Bach

estudiar

treino

New England Conservatory President Emeritus and Walter W. Naumburg Chair in Music, Laurence Lesser Bach: Suite for Cello solo no 1 in G major, BWV 1007. Recorded live in Jordan Hall, Boston, by Alex Hug

Bach: Suite for Cello solo no 1 in G major-Prelude

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The Requiem Mass in D minor (K. 626) by Wolfgang Amadeus Mozart was composed in Vienna in 1791 and left unfinished at the composer's death on December 5. A completion dated 1792 by Franz Xaver Süssmayr was delivered to Count Franz von Walsegg, who had anonymously commissioned the piece for a Requiem Mass to commemorate the February 14 anniversary of his wife's death.

The Süssmayr completion of the Requiem is divided into fourteen movements, with the following structure:

I. Introitus
Requiem (choir and soprano solo) (D minor)
Kyrie, Bruno Walter, 1956.
II. Kyrie (choir) (D minor)
III. Sequentia (text based on sections of the Dies Irae)
Dies irae (choir) (D minor)
Tuba mirum (soprano, contralto, tenor and bass solo) (B-flat major)
Rex tremendae (choir) (G minor–D minor)
Recordare (soprano, contralto, tenor and bass solo) (F major)
Confutatis (choir) (A minor–F major, last chord V of D minor)
Lacrimosa (choir) (D minor)
IV. Offertorium
Domine Jesu (choir with solo quartet) (G minor)
Hostias (choir) (E-flat major–G minor)
V. Sanctus (choir) (D major)
VI. Benedictus (solo quartet and choir) (B-flat major)
VII. Agnus Dei (choir) (D minor–B-flat major)
VIII. Communio
Lux aeterna (soprano solo and choir) (B-flat major–D minor)

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Orchestral samples included in this recording from the Vienna Symphonic Library.

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Requiem in D Minor K. 626: Lacrimosa (Instrumental)

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The Piano Sonata No. 11 in A major, K. 331 (300i), by Wolfgang Amadeus Mozart is a piano sonata in three movements. It is uncertain where and when Mozart composed the sonata; however, Vienna or Salzburg around 1783 is currently thought to be most likely (Paris and dates as far back as 1778 have also been suggested). The sonata was published by Artaria in 1784, alongside Nos. 10 and 12 (K. 330 and K. 332).

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Movement Three - Rondo Alla Turca (Turkish March).

The last movement, "Alla Turca", popularly known as the "Turkish March", is often heard on its own and is one of Mozart's best-known piano pieces. Mozart himself titled the rondo "Alla Turca". It imitates the sound of Turkish Janissary bands, the music of which was much in vogue at that time.

Various other works of the time imitate this Turkish style, including Mozart's own opera Die Entführung aus dem Serail. In Mozart's time, the last movement was sometimes performed on pianos built with a "Turkish stop", allowing it to be embellished with extra percussion effects. 

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Orchestral samples included in this recording from the Vienna Symphonic Library.

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Piano Sonata No.11 in A-Major, K. 331: III. Rondo Alla Turca - Allegretto

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Wolfgang Amadeus Mozart wrote his Symphony No. 40 in G minor, KV. 550, in 1788. It is sometimes referred to as the "Great G minor symphony," to distinguish it from the "Little G minor symphony," No. 25. The two are the only extant minor key symphonies Mozart wrote.

The work is in four movements, in the usual arrangement for a classical-style symphony (fast movement, slow movement, minuet, fast movement):

Molto allegro, 2/2
Andante in E-flat major, 6/8
Menuetto. Allegretto – Trio, 3/4
Finale. Allegro assai, 2/2

The fourth movement opens with a series of rapidly ascending notes outlining the tonic triad illustrating what is commonly referred to as the Mannheim rocket.

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Orchestral samples included in this recording from the Vienna Symphonic Library.

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Symphony No.40 in G-Minor, K. 550: ‘Great’  IV. Finale, Allegro Assai

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Eine Kleine Nachtmusik (Serenade No. 13 for strings in G major), K. 525, is a 1787 composition for a chamber ensemble by Wolfgang Amadeus Mozart. 

The German title means "a little serenade," though it is often rendered more literally but less accurately as "a little night music." The work is written for an ensemble of two violins, viola, and cello with optional double bass, but is often performed by string orchestras.

This first movement is in sonata-allegro form. It opens with an ascending Mannheim rocket theme. The second theme is more graceful and in D major, the dominant key of G major. 

The exposition closes in D major and is repeated. The development section begins on D major and touches on D minor and C major before the work returns to G major for the recapitulation. There is a brief coda.

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Orchestral samples included in this recording from the Vienna Symphonic Library.

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Serenade No.13 in G Major, K. 525 "Eine Kleine Nachtmusik" I. Allegro

The Piano Concerto No. 24 in C Minor, K. 491, is a concerto for piano and orchestra. 

Mozart composed the concerto in the winter of 1785–1786, finishing it on 24 March 1786, three weeks after the completion of the Piano Concerto No. 23 (K. 488) in A Major. He premiered the work in early April 1786 at the Burgtheater in Vienna.

The concerto consists of three movements. The first, Allegro, is in sonata form and is the longest opening movement for a concerto that Mozart had hitherto composed. The second movement, Larghetto, is in the relative major of E flat and features a strikingly simple principal theme. The final movement, Allegretto, returns to the home key of C minor and presents a theme followed by eight variations.

The work is one of Mozart's most advanced compositions in the concerto genre. Its early admirers included Ludwig van Beethoven and Johannes Brahms. Musicologist Arthur Hutchings considered it to be Mozart's greatest piano concerto.


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Orchestral samples included in this recording from the Vienna Symphonic Library.

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Piano Concerto No. 24 In C-Minor, KV 491: I. Allegro

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Soundtrack to Ana Stefaniaks Animated short 'I May Be Some Time'
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I May Be Some Time (OST)

I May Be Some Time

Exam Study Music - Best Homework Songs for Studying and Deep Concentration

Orchestral Suite No. 3 in D Major, BWV 1068: II. "Air on the G String"

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An excerpt from Music of the Baroque's 2018 performance of the St. John Passion. For performance roster, text, and program notes, visit https://www.baroque.org/Att/1022.

Bach: Air On A G String (Original)

Johann Sebastian Bach