emusic

- Planer -

tunes

John Beltran

Your 2019 Playback

No Virus No Fever

What do the dead trees speak about? About the life and death, love and hate, happiness and pain. When the foliage has fallen and the beauty ceased to be a raison d'etre, the wisdom and knowledge are coming out at the forefront. Black trees - is starlight music that is lost among the bare branches. 
In the third Abjective's album experiences of proximity to death and the births of new life fight cyclically. The knowledge gained from the pain and triumph of rebirth heard in every note.


Nārāyana (feat. DomainMeta)

Disclaimer: I do not own any copyrights for this track. If there's any trouble with this upload, contact me and I will remove it right away. Please support artists and labels and BUY TRACKS.

Stimming - Der Schmelz (David August Revision)

Luke Abbott remix of 'Feathers Are Falling' by James Yorkston. Taken from the album 'The Cellardyke Recording And Wassailing Society'
More details here: po.st/CRAWSghpto

James Yorkston - Feathers Are Falling (Luke Abbott Remix)

Roy RosenfelD & Guy Mantzur – Epika

‘Loon’ will be released on Erased Tapes as a 12” vinyl as well as digitally on October 2nd. 
Pre-order it here: www.erasedtapes.com/store/index/ERATP072
or via iTunes: http://snip.ftpromo.net/loon

Containing five synthesiser-led pieces, ‘Loon’ was recorded in autumn 2014 across five days at Nils’s Durton Studio in Berlin, and continues on from the ambient sounds of ‘Stare’ but with the addition of more percussive elements and dub influences. For this new EP the duo wired an Oberheim 4 Voice and a Korg PS3100 to the mixing desk and performed live takes on both instruments. With all four hands on its pots, all mixes were recorded straight onto 2-track ½-inch tape.

Like on ‘Stare’, their first collaborative affair in 2012, they simply followed what was laying in front of them, and this time they were driven by some new synths, a kick drum and tape effects. Indulging in dub, the tracks where all performed rather than engineered, with Ólafur riding a few elements on faders and Nils bringing effects in and out. After running several mixes, they went for the five strongest moments from this session. The release was announced on a joint website www.arnaldsfrahm.com together with the launch of an intimate 45-minute studio film titled ‘Trance Frendz’, featuring another seven improvisations.

“Nils got some new synths and we thought we’d try them out. We loved them so much that we didn’t actually end up using anything else to make these songs.” – Ólafur Arnalds

“When I was young I was smuggled to Goa parties by my brother. The music played there in the late nineties had a somewhat deep effect on me. ‘Loon’ is almost a blurry memory of these times. In other words, it is what I’d like to remember that music sounded like back then. In fact it sounded probably really cheesy.” – Nils Frahm

Loon

Four

Buy 12"/DL

Ólafur Arnalds & Nils Frahm – Four

Tracklist:

01 – Daft Punk – ‘Wdpk 199 Greetings’ (Daft Trax)

02 – Bassment Jaxx – ‘Rendez Vu’ (Xl Recordings)

03 – Mike Delgado – ‘Upstairs Lounge’ (Henry Street)

04 – Daddy’s Favourite – ‘I Feel Good Things For You’ (Go Beat)

05 – Bassment Jaxx – ‘Dreamzdub’ (Xl Recordings)

06 – Whirlpool Productions – ‘Disco To Disco (Original Album Mix)’ (Sum)

07 – Lonnie Liston Smith – ‘Garden Of Peace’ (White Label)

08 – Artist Unknown – ‘The Death Of Jack (Accapella)’ (Dj Essentials)

09 – Artist Unknown – ‘In The Beginning (Accapella)’ (Dj Essentials)

10 – Joe Smooth – ‘The Promised Land’ (Dj International)

11 – First Choice Vs Johnnick – ‘Player’ (White Label)

12 – Todd Edwards – ‘Mantra’ (Ultra)

13 – Brandi & Monica – ‘The Boy Is Mine (Remix)’ (White Label)

14 – Forget About The World – ‘Gabrielle (Daft Punk Mix)’ (Go Beat)

15 – First Choice Vs Johnnick – ‘Player (Remix)’ (White Label)

16 – Joe Smooth – ‘The Promised Land (Radio Mix)’ (Dj International)

17 – R&B Accapellas – ‘Is It Good To You’ (White Label)

18 – Stardust – ‘Music Sounds Better With You’ (Roule)

19 – Stardust – ‘Music Sounds Better With You (Bibi & Dimitri’s Mix)’ (Roule)

20 – Scott Grooves – ‘Mothership Reconnection (Daft Punk Mix)’ (Soma)

21 – Alan Braxe – ‘Vertigo (Thomas Bangalter’s Virgo Edit)’ (Roule)

22 – Beastie Boys – ‘Intergalactic (Alan Braxe Mix)’ (White Label)

23 – Bassment Jaxx – ‘Red alert’ (Xl Recordings)

24 – Green Velvet – ‘Preacherman’s Accapella’ (Relief)

25 – The Bucketheads – ‘The Bomb’ (Henry Street)

26 – Artist Unknown – ‘Got Myself Together’ (White Label)

27 – Nick Holder – ‘Greatest Dancer (Remix)’ (K7)

28 – Daddy’s Favourite – ‘I Feel Good Things For You (Alan Braxe Mix 2)’ (Go Beat)

29 – Spiller – ‘Batacuda’ (Peppermint Jam)

30 – Cheek Venus – ‘Sunshine People (Dj Gregory’s Mix)’ (Versatile)

31 – Victor Simonelli – ‘Another Seven’ (West Side Records)

32 – Classic Accapellas – ‘My Loletta’ (White Label)

33 – Cassius – ’1999′ (Virgin)

34 – Marshall Jefferson – ‘Move Your Body’ (Trax)

35 – Stevie Wonder – ‘Isn’t She Lovely’ (Motown)

36 – Armand Van Helden – ‘You Don’t Know Me’ (Ffrr)

37 – Nu Yorican Soul – ‘Runaway (Accapella)’ (Talkin Loud/Giant Step)

38 – Daft Punk – ‘Revolution 909′ (Virgin)

39 – Nu Yorican Soul – ‘Runaway (Armand Van Helden Mix)’ (Talkin Loud/Giant Step)

40 – Edie Amador – ‘House Music’ (Yooshi)

41 – Cunnie Williams – ‘Saturday’ (Peppermint Jam)

Thanks to rAmhz & kitkat303 for the tracklist.

Daft Punk - Essential Selection Special Edition Hotmix - 01-01-1999

1st single form forthcoming LP "Chapters" on Tru Thoughts

“Mellow mix of jazzy electronica and sweet melodies”  - Q Magazine

“The producer's commitment to live performance is reaching truly groundbreaking levels” - Clash Magazine

“Anchorsong has fast earned himself a reputation as an incredibly innovative and exhilarating live act” -The Independent

 

Originally from Tokyo, and now based in London, Anchorsong is a producer and solo live act whose early champions include Huw Stephens (BBC Radio 1) and NYLON Magazine.

Anchorsong – aka Masaaki Yoshida – has become globally recognised for his unique live shows, which many people have described as “like watching a painter drawing on a white canvas”, as he creates electronic music completely live using a sampler (MPC2500) and a keyboard, right in front of the audience. While he mainly performs solo, he frequently augments this setup with a string quartet, for a truly spellbinding show.

Having always been swept away by the atmosphere and excitement of live performance, Anchorsong (who played guitar in a rock band before embarking on this solo journey) brings that vibrant energy, warmth and sense of occasion to the world of electronic music with his compelling live act.

Since his relocation to Europe in late 2007, Anchorsong has supported Bonobo, Prefuse 73, DJ Krush, Daedelus, Gonjasufi, Jaga Jazzist and more, and performed at many prestigious venues including Queen Elizabeth Hall and The Roundhouse in London. He has garnered an international following on YouTube, with videos of his performances having been viewed more than 300,000 times so far.

After wowing the crowds at SXSW 2009, he found himself the subject of a new level of attention, going on to make several appearances on BBC Radio 1, with radio play from Rob Da Bank and a live Maida Vale session for Huw Stephens’ In New Music We Trust show in early 2010.

Having put out three successful EPs in Japan, all of which were released as double packs containing a CD and a live DVD, Anchorsong’s international debut, “The Lost & Found EP” was released on 28th March 2011 on his own label, Case Study.

In May 2011, Anchorsong signed to Tru Thoughts records in the UK, and his highly anticipated debut album, ‘Chapters’, was released in November of the same year. A unique and addictive listen with layer up on layer to explore, the album fuses diverse influences including rock, hip hop and electronica, with every note – from beats right through to strings – played by accomplished multi-instrumentalist Yoshida himself.

Expect big things… and, of course, some seriously exciting live shows.

- See more at: http://www.tru-thoughts.co.uk/artists/anchorsong#sthash.XZkSUpNC.dpuf

Ghost Touch

Such a great pleasure to premiere one of the most thrilling emergent acts Aparde’s new tune ‘Dim’. The track will appear on the Dim EP due out on February 19th via Lenient Tales Recordings.

Written, composed and produced by Aparde.
Art: Christoph Spranger

Aparde
@aparde
https://www.facebook.com/apardeofficial
https://aparde.bandcamp.com

Lenient Tales
@lenient-tales
http://www.lenient-tales.com

Beatport

premiere: Aparde - Dim

French imprint A-Traction Records returns with a new EP from Martial Thebault aka Marst late June, featuring three original compositions and two remixes from Moteka. 

Here we see Marst return showcasing his melodious, deep techno style which has seen heavy support from French electronic music pioneer Laurent Garnier since his humble beginnings. 

Up first is title track our Debut Transmission today ‘Nanga’ which sees Marst blend square wave arpeggios and an amalgamation of delayed staccato synth stabs with weighty rhythms and sporadic organic percussive rolls. The ‘Vocal Mix’ of ‘Future’ follows and embraces a deeper aesthetic via elongated sub drones, stuttering bass hits and snaking resonant lead hook, whilst psychedelic vocal murmurs further fuel its heady vibe.

Fellow Frenchman Moteka then turns in his first interpretation next with ‘Remix 21’ taking a more robust approach with pounding drums, murky atmospheric sweeps and vacillating synth chimes which ebb and flow throughout the groove. The ‘Instrumental’ of the original follows stripping back the vibe to it’s raw melodic state before Moteka’s ‘Remix 13’ closes with on a more dubbed out feel with expansive echoes, broken rhythms and low-pitched vocal chops.

Marst’s ‘Nanga’ EP is out on A-Traction Records 24th June 2016.

Marst - Nanga (Original Mix)

New mini-album 'Night Melody' out August 5th
Pre-order it on 12"/DL: www.erasedtapes.com/store/index/ERATP087
or digitally from iTunes: snip.ftpromo.net/nightmelody
More info: www.rivalconsoles.net

London-based electronic songwriter Ryan Lee West aka Rival Consoles to release his most personal work to date in the form of a mini-album titled ‘Night Melody’ through Erased Tapes on 5th August 2016.

During the release of his acclaimed full-length album ‘Howl’ and heavy touring in late 2015, Ryan came out of a long relationship and found himself making music throughout the winter months. The result of his efforts is a 34-minute, 6-track mini album ‘Night Melody’, born out of and shaped by long hours working into the night. It’s nocturnal in sound; mysterious in the way that the early hours so often are.

“I found myself, in a silent home, with the days getting dark very early. I’ve never before in my life been affected by the lack of light so much. I just remember it always being night time. I would either make music into the night, go out drinking with friends, or go to parties and dance into the early hours, every day, week after week, month after month, until eventually the days became brighter again.”

The opening statement ‘Pattern of the North’ starts off with a collage of spliced synth melodies, inspired by anxiety that accompanies going home for Christmas. It’s followed by ‘Johannesburg’, an early sketch gradually filled out during his tour in South Africa. 

“After playing it around some of the cities, I got a lot of inspiration to bring it to life and push it into something that really moves me. I think this is one of my most colourful pieces of music, with its driving rhythm and almost a homage to Terry Riley’s ‘In C’ towards the end, with a build of very simple, hypnotic parts. I especially love that for over five minutes the piece is tied to just one note. This makes the ending very dramatic, because all of a sudden there is this harmonic change.”

‘Lone’ started life around the time Ryan was working on his ‘Sonne’ EP in 2014. It’s the result of constant adjustments to find the perfect balance of fragility and assurance. As everything on the album, it’s a carefully considered, emotionally mature piece. “I think, as I get older, I need music to represent something and not just sound interesting, though of course the two are connected.”

The closing statement ‘What Sorrow’ is a fitting end to the album, building from gentle melancholia to a joyous crescendo. It’s a sensibility that’s central to the record; joy and sorrow both find their counterpoints.

“This record is very personal to me and I hope it offers something for other people, as it helped me to make it and to listen to it. Almost every synth line was recorded intuitively, without perfection but with a lot of intention and expression. I’m not interested in making something sad or making something happy. I want music to be bittersweet, to be more complex, like life – containing moments of vibrant colour and hope, as much as darkness and sadness.”

This summer will see Ryan follow on from his recent North American Tour with the appearance at many festivals including Lovebox, Secret Garden Party, La Route Du Rock, Sea Change and Tale of Us-curated Afterlife party at Space, Ibiza. ‘Night Melody’ will be available on 12” vinyl and digitally, August 5th.

TRACK LISTING:  	

A1. Pattern Of The North
A2. Johannesburg
A3. Slow Song

B1. Lone
B2. Night Melody
B3. What Sorrow

Night Melody

Johannesburg

Rival Consoles - Johannesburg

sunday jam recorded thru (mono) blackfinger bass compression pedal von wärme her

zerlauf der dinge

blockhead - insomniac olympics

First preview of upcoming Kiasmos LP! Out soon on Erased Tapes Records

Buy Kiasmos' 2009 single, 65, here: http://erasedtapes.com/store/index/ERATP013

Thrown

This is my edit of a techno classic 'subzero' from Ben Klock.

Free Download

Ben Klock - Subzero (UNDERHER Edit) [Free DL]

second half Rave set by @solarisifz at ://about blank's NYE party "BLANKDOWN" on Jan 1st 2019

SOLARIS @ ://about blank - 01.01.2019

Hallo Androiden

Himmelszelt

Fernweh

From my Season Series available on Delsin Records

Touch the Blooms

John Beltran