Facilities - Clair De Lune (Feat. Christine Hoberg)
Released on Glassnote / Flight Facilities 2012 
Remix Package: http://smarturl.it/CDL-remixes
Now appears as part of the debut album Down To Earth 
iTunes Worldwide - http://smarturl.it/downtoearthiTunes

Official Film Clip: http://youtu.be/Jcu1AHaTchM

Buy on iTunes

Flight Facilities - Clair De Lune (feat. Christine Hoberg)

shrines

fineshrine

Child Of Wrath

A remix for my homies Trésors!
More Pleine Lune remixes here: http://snd.sc/XHnppj
Give Trésors some love on facebook: http://on.fb.me/ZAQCkA
--------------------
booking
benoit@allofloride.com
--------------------
more Anoraak remixes here: https://open.spotify.com/user/anoraak/playlist/1xBPT327IQLFiuRuaNShAJ

Trésors - Pleine Lune [Anoraak remix] *FREE DL*

Irene

Follow Sally Shapiro:
On Facebook: http://www.facebook.com/shapirosally
On SoundCloud: https://soundcloud.com/sally-shapiro/


Sally Shapiro - Lives Together (Tommy '86 Remix)

Musician from Lund, Sweden, specializing in disco and ambient.

The Leftovers (with Loney Dear)

Johan Agebjörn