Here's a (too long) example of Ornament and Crime in Quantermain  mode, handling chord harmonics based off a root note,  Root note is coming from a Turing Machine and Ornament and Crime is quantizing everything to scale, specifically dorian C. Patch is all generative save the kick pattern on the Analog Rytm. A fun exercise in practicing generative stuff  ... Module used include


Turing Machine
Ornament and Crime
Knight's Gallop
Grids
Ladik M-216
Yarns
Octocontroller
Braids
Batumi
Evolution
Malekko Mute 4
A-160-1, A-160-2 and A-160-5 clock utilities
Rings
Erica Black Wavetable VCO
Disting MK4
uScale II
WMD S.P.O.
Clouds(Oliverb)
Veils
Erica Black Stereo Mixer
EMW Alias
Omikron
Manhatten Analog DTM
Doepfer WASP VCF
Morpheus
Arpitecht and Triads
Aperture
Quadra with expander
Erica PICO DSP
Analog Rytm
TC Electronics Flashback

Ornament and Crime Generative Patch

This SoundCloud page is an active forum and resource for the members of the Bay Area Modular Synth group to post and share their sonic  compositions and expressions to other members as well as to our listeners. 

Hysteric Subjects is Matthew Siers, lives in the Pacific Northwest and has only begun developing his own style, which doesn't really have a proper category; but main influences are Author & Punisher; early Skinny Puppy; Sleepytime Gorilla Museum/IdiotFlesh. Industrial, doom, dungeon synth and heavy saturated bass are often represented. 

Stay tuned to this space to watch me develop and please feel free to reach out for any collaboration opportunities.

Real human. Textural moods & heavy beats.

Occasionally I try making music for dinosaurs but it's difficult because we don't know what they liked listening too.

About me: happy music producer and idiot knobber, death metal bassist, very stressed Software Project Manager, absolutely convinced Vegan: compassionate for poor Aminals used for foods and dress. 
I like music, all music, and all around music. I hear from techno to classic, from jazz to deep metal. In youth I was an angry and agressive punk rocker bassman but meantime I heared also many reggae, electronic and hip hop music. At the end of nineties years I fall into techno, drum & bass music and rave music: so I decided to play the electronic dance music. 

I prefer analog synth of which are vintage and modern. In principle I try not to use the computer and all the cool devices are could be connected to it.
To clarify for me the basic configuration Should Be nostalgic and all dressed Roland TB303, TR808, Juno 106 or SH101.
But hidden dream of having a moog theremin Etherwave, a Doepfer A System, or the series vintage Korg MS-10, 20 etc. ...

Instruments list: Quasimidi Sirius, EMU XK-6, Yamaha DX7 browny fully modded, Access Virus A, Korg Monotribe, Korg MS2000R, 2 x Casio VL1 tone (one ready for circuit bend modify), Yamaha FB01, 2 x Roland MC303, x0xb0x fully modded Atomic Mod 1,  2 x BOSS DR202, Yamaha RX11, 2 x Mutable Instrument Shruthi, Sammich SID,  Korg padKontrol, Roland MC-50 MkII, Speak&Spell (ready for circuit bend modify), EMU esi2000 fully upload, Boss Bass Synthetizer pedal, Fostex DMT-8 multitrack, Akai GD4000 reel to reel, and naturally Mac, yamaha mixer KRK monitor and Koss Headphone, Arturia Minibrute, Korg volca series, Stylophone, Akai Tomcat, Akai Rhytm Wolf, Novation Moredernova.

Dreamlist: Arturia Matrixbrute, Arturia Microfreak, Korg Electribe MKII series, Korg MS-20, Acidlab M1AM1, jomox resonator, Atomosynth, Behringer TD3, TR8, TR6, Model D.

BLEACH CULT is the musical nom de plume of Vytis Puronas, singer-songwriter and film sound designer, formerly one half of lo-fi synthpop outfit Soy Farm. His music is very textural and direct, with a genre-bending approach that explores post-punk aesthetics, minimal wave soundscapes and intriguing hooks with a pleasantly retro vibe.

BLEACH CULT is all about raw imperfections and beautiful spontaneity, captured live on analog modular synthesizers, often relying on single takes and instinctive executions of tracks that leave little to no room for extensive tweaking and post-processing. Quite interestingly, Bleach Cult’s music is hard to categorize under the umbrella of a single genre. Instead, Puronas creates a distinct noirish tone, which borrows from influences as diverse as post-punk, minimal wave, techno and even pre-war blues and 60s rockabilly, just to mention a few.

Contact:
the@bleachcult.com

Instagram:
www.instagram.com/bleach_cult/

Ornament and Crime Generative Patch

Killing Floor