Bookings: toon@e314.agency & 
tim@outlined-am.com

Manifest Your Destiny

https://linktr.ee/crystalfighters

LIVE + DJ Bookings ex-US
Jules.deLattre@unitedtalent.com

Management
Info@giantartistmanagement.com

“What am I to build, if my hands are broken, if I’m not the chosen one?” sings Steven McKellar of Civil Twilight on “Story of An Immigrant”, over a lush, dynamic beat that evokes the sounds of his native South Africa while steeped in the band’s everevolving present. The foursome (Steven, his brother and guitarist Andrew, drummer Richard Wouters and Kevin Dailey on keys and guitar) are living proof of what happens when you stop worrying about being the chosen one and make music built on both the roots that grew you and the love that keeps you thriving every day. Civil Twilight’s songs embrace every corner of human emotion, balancing delicate, poetic lyrics with sweeping arrangements that touch all the senses: a phrase to make you think; a rolling drumbeat you can feel in your bones; a guitar vamp as illustrative as a picture; a shimmer of keys whose light can nearly be seen and heard. Produced by Ben H. Allen (Gnarls Barkley, Bombay Bicycle Club, Cut Copy), their third record on Wind-Up is built on this vibrancy, on the permanent dust of a Cape Town youth; on the connection that unites them all as brothers beyond blood and on their new home in America where they pull from the innate, thriving musicianship of Nashville, where they live. When you listen to Civil Twilight, from their self-titled debut, to 2012’s widely lauded Holy Weather to now, it’s easy to understand why the band has topped five million YouTube views and reached historic success with film and television syncs – because it’s music you can’t shake, that translates experience into moments and creates melodies that become imbedded deep under the skin. We’re all immigrants, in some way, and Civil Twilight’s singing our national anthem.

The ever shape shifting, critically hailed Hercules & Love Affair return with brand new album In Amber, to be released on 17th June 2022 via Skint/BMG.

“Across this record, there are emotional fields I hadn’t ventured into previously with Hercules & Love Affair,” says Butler. “Destruction, rage, loss, but also redemption and journeying towards empowerment are all touchstones on the album. It has taken years to make, but I am happy to put it forward now, at a moment in time where we have all been confronted with such heightened feelings collectively and on an unprecedented scale”.

Reuniting with ANOHNI for the first time since her stellar turn on the eponymous debut in 2008 (which undeniably produced one of the most beloved dance tunes of the oughts “Blind”) proved key to this process. Both share a love and deep respect for music of a more aggressive bent, zig zagging from grindcore like Godflesh and Bolt Thrower, via electronic avant-garde like Throbbing Gristle and Cabaret Voltaire to female fronted punk and metal like Sacrilege, Fear of God and Diamanda Galas.  On the other end of the spectrum, they have an equally intense appreciation for darker ethereal acts such as This Mortal Coil and Dead Can Dance. In Amber reflects this wide swathe of emotion and sound.

John Alexander 24 is following