Pre-release demo track
Producer: Will Carmack, Fifty50 Studios, Dallas

Premiere

Someday

Know first I Started off wit the G6 (facts)

Fuck you mean quit the lean on some weak shit(no)

Everyday young nigga on some G shit (gang)

In the streets everyday on some street shit (yea)

Feel like wade in the hood wit the heat bitch (flash)

I can do it by myself ion need shit(yea)

Gotta get the commas up from the east bitch(east side)

Im a 10 toes nigga ion sneak shit (facts)



Keep it 10 to the ground mean stay solid (real)

Niggas pocket watching hard but ion talk about it(nope)

Gotta clear the whole seen when it’s over crowded (go)

Gotta make ya own way shit be out of pocket (yea)

Kaint trust these days cole in the stocking 

Good kid mad city yea I heard about it (yea)

Throwin dirt on a name all they can do about it 

Ballin too hard like I’m John Stockton (get it)

Big Gwap Big T know I got them boppin 

Keep it like a cold sprite Know this shit be poppin(facts)

Gotta do it by ya self  that’s the only option (yea)

Did the shit one time now I’m never stopping



No time for the games or the lame lames 

Got it hot propane it’ll never change 

All black wit the tint like Bruce Wayne 

Gotta keep fly kicks like I’m lui Kane 

Got it all tatted on me now it’s stuck and stain 

Heard they all ratted on me then I brought the gang 

Fuck the fame fighting Irish on my notre dame 

If you don’t know the difference you don’t know the gang 

Super hot hot sauce steady speaking flames 

So hot fuck around and have to change a name 

So much gwala on a nigga how I found the gang

I’m just shooting start wit the moon on aim 

If you ain’t fucking wit it you just hella lame 

Imma thinker pinky pick picking at the brain 

Sippin wocky every night just to go to sleep 

Im a real one never hard to notice me

Hi Everyone ! 

Introducing "Well, I Surely Didn't Expect That" – a quintessential jazz piece presented in a classic trio format featuring piano, bass, and drums. This track encapsulates the essence of jazz with its intricate melodies, spontaneous improvisations, and infectious rhythms. From the first note, listeners are taken on a musical exploration filled with surprises and unexpected turns, mirroring the unexpected twists and turns of life itself. Whether it's the nimble fingers dancing across the piano keys, the pulsating bass lines anchoring the groove, or the dynamic interplay between instruments, "Well, I Surely Didn't Expect That" delivers a captivating performance that keeps audiences on the edge of their seats ! 

WELL, I SURELY DIDN'T EXPECT THAT !

Hey guys 

I have been quite creative these past days and I really love being in my flow ... ! 
I guess you know the drill, right ?

Introducing "I'll Be On Time, This Time" – a velvety-smooth blend of groove and tranquility that evolves into an electrifying electro-jazz masterpiece. This track begins with a serene atmosphere, enveloping listeners in its gentle embrace, before gradually transitioning into an electrifying fusion of electronic elements and jazz-infused rhythms. The piano theme adds a delightful touch, enhancing the overall ambiance with its melodic charm. 

With its seamless blend of genres and captivating progression, "I'll Be On Time, This Time" promises to enrapture your senses and provide an unforgettable auditory experience, serving as a heartfelt nod to my wife, who will surely understand the message behind the title : ))

I'LL BE ON TIME, THIS TIME

Rewind Back The Time

No hands-up, just moving forward for a relaxed friday afternoon...

01 - Jerry K - Wash Away (Extended Mix)
02 - Nick Curly - Just A Feeling (Original Mix)
03 - Calvin Clarke - Catch A Vibe (Original Mix)
04 - Sergio Saffe - Diptyque (Original Mix)
05 - Bassel Darwish - Vibe (Original Mix)
06 - DJ T. - Dis (2023 Remaster Re-rub)
07 - DJ Sneak - The Tango Beat Drum (Original Mix)
08 - Jay de Lys - Grindin_ (Original Mix)
09 - Trangaz, Manda Moor - El Peligro (Ibiza Mix)
10 - B-Liv - There´s No Difference (Version 2024)
11 - AJ Christou - Babaloop (Original Mix)
12 - Secnd, Tomi&Kesh - Downtown Kid (Original Mix)
13 - Narasimha - Baako (Extended Mix)
14 - Chus & Ceballos, Tedd Patterson, DJ Chus, Pablo Ceballos - In Stereo (Nick Curly Remix)
15 - Tricepa - Bongo Addiction (Side B)
16 - Eddy M, Seguez, MannytheG - Airplane Mode (Original Mix)
17 - Saeed Younan - Twister (Original Mix)
18 - Alessandro Diruggiero, Tomi&Kesh - In The Wild (Original Mix)
19 - Hauswerks, Manu Gonzalez - Masaya (Original Mix)
20 - Mike Morrisey - Accelerator (Original Mix)

Unknown Album

Afternoon Session April 2024

Art Tawanghar's latest track, "Bi To Be Sar Nemishavad" ("Without You It Will Not Pass"), features an exceptional collaboration among some of the most revered names in Persian classical music, fused with modern electronic dance elements. The track showcases Kayhan Kalhor on the Kamanche, Hossein Alizadeh on the Persian Tar, and the legendary vocals of Mohammad Reza Shajarian.

Set against a 6/8 dance trap rhythm, the song incorporates EDM piano chords and dynamic percussion, creating a bridge between traditional Persian sounds and contemporary music trends. This unique blend not only highlights the rhythmic and melodic beauty of Persian music but also introduces it to the world of electronic dance music in a way that is both innovative and respectful of its roots.

"Bi To Be Sar Nemishavad" is an auditory exploration of how Rumi's messages could be interpreted and expressed in a modern, futuristic setting. Tawanghar uses the medium of music to speculate on the future of mysticism, infusing ancient wisdom into the frenetic pace of modern life and technology-driven culture. This track is a bold statement on the potential of music to transcend time and cultural boundaries, illustrating a world where the spiritual depth of Rumi's poetry dances alongside cutting-edge, energetic EDM beats.

In essence, Art Tawanghar crafts a sonic landscape where the past and the future converge—a testament to the enduring relevance of mystical themes in the continuously evolving musical landscape. This piece not only pays homage to the great masters of Persian music but also paves the way for new interpretations of spiritual and mystical experiences in the modern world.

Additionally, the track is finely tuned to 444 Hz, diverging from the standard tuning frequency to embrace a tuning that some believe resonates more harmoniously with nature and the human body. The choice of 444 Hz is significant; it is said to be mathematically consistent with the patterns of the universe, radiating a more "organic" and calming sound. Proponents of this tuning argue that it enhances the listener's psychological and emotional health, promoting clarity, peace, and heightened spiritual awareness. This frequency is thought to encourage the release of serotonin and endorphins, key hormones that elevate mood and foster a sense of well-being. By tuning "Bi To Be Sar Nemishavad" to 444 Hz, Tawanghar not only provides a unique auditory experience but also infuses the track with a potential healing quality, aligning the listeners’ energy and bringing them into a more natural state of harmony with the cosmos.

Bi To Be Sar Nemishavad 444Hz ft. Shajarian, Kalhor & Alizadeh Persian Trap Dance 6/8

(CHORUS)
I fuck with the beat
Yeah Yeah
They fuck with my leaks
Yeah Yeah
They fuck with my swag
Yeah Yeah
I been in my bag
Yeah Yeah
They wanna peak
Yeah Yeah
Their methods are weak
Yeah Yeah
They such a drag
Yeah Yeah
They tryna turn this shit down
Yeah Yeah
(X2)

(VERSE 1)
Bitch I’m back
Big and bad 
Don’t need no pack 
Take it back 
Yeah I’m better on my own
Spinnin’ em one 
Fuck do you mean 
I just put down like 9 racks 
Yeah that bitch bite back yeayeahhh
Far away far away 
I jus wanna find my way back home 
Far away far away 
I don’t want em coming back 
Don’t want em back 
So run it back 
Start the pay
I’m not with the ones that gon tell me 
Just how far out this shit sounds 
Burn it down 
You know the needs 
There’s no amount 
Heard what I said 
So lock and load 
Drop it down 

(CHORUS 2)
I fuck with the beat
Yeah Yeah
They fuck with my leaks
Yeah Yeah
They fuck with my swag
Yeah Yeah
I been in my bag
Yeah Yeah
They wanna peak
Yeah Yeah
Their methods are weak
Yeah Yeah
They such a drag
Yeah Yeah
They tryna turn this shit down
Yeah Yeah
(X2)

(VERSE 2)
Oh yeah 
Right now yeah
With my aim 
I’m tryna 
I’m tryna figure it out yeah
Yeah 
They barely know your name 
They all famous lames
Wouldn’t understand 
Not the same 
They bout them games 
Bout them wows 
You bout your bag 
Pop them tags
You’re forgot about 
Yeahhhh 
Want it 
You all in again 
Yeahhhhhh
They puttin’ their money on me 
They wanna just give it to me
You might jus have to see me yeahh
Cause there’s so many like them yeahhh

(CHORUS 3)
I fuck with the beat
Yeah Yeah
They fuck with my leaks
Yeah Yeah
They fuck with my swag
Yeah Yeah
I been in my bag
Yeah Yeah
They wanna peak
Yeah Yeah
Their methods are weak
Yeah Yeah
They such a drag
Yeah Yeah
They tryna turn this shit down
Yeah Yeah
(X2)

To Hell and Back

Yeah Yeah

Music

PmToAm

Milly Rock (Milly Vadilly)" by Vandes Jackson is an electrifying rendition of 2 Milly's hit track 'Milly Rock.' Jackson puts his own spin on the song, infusing it with his unique style and energy. The cover pays homage to the original while adding fresh elements that make it stand out. It's a dynamic reimagining that is sure to captivate audiences and keep them dancing from start to finish.

WELL, I SURELY DIDN'T EXPECT THAT !

Ohnarp JANSON

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