Hi! Awesome song! defently remixing this one! Btw what key is this is?

I like the kind of melancholic mood of this song. Thanks for the opportunity to remix this piece. It's a great task but also a lot of fun (yet).

I love this track. I 'remixed' it for the soonvibes comp (http://www.soonvibes.com/music/profile/id/14851-remix-infinimonkey-johan-agebjorn-the-leftovers-loney-s-lament). Made me better appreciate the sense of space created in the soundscape  Hope you can work again with Emil.

I made a little triphop-version of this tune for the remix contest at soonvibes. Maybe you give it an ear? http://www.soonvibes.com/music/profile/id/16898-johan-agebjorn-the-leftovers-hugoy-s-strangelove-remix

Feb 2015 Invisible Playlist

Siciliana Da Antiche Danze Ed Arie Suite III

Agnes Obel, Anne Müller, Mika Posen
Live at Polish Radio Trojka-CABLE 13-10-2013
www.polskieradio.pl/9/200/Artykul/946184

Agnes Obel - 01 - Chord Left (Live At Polish Radio)

Alberto Iglesias - Music Sales

All Your Promise

Stuart Staples - That Leaving Feeling

Available now on iTunes!
http://smarturl.it/10K

Produced by Kennedy http://kennedykarate.com

twitter.com/bornsmusic
facebook.com/bornsmusic
instagram.com/garrettborns
youtube.com/bornsmusic

Candy

10,000 Emerald Pools

'Tethered Bones' b/w 'Bloom' will be released on Feel Good Lost on December 01 (digital)/December 08 (12"), with remixes from WIFE, Eomac and Slow Magic. 

www.talostalos.com
www.facebook.com/TalosTalosTalos
twitter.com/talostalostalos

Pre-order

Bloom

Music & Lyrics: Agebjörn/Gunnarsson/Svanängen
from the album "Notes" out on Feb 10th 2015

In a way I was nervous
In a way I was not
With no time to prepare I just hoped 
for the best and forgot 

how the fear can possess me
maybe hold back the best me
So afraid to be hoping too much
So afraid to be touched

And we were the leftovers
No one wanted to hold us
No
It seems almost too perfect now
and I wasn't prepared for love

I was talking too much, dear
I was hiding my own fear
So afraid to feel happy in vain
and ashamed

Then we started to wonder
and I lied to feel stronger
I was happy it was something new
It was you

And we were the leftovers
No one wanted to hold us
No
It seems almost too perfect now
and I wasn't prepared for love
Am I fearing the perfect now?
Is it just that it's strange to love?

And we were the leftovers
No one wanted to hold us
No
You seem almost too perfect now
and I wasn't prepared for love

You seem almost too perfect now
Why is it strange to love


The Leftovers (with Loney Dear)

Erik Hall worked patiently and solitarily for four years to craft Driver, his sophomore album as In Tall Buildings. Produced between his home studio in the Pilsen neighborhood of Chicago and a 60's farmhouse in Leelanau County, Michigan, the album comes twenty years after Hall originally fell in love with home recording at age 13 - the year he got his hands on his first multitrack recorder.

Raised in downtown Chicago, Hall played drums and guitar in high school rock bands, and then went on to study percussion and audio engineering at the University of Michigan.  While in college he joined the avant afro-funk band NOMO and met His Name is Alive's Warn Defever, who produced many of the band's albums. Under Defever's tutelage, Hall honed many of the recording and production techniques he would later apply to his solo recordings. As he explains, "I was the guy in the band badgering him with questions throughout the sessions, trying to learn everything I could and then trying it out myself at home." As a multi-instrumentalist and producer Hall eventually went on to record and tour with several groups, including old friends His Name is Alive and, more recently, dream-pop duo Wild Belle, performing the rhythm section tracks and lending an engineering hand to their Columbia Records debut.

In stark contrast to the dense polyrhythms echoed by NOMO's albums, Driver uses a relatively simple palette to create spacious pop songs, leaving plenty of room for Hall's often Peter Gabriel-esque vocals to shine.  The music, though culled from every guitar, keyboard, and drum he managed to fit into his home studio, is powerful in it's restrained simplicity, and it's a compelling foil to the haunting gravity of his vocal performance. Never rushed, his melodies deliver elliptical lyrics that manage to feel intimate, while retaining a sense of mystery. Ultimately, the album's melancholic vibe is relatable, rather than moping or histrionic, and in the end these songs are incredibly comforting and inviting.

In Tall Buildings - Bawl Cry Wail

https://soundcloud.com/beat-culture
shhsecretsongs.com/000000/
the second Secret Songs compilation. 
#000000 is black. 
enjoy.

DOWNLOAD

Beat Culture - CLOSER

Taken from Public Service Broadcasting's forthcoming second album 'The Race For Space' (23.02.2015)


Itunes Pre-Order 

The Other Side - Public Service Broadcasting

orchestral, marimba, alternative, avant-garde 

Winter

Hidden Lakes

A small selection of pieces on the Piano.
A jazz piece called All Blues by Miles Davis, arranged by Myself
A contemporary piece called Hammers by Nils Frahm. 
A late romantic piece by Rachmaninov. 

All played by James Rankin
Recorded at Utopia Music in Narellen with the help of Jacob Nicastri.

Hammers by Nils Frahm

Mute are delighted to announce the signing of Yann Tiersen and the release of his brand new, long awaited album, Dust Lane, out on 4 October 2010. 

Hailing from Brittany, Yann Tiersen is one of the most revered artists of his generation with a reputation first established by his studio albums (which include 1998's Le Phare and 2005's Les Retrouvailles) and cemented by his work on the original film score of Amelie (2001) which earned him widespread recognition. 

Produced by Yann Tiersen and mixed by Ken Thomas (Sigur Rós, M83, Moby), Dust Lane sees Tiersen incorporate vintage electronic sounds and textures into his music for an album he describes as "a journey on the dusty lane that leads us to death. Not a sad thing, but like a colourful, sometimes painful, but mostly joyful experience: life!"

Yann Tiersen - Ashes (edit)

کلام : حافظ شیرازی خواننده : شمس الدین غازی موسیقی: آیدین سیف تلفیق شعر و موسیقی : شمس الدین غازی تارباس:شمس الدین غازی دف:شمس الدین غازی صدابردار : آیدین سیف ميكس نهايي و مستر : آیدین سیف طراحی:شمس الدین غازی

Yumma

Musician from Lund, Sweden, specializing in disco and ambient.

The Leftovers (with Loney Dear)

Johan Agebjörn

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