irini - lost in dreams

Silence

3 Seconds of Silence

As co-founder of the Music From Memory label, UK born but Berlin based Jamie Tiller has encouraged us all to take time out, go slow and get lost in some essential Balearic, neo-classical and minimalist works by legends old and new. As well as working with celebrated Italian composer Gigi Masin, the label has put out the work of ambient super group Gaussian Curve and Joan Biblioni amongst others. The next project for these obscure gem lovers is a timely re-issue of UK band The System and as such Tiller and co are doing fine work as historical treasure hunters. 

Jamie —also part of the Red Light Records team— DJs all round Europe and as such has put together a mix for our series that shows where he is at. It proves him to be a lover of colourful and harmonious melody, of beachy guitar licks and sun kissed sounds that bounce along on a buoyant groove. Flashes of 80s sass, pumping euro disco and slick, classic sounding house are all part of the most pleasing puzzle. 

Dekmantel Podcast 071 - Jamie Tiller

Taken from Robag Wruhme's 'Wuzzelbud FF' EP, landing September 7 via Hart&Tief.

Info: https://www.xlr8r.com/news/premiere-hear-a-slick-dancefloor-cut-from-pampas-robag-wruhme

@robag_fm
@pamparecords

Wuzzelbud FF

Info

Premiere: Robag Wruhme - Wuzzelbud FF

Honkai Impact 3 OST Nightglow By 蔡健雅.mp3

definitely my favourite cg animation so far. I love how they brought angel of sin back!!!

Honkai Impact 3rd - Cyberangel ZERO Exception

Lyrics:

Back to the time
When I used to feel your hand in mine
Tiniest tenderness
Might it melt the ice into tears

Far from the world
That still makes both of my eyes blurred
Not a word could I say to wake up a dreamer

Call out my name
When you see the tide turn me away

Long ago buried heart
Right away torn apart
So it hurts how it lasts
till I draw one more last final breath

Where to go when to come
Across a land bare and dark
May it be the one for all
Burning the horizon out into none

Once in a while
Let my shadow stand by your side
Filling the emptiness of your mind
Then disappear

Dreams can be real
When a soul is armored in steel
No more fear of right or wrong
Embraced under my shield

Call out my name
When you see the tide turn me away

Long ago buried heart
Right away torn apart
So it hurts how it lasts
till I draw one more last final breath

Where to go when to come
Across a land bare and dark
May it be the one for all
Burning the horizon out into none

|Honkai Impact 3rd| Dual Ego (lyrics in desc.)

new animation CUMS HARDDD!!! i am so proud of kiana, we even got a snipped of mei and rita!! ♡♡

Honkai Impact 3rd - Starfall

Prince of Denmark - The Ghost Ran Out Of Memory (Mind Against Edit)

Mike Huckaby performing at [KONTROL], an influential monthly party series that ran from 2005-2012 in San Francisco.  Recorded live at SF's legendary club The Endup on Saturday, August 1st, 2009. 

REST IN PEACE, HUCK.

thank you for the music, thank you for your service, and thank you for leading by example. you made this world a better place. you will be dearly missed, and never forgotten. <3

Mike Huckaby - Live @ [KONTROL] San Francisco, August 1st, 2009

'Guy', out now on Ninja Tune: https://jayda-g.lnk.to/guySo

Taken from the EP 'Both Of Us / Are U Down', released 3 July on Ninja Tune: https://jayda-g.lnk.to/bothSo

Follow Jayda G -
Spotify: https://found.ee/jg-sp
Apple Music: https://found.ee/jg-am
Instagram: https://found.ee/jg-ig
Facebook: https://found.ee/jg-fb
Youtube: https://found.ee/jg-yt
Bandcamp: https://found.ee/jg-bc
Soundcloud: https://found.ee/jg-sc

Both Of Us

90 minutes of summertime magic.

Read more here: https://www.residentadvisor.net/podcast-episode.aspx?id=739

@jaydagmusic

Resident Advisor podcast

RA.739 Jayda G

Rarities 2007-2010

Group Transport Hall (Alternate Version)

Buy/stream: https://kompakt.fm/releases/videosphere

Videosphere, the debut album by Kompakt’s latest signing, the London-based artist Lake Turner (aka Andrew Halford), swoons into focus with “The Sunbird”, a teasing drift of lilting, ambient tones, riding out a submerged piston-pulse rhythm. Across its brief 109 seconds, it manages to traverse evocative terrain – something mythopoetic, something both humble and grandiose, a glimpse of the other behind the sky’s curtain. “I wanted to conjure up something resembling an ancient ceremony or death procession,” Turner nods. “Like a hymn to the surroundings of a faraway hill.” It’s both sky-bound and earthen, a ritual incantation to call in the music of the spheres.

Turner was introduced to the Kompakt family by his sometime collaborator Yannis Philippakis of Foals. He’d previously made music in post-punk and indie groups Great Eskimo Hoax and Trophy Wife, but Videosphere is the first time he’s fully articulated his own vision of electronic music, aside from one limited lathe-cut 12”, 2018’s Prime Mover EP, on Algebra. The lush ambient-disco-techno dreams of Videosphere were constructed and completed in his London studio and at his parents’ arable and sheep farm in Worcestershire, which might help explain the hazy, unhurried pastoralism of the album.

“There was a slight bittersweetness in finishing the record (in Worcestershire) as my parents were in the middle of selling my childhood home,” he sighs, before quipping, “on the plus, I ended up shearing a lot of sheep over the summer.” A student of archaeology and ancient history, Turner is no doubt carefully attuned to the twisting cogs of history and memory, and it’s no surprise that Videosphere has a nostalgic, melancholic cast; much of its beauty rests in the way it tugs, gently, at the heart strings – see the tear-stained cheeks of the lush, dappled “Honeycomb”, or the sweetly sad electro-roundelay of “No Way Back Forever.”

It’s not all drift-dream hypnosis, though – Videosphere is very much grounded in the now. ““No Way Back Forever” is a nod to the linear nature of time,” Turner explains by way of example, “and the tipping point of the world climate crisis that scientists have now declared.” Jayne Powell’s vocals are sent spinning through the song, wound like candyfloss; she takes centre stage on the techno hymnal title track, too. Throughout, there’s a sense of forward movement, despite the life stasis we find ourselves collectively bound by in mid-2020; there’s also a yearning for the communal, for community, that’s captured in the album title, a nod to an object Turner encountered at London’s Geoffrey Museum, “a television set in the shape of a spaceman’s helmet from the 1970s.”

“The vision I loosely had was to make an electronic record that had a communal warmth and almost ceremonial or ritual feel. I wanted to examine the relationship of our archaic minds in the trappings of the modern world,” Turner concludes. “What the Videosphere also symbolizes for me is the oneness of humanity and community, prevailing.”

3 Seconds of Silence

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