Tunings

Sound meditation

vibrate

GYÓGYÍTÓ ZENE

BioSonic Tunings:  Human TuneIn™

Binaural beats, Deep theta waves. 432 hz Fibonacci tuning.

Fibonacci Dream Deep Theta

This recording was made using the Neumann KU 100 binaural stereo microphone. Use headphones for best results. Please control the volume to a suitable level.
For more info go to www.soundmeditation.com

Sound Meditation - Tibetan Singing Bowls

Sound Explorations with Musicians Beyond the Musical Mind 
Anne Bourne, Cello & Voice, Peter Wetzler Synths, Accordion,
John Beaulieu, Piano, Harmonica, Synths--Recorded June 2014 John Beaulieu Studio Stone Ridge NY. 

Void Calling

This composition uses special BioSonic tuning forks tuned to the Fibonacci Series. The repeating ratios are 1/1, 1/2, 2/3, 3/5, 5/8, 8/13, 13/21, 21/34. The Fibonacci series is inherent in nature and listening to the composition will alter synaptic junction ratios resulting in greater creativity through the systematic exploration of alternate realities. The neurotransmitters that manifest within the synaptic junctions are similar to the spirit molecules found in mind altering drugs. However in this case there are no side effects and the listener has the opportunity to naturally expand creative horizons without risk. 

Fibonacci Tuning

Invocation

Creation

Tom Waits (on Jim Wilson): "Wilson, he's always playing with time. I heard a recording recently of crickets slowed way down. It sounds like a choir, it sounds like angel music. Something sparkling, celestial with full harmony and bass parts - you wouldn't believe it. It's like a sweeping chorus of heaven, and it's just slowed down, they didn't manipulate the tape at all. So I think when Wilson slows people down, it gives you a chance to watch them moving through space. And there's something to be said for slowing down the world."

Source: "Woyzeck to run at Freud Playhouse". Daily Bruin (USA), by Andrew Lee. December 3, 2002

Find more on the recording on this link: http://www.democraticunderground.com/10023815586

Tom Waits on Tom waits talking about this recording - http://gloriousnoise.com/2008/tom_waits_interviews_tom_waits

More on the recording - http://hearingvoices.com/transcript.php?fID=142

You can buy original recording here - http://www.amazon.com/Gods-Chorus-Crickets-Jim-Wilson/dp/1932192077?tag=viglink124132-20

Original recording from the author - http://www.constancedemby.com/godscricketchorus_f.html

And more: http://scienceblogs.com/startswithabang/2013/10/13/weekend-diversion-is-this-an-amazing-chorus-of-slowed-down-crickets/

Jim Wilson | God's Chorus of Crickets | crickets audio recording slowed way down

Planet Tunings is based on elliptical paths of planets converted into cycles per second based on one orbit around the Sun. 

Microtonal PlanetTunings

At the end of my sound classes I always introduce students to their dream dolphins. These introductions are always different depending on the class. In the Dream Dolphin Trance Series I am creating different ways of meeting and working with your dream dolphins for you to enjoy. 

Dream Dolphin Trance #1

This is a live recording of John Beaulieu and Philippe Garnier playing their personal sets of Crystal Bowls at the SAGE concert held on March 2, 2013 in Woodstock NY at Woodstock Yoga. 

Crystal Bowl Concert Woodstock NY

This is a live recording of John Beaulieu and Philippe Garnier playing the Planet and Asteroid Tuning Forks on March 2, 2013 at the SAGE Concert in Woodstock NY. The sounds are created by gently striking the tuning forks with crystals and gems which are attached to a pendulum. Each sound is chosen using divination and sounded by the crystal / gem stone used in the pendulum divination process. 

PlanetAsteroid Tuning Forks SAGE Concert

This is the second Dream Dolphin Trance in an ongoing series based on the Dream Dolphin guided imagery trances I do in my BioSonic Sound Healing classes. 

DreamDolphinTrance#2

This is a live improvisation recording of 33 asteroids using 99 sampled tuning forks, 3 octaves for each asteroid. It is experimental and my interest is listening to the relationships based on neural synaptic entrainment to cosmic possibilities. The tunings are are derived from the orbital cycles of each asteroid reduced to seconds and mathematically converted to cycles per second and then raised 37 to 41 octaves into the range of human hearing.  

Asteroids

This is a live recording of the sounds of the planets mathematically calculated based on orbital cycles reduced to seconds and converted to cycles per second. The frequencies were raised 37 to 41 octaves into audibility and used to created planet tuning forks over a 5 octave range. The tuning forks were sampled and are played on a keyboard. 