Le Cygne (Camille Saint-Saëns)

Intermezzo

Robert Schumann Waldszenen, op. 82 No. 1, Eintritt

French Suites 1, 2 & 3

French Suite No. 1 in D minor, BWV 812: II. Courante

The Live

Homenaje pour "Le Tombeau de Claude Debussy”

From Les Boreades  Act 4 Sc 2.
Performed by The Andersonville Orchestra.

The Arts and the Hours (Jean-Philippe Rameau)

The Marriage of Figaro, is a comic opera in four acts composed by Mozart in 1786 featuring an Italian libretto written by Lorenzo Da Ponte. It premiered at the Burgtheater in Vienna on 1 May 1786. The opera's libretto is based on a stage comedy by Pierre Beaumarchais, La folle journée, ou le Mariage de Figaro.

The Marriage of Figaro is now regarded as a cornerstone of the standard operatic repertoire, and it appears among the top ten at the Operabase list of the most-performed operas worldwide.

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Orchestral samples included in this recording from the Vienna Symphonic Library.

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Le nozze di Figaro, K. 492: Overture

Key Signature: Natural
Time Signature: 5/4 (from 4/4 to 6/4)
Tempo: Poco lento (for the opening theme), Allegretto (for the main motiffs)
Difficulty: Advanced

this piece beautifully encapsulates the chaos and harmony of fluttering butterflies.

Jean Coulthard (1908-2000) was a Canadian Composer. Through her mother she received her earliest musical training and was introduced at an early age to the work of French composers like Claude Debussy and Maurice Ravel, both of whom were lifelong influences.
A scholarship from the Vancouver Woman's Musical Club enabled her to pursue studies at the Royal College of Music in 1928-1929 where she was a pupil of Kathleen Long, R.O. Morris, and Ralph Vaughan Williams.
She studied in the 1930s and early 1940s with such composers as Béla Bartók, Aaron Copland, and Arnold Schoenberg.

In 1956-7, she spent a year in Paris and in Roquebrune, southern France, beginning an opera and completing several substantial chamber and vocal works. A later sabbatical in London permitted Coulthard to work in a sustained way with Gordon Jacob, the British composer and orchestrator.

She was one of a trio of women composers who dominated Western Canadian music in the twentieth century: Coulthard, Barbara Pentland, and Violet Archer. All three died within weeks of each other in 2000.

Coulthard's composition students included Canadian composers Chan Ka Nin, Michael Conway Baker, Sylvia Rickard, Ernst Schneider, Robert Knox, Jean Ethridge, Joan Hansen, David Gordon Duke, Lloyd Burritt and Frederick Schipizky.

Some of her well-known compositions include Cradle Song, Threnody, Canadian Fantasy, Ballade "A Winter's Tale" and her opera Return of the Native.
[thanks to @fyrexianoff on YT]

Check my profile description for more info about this piece or any other piece

Aegean Sketches, 1st mvt -The Valley of The Butterflies-

Hanna singing Hildegard in St. Ignatius Church in Mainz, Germany - von Bingen lived near Mainz, and is known to have frequently sung at St. Ignatius.

(source - Lena Simon, https://vimeo.com/56099652)

Hanna Benn_'O Euchari In Leta Via' - Hildegard von Bingen (1098-1178)

Mendelssohn: Trios

Piano Trio No. 1 in D Minor, Op. 49: II. Andante con moto tranquillo

Hildegard Von Bingen - 'O Euchari In Leta Via' - Arr. Toni Castells Feat. Rebecca Nelsen

Guitar by Leonardo de Gregorio (www.degregorioguitars.com)

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French Suite No. 1 in D minor, BWV 812: II. Courante

Johann Sebastian Bach

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