It has been quite a while. So this is a quiet one. :)

Peace on Earth VA002 - Inner Garden
“When things change inside you, things change around you.”
Introspection is a practice older than the books. The inner garden stands as a metaphor for our inner well being. Tend your garden and listen to your inner voice. Feel hugged by these soundwaves, include them into your meditative practices and dive into the present moment. 

P's on Örs

♥︎ ♥︎ ♥︎ ♥︎ ♥︎ ♥︎ ♥︎ ♥︎ ♥︎ ♥︎ ♥︎ ♥︎ ♥︎ ♥︎ ♥︎ ♥︎ 

Thanks to these horticulturists.

ALUNA 
@alunaritualmusic
https://www.instagram.com/aluna_ritual_music/

late night fortune cookie 
@late-night-fortune-cookie

Daniel Imhof 
@daniel-imhof
https://www.instagram.com/landei_imhof/

Je$u$ 
@heysuz
https://www.instagram.com/heysuzkannibalismus/

Roko 
@rokoberlin
https://www.instagram.com/rokoberlin/

Derrok 
@derrok
https://www.instagram.com/derrok/

♥︎ ♥︎ ♥︎ ♥︎ ♥︎ ♥︎ ♥︎ ♥︎ ♥︎ ♥︎ ♥︎ ♥︎ ♥︎ ♥︎ ♥︎ ♥︎ 

❥ curator / artwork @rokoberlin
❥ mastering @haunted_water

Peace On Earth
https://www.instagram.com/peace_on_earth_/

Inner Garden

Selvas Binaurales

Free Download <3

late night fortune cookie - Selvas Binaurales

The Opening Set by Dj Ctrixzz at our first gathering at the amazing Genezareth Church, in berlin Neukölln.
25.11.22

Opening Set @ 'TheAmbientProject 03' - Dj Ctrixzz

KILN https://soundcloud.com/kiln return with an opulent new display of hue and swing on Lemon Borealis, a sumptuous gallery of dazzling motifs that display a finely hewn concoction of visual tones and vital pulse.

Across its 12 cuts, this collection utilizes a fresh process of condensing immersive sprawl into compact, punchy and colorful sound. Using aspects of live performance, beatmaking and waveform sculpting, the troika of Kevin Hayes, Kirk Marrison and Clark Rehberg III create evocative and invigorating dioramas, continuing to surprise and enchant listeners after over thirty years into their collaboration.

Deep in waves of Hi-meets-Lo Fi, KILN delivers a panchromatic daymark arranged to biochemically align and stimulate your personal syntax, forging a tapestry of sonic reveries ranging from the aquarium-on-fire radiance of DrnkGrlfrnd, a garden groove of field-recorded percussion in Maplefunk Diptych, to the sizzling guit-noise whiteout of Deacon Rayhand.

Their eighth album, and first for A Strangely Isolated Place, on Lemon Borealis, KILN expands upon the long-explored themes of mosaic texture, subtle melancholy, eroded consonance, and vivid cadence to reveal yet another aperture to their unique magnetic universe.

Lemon Borealis will be available on 12” Transparent Yellow/Ochre Smoke vinyl and digital on July 18th. Lacquer cut by Andreas Lupo Lubich, and featuring artwork by KILN.

KILN / Lemon Borealis (ASIPV053) [PREVIEWS]

This is a really personal track - happy to talk about it on my Discord

Buy on Bandcamp

Breathe

Drift, aka Alessandro Ferrario, defines his style as “Slow-motion electroacoustic sound paintings”, this definition comes from the tempo he uses, 40 BPM with 4/4 time signature, the main instrument he uses, an upright piano, and the layers crafted using the instruments you can find in orchestra, cello, viola, violin and double bass most of the times. He then elaborates all the patterns, adding modern era VSTs to create layers, like a painter does with paint.

In “Fragments of a Distant Now”, the artist explored time and memories, unfolding slow rhythms and digital manipulation to create textured atmospheres, which, like memories, can convey either relaxation or tension. Using delays, echoes, reverbs, and distortions, he crafts a sense of glitch in sound that mirrors the imperfections of fading memories.

Produced, mixed and mastered by Alessandro Ferrario (Drift)
Cover artwork by Alessandro Ferrario
Cover design by Dionis Afonichev (Dionisaf)

Fragments of a Distant Now

Shards of Memory

Live recorded track, made by playing in sequence two pre-recorded 4-tracks tapes.
Second tape loop is a personal version of the track "EL ÚNICO" by CA7RIEL & Paco Amoroso.
Reverbs, echoes effects and live dubbing technique.

VIDEO:https://youtu.be/DJnACJd3aOw?si=MGJBLAnQA-HdthN6
REEL: https://www.instagram.com/reel/DOMEUXECNwJ/?utm_source=ig_web_copy_link&igsh=MzRlODBiNWFlZA==
Bandcamp: https://maremmario.bandcamp.com/track/aq13-live-session

Enjoy :)

AQ13 live session

London-based producer Mattr joins the Mesh Mix series with a deep dive into lush leftfield sounds, laced with breaks and techno, and stitched together with his signature emotive touch

This mix is a sharp blend of driving rhythms and deep textures, showcasing Mattr’s boundary-pushing sound built for the dancefloor.

In Mattr's own words, 'I listen to a fairly broad palette of styles within the electronic music sphere so I've always tried to traverse genres in my mixes. This mix follows that same flow, starting warm, slowly ramping up through a couple of genres ending up a bit more peak time and then bringing it down to something more ambient.

It was really fun to put together, I love the challenge of finding ways of traversing styles whilst trying to keep a logical flow to the overall mix. It represents a lot of what I've been listening to over the last couple of years, some older and some newer artists I've discovered along the way."

Follow @https://soundcloud.com/mattrmusic

Photo by Matthew Clugston
Tracklist:
Mattr - Kalmia
Noveau Monica - Watch Them Stutter 
Otus - Mata
Fonzo - How we Feelin
JWax - Oceans
Endrew - Redemption Dream
Surusinghe - Go Backstage
Aleph - Spirit Chamber
Sooyeon - More Than a Friend
Kangding Ray - Four Intertwined Spirals
Verraco - Si Idealizame
James Shinra - Hive Mind
Luwig A.F. - Sky 
Mattr - Light

Mesh Mix Series 034: Mattr

Gray Acres has always been a space for subtlety and restraint, distinct from the denser, more cinematic atmospheres of Hotel Neon. Where that project often explores process, technique, and narrative arcs, Gray Acres tends to be produced "in the moment" and stays still. It lets you think for yourself. Soft Erasure especially embraces that characteristic stillness.

This is the first full-length Gray Acres album since 2021’s “Dreams and Phantoms.” It’s a project that came together slowly with an intentionally light touch…more about dissolving sounds than constructing them. Subtraction vs. addition.

The title Soft Erasure came about as we noticed a recurring quality across the recordings: a sense of tangible things like guitars, pianos, and strings fading, softening, and slipping just out of reach as we shaped and processed them. The music feels like it’s constantly on the verge of vanishing, or being gently wiped away into an indistinct atmosphere. That idea of erasure not as violence, but as gentleness, decay, or transformation, felt like the right metaphor to latch on to. It speaks to memory, distance, and time, and how all of those forces shape and reshape our perception of sound and self.

Musically, this album is built mainly from resampled acoustic instruments: delicate piano lines, sustained strings, frozen and looped guitar textures. Much of the source material was recorded clean, then stretched, blurred, and layered until it became something abstract…like an impression of a song, or a half-remembered phrase. In some ways, we were trying to find the most washed-out and ephemeral version of each sound. The result is a record that is designed less for narrative and more for immersion.

If you’ve followed this project before, I think you’ll hear a natural continuation of its aesthetic. But if you’re new to Gray Acres, this is a great entry point. It’s music that tries not to demand attention, but rewards those who tune in closely for a while.

Gray Acres - Soft Erasure
Music by Andrew & Michael Tasselmyer
Mastered by Alex at Quiet Details

Gray Acres - Vestige

After a long hiatus, a new track for @disquiet. Glad to be back!
Stitched together from a couple of unfinished pieces of the recent and not-so-recent past, amongst them bits of an Ae-ish pad/beat, a clicks-and-cuts w.i.p. with a rejected Fender Jazz Bass B-line, various bits and bobs that I abandoned fairly soon after starting them. Basically, improvising with leftover bits, which is how most encym tracks tend to happen anyway. 
So big thanks to Mark for this just-my-cup-of-tea assignment.
Enjoy!

More on the 720th weekly Disquiet Junto project, One from Two — The Assignment: Combine a pair of your recent tracks — at https://disquiet.com/0720/.

Clang [disquiet0720]

Hypnosphere explores the surreal, fragmented realm of sleeplessness.
The theme centers around sleep or the haunting absence of it.
Each track captures the haze of exhaustion, the ebb and flow of hallucinations, and the desperate craving for rest that never comes.
It's an intimate journey through the mind's twilight, where the line between dream and waking life dissolves into an otherworldly soundscapes.

On the Edge of Waking

Leyland Kirby - This is the story of paradise lost

Johannes D’Amico is an ambient composer and field recordist whose work explores the subtle beauty of sound and atmosphere. 
Blending organic field recordings with evolving synthesiser textures, his music captures quiet moments of reflection and transforms them into immersive listening experiences.

Drawn to the delicate details of the world around him—the rustle of leaves, the rhythm of rain, the hum of distant places—Johannes approaches composition as a form of observation. 
His pieces invite stillness and awareness, offering space for emotion, memory, and imagination to unfold naturally.

Guided by curiosity and a quiet sense of wonder, Johannes continues to shape sound into a language of contemplation and presence—crafting music that resonates deeply and connects listeners to the essence of the moment.

On the Edge of Waking

Johannes D'Amico

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