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Beethoven: String Quartet #14, Op. 131, Grosse Fuge, Op. 133

Beethoven - Grosse Fuge In B Flat, Op. 133 (Arr. P. Oundjian)| Amsterdam Sinfonietta

Beethoven's late masterwork, the "Archduke" Piano Trio performed live in Ann Nicole Nelson Hall by Luminus, the faculty piano trio at Minot State University. Dianna Anderson, piano; Jon Rumney, violin; Erik Anderson, cello.

Archduke Trio, Beethoven

The Best Lullabies

Brahms Lullaby ( Wiegenlied Op.49 N.4 ) (Album Version)

Beethoven Waldstein Sonata, Op. 57 1st Movement Allegro con brio

Esther Hoppe, Violine, Dénes Várjon, Klavier

Clara Schumann: Drei Romanzen für Violine und Klavier

BO "Midnight In Paris"
Composé Par Jacques Offenbach
Interprété Par The Czech National Symphony Orchestra 
Réalisé Par Woody Allen

Midnight In Paris (Music From The Motion Picture)

Can-Can From "Orpheus In The Underworld"

Kara Benyas, piano
Kiril Laskarov, violin
Alisha Owner, viola
David Peshlakai, cello
Chris Leverenz, bass

Schubert Piano Quintet in A Major 'The Trout' Mvt. 4

Kneeling Before Giants

William Tell Overture (Gioachino Rossini)

Spring Waltz (From ′One Spring Night′, Pt. 5)

Spring Waltz (From ′One Spring Night′, Pt. 5) (Original Television Soundtrack)

F. Händel, Water Music - Suite Nº 3

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Islands: Essential Einaudi is the first time that all of Einaudi's best known music appears in a single collection. It’s available as both a single disc and special double disc version. Islands also includes new tracks The Earth Prelude and High Heels as well as two new remixes of Lady Labyrinth and Eros.

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Una Mattina

Nuvole Bianche

Ludwig van Beethoven (1770-1827)
Triple Concerto in C-Major Op. 56
2 Largo (Attacca)
3 Rondo alla Polacca
Sophie Trobos, Violin
Rahel Rupprechter, Cello
Viktoria Hirschhuber, Piano
Städtisches Orchester Schwaz
Michael Plattner, Conductor
Recorded live November 25, 2023 at SZentrum Schwaz
Recording engineer: Michael Borek
Mixed and mastered at MVB Records
© 2023 MVB Records

Triple Concerto II-Largo III-Rondo

Niccolo Paganini - La Campanella Op.7

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The Concerto for Flute, Harp, and Orchestra in C major, K. 299/297c, is a composition by Wolfgang Amadeus Mozart for flute, harp, and orchestra. It is one of only two true double concertos that he wrote, as well as the only piece of music by Mozart that contains the harp.

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The piece is one of the most popular such concerti in the repertoire, as well as often being found on recordings dedicated otherwise to either one of its featured instruments.

I. Allegro

The orchestra states both themes. The first is immediately present, and the second is introduced by the horn. Both themes fall under the conventional sonata form. The soli then re-work the already present themes.

Retailers:

Mozart Concerto
https://music.youtube.com/playlist?list=OLAK5uy_m4VsdRl4Yv4y63CU_ArM91jVaewHDk0Us

Tidal
https://listen.tidal.com/album/53171424

Google Play
https://play.google.com/store/music/album/Mozart_Mozart_Symphonies_Sonatas_Serenades_Concert?id=Bbrfnmsqsow4thkok67d7hr7kku&hl=en

Napster
https://us.napster.com/artist/wolfgang-amadeus-mozart/album/mozart-the-essential-collection

Deezer
https://www.deezer.com/us/album/12179034

Spotify
https://open.spotify.com/album/2g0NuO4CPA2uBLjzLqioCN

Amazon
https://www.amazon.com/Mozart-Collection-Haydn-Light-Orchestra/dp/B015NQQFHC/

Orchestral samples included in this recording from the Vienna Symphonic Library.

Mozart - Symphonies, Sonatas, Serenades, Concertos & Overtures

Concerto in C Major for Flute, Harp and Orchestra, KV 299 / 297c: I. Allegro

Spotify

More info: http://www.outhere-music.com/en/albums/cello-suites-alpha-301/tracks

BACH - Cello Suite No. 1 in G Major, BWV 1007: I. Prélude Bruno Cocset

Le Fabuleux destin d'Amélie Poulain (Bande originale du film)

La valse d'Amélie (Version orchestre)

Essential Yo-Yo Ma

IV. Allegro molto from Sonata for Cello and Piano in F Major, Op. 99

Three Preludes: I. Allegro ben ritmato e deciso

Songs from the Arc of Life

Tango Jalousie

Mozart-Flute Quartet In A Major K.298 1st movement

A contemporary version Erik Satie's timeless Gymnopédie No.1 - Brought to you by Remixdj.

Satie Amazon
https://www.amazon.com/Erik-Satie-Essential-Collection/dp/B00J0LBFIG/

Satie iTunes
https://music.apple.com/gb/album/erik-satie-the-essential-collection/918615441

Best of Satie
https://play.google.com/store/music/album?id=Bditbkfgfdqvxx7hansrl6qhy4y

Satie Compilation
https://open.spotify.com/album/0vzKMInu4PzU2Qyi6NgmRK

Erik Satie Album
https://www.deezer.com/us/album/7540311

Best of Satie Playlist
https://www.youtube.com/watch?v=mk2SNcpTNbs&t=68s

Erik Satie The Essential Collection

Gymnopédie

🎥 VIDEO

Gymnopédie No.1 - Satie

Claude Debussy’s Clair de Lune is the third movement of his Suite Bergamasque, written for solo piano and completed in 1905. The title, meaning “Moonlight,” is inspired by Paul Verlaine’s poem, evoking a serene and reflective atmosphere. The piece epitomizes French Impressionism, focusing on mood and imagery over traditional form.
Structure and Atmosphere

The piece is in ternary form (ABA):

    Opening (A):
    A soft, flowing melody emerges over delicate arpeggios. The music feels weightless, like moonlight shimmering on water. Debussy uses rich harmonies and seventh chords to create a dreamlike quality, with a tender, introspective mood.

    Middle Section (B):
    The dynamics intensify, with fuller textures and soaring melodic lines. This section brings a sense of emotional depth and urgency, contrasting with the calm opening. Arpeggios cascade dramatically, giving the impression of moonlight suddenly brightening or revealing hidden beauty.

    Closing (A):
    The opening material returns, slightly varied, fading into a gentle, whisper-like conclusion. The piece ends as quietly as it began, leaving a sense of stillness and wonder.

Musical Features

    Harmonics: Debussy’s use of whole-tone scales, parallel chords, and non-functional harmony creates a suspended, ethereal soundscape.
    Melody: The lyrical melody floats effortlessly above the accompaniment, expressing both simplicity and emotional depth.
    Texture: Light, transparent textures alternate with moments of lush, resonant fullness, embodying the interplay of light and shadow.

Mood and Interpretation

Clair de Lune evokes the quiet magic of a moonlit night, combining serenity with subtle melancholy. Its poetic quality invites listeners to imagine moonlight reflecting on a calm lake, whispering through trees, or illuminating a tranquil landscape. The music feels timeless, blending stillness with fleeting moments of intensity.

Cultural Impact

This iconic piece has been widely used in films (Ocean’s Eleven, Twilight) and pop culture, often accompanying scenes of romance, nostalgia, or quiet reflection. Its universal appeal lies in its ability to evoke deep emotion while remaining understated.
Performance Notes

Expressive dynamics, fluid phrasing, and careful pedaling are essential to capturing its delicate atmosphere. A balance between freedom and control ensures its dreamlike flow remains intact.

Clair de Lune is a masterpiece of impressionistic music, celebrated for its ability to transport listeners into a realm of quiet beauty and introspection.

Claude Debussy - The Essential Collection

Clair de Lune

Clair de Lune - Debussy

Piano Magic

La campanella in G-Sharp Minor (From "Grandes études de Paganini", S. 141/3)

Erik Satie: Gnossienne No. 1

Performed by Sarah Libert on the piano, the First Universalist Singers and an ad hoc orchestra on May 7, 2018.
John Hubert, Conductor

Beethoven Choral Fantasia

Beethoven: Violin Sonata No. 3, Op. 12 No. 3 - Brahms: Violin Sonata No. 3, Op. 108

Violin Sonata No. 3 in D Minor, Op. 108: II. Adagio

Brahms Lullaby ( Wiegenlied Op.49 N.4 ) (Album Version)

Johannes Brahms